5,359 research outputs found
Anything goes: From the songbook of Cole Porter (2009)
Full text linkDevising and arranging a concert of Cole Porter songs for The Orpheus Choir Wellington and accompanying orchestra for performance at the Wellington Town Hall on 28 November, 2009
International publication of compositions and arrangements for jazz choir: Hey Cinderella; Hold my heart to blame; Anything goes: From the songbook of Cole Porter (2009); Who wants to be a millionaire; and You're sensational medley
Full text linkResearch and develop original compositions “Hey Cinderella” arranged for Adv, Int, and Beginner levels of Jazz Choir (dur. Approx 4-5 minutes) "Hold My Heart To Blame"(selected for the Wisconsin Choral Competitions Song List) and "The Gift Of Love" for publication by Really Good Music LLC., WI., USA.
Also arrangements from the concert "Anything Goes: From the songbook of Cole Porter (2009)" - "Cole Porter Latin Medley", "Who Wants To Be A Millionaire" and "You're Sensational Medley" devised and arranged for The Orpheus Choir Wellington NZ, for publication by Really Good Music LLC., WI., USA
Anything goes: 2011: A concert of Cole Porter Songs (additional material)
Full text linkDevelop new material for concert for the Orpheus Choir Wellington for performance at the Wellington Town Hall on Oct 7, 2011. The project requires researching, devising and arranging 2 new extended medleys, "You're Sensational Medley" and "It's Too Darn Hot Medley" (a total of around 18 minutes,for Concert Choir and small orchestra editing and preparing score and parts for printing, and adapting existing concert format
A symphonic portrait of Cole Porter / Cole Porter ; Guy Luypaerts, dir
No full textComprend : A symphonic portrait of Cole Porter ; Why shouldn't I ; All through the night ; What is this thing called love ; You do something to me ; Begin the biguine ; FinaleBnF-Partenariats, Collection sonore - BelieveContient une table des matière
Cole Porter
No full textPorter was the composer of more than 30 musical comedies. Among his most popular songs are "Anything Goes," and "In the Still of the Night." One of his most famous musicals was "Kiss Me Kate."Porter is shown at a piano writing on a musical score
Can-can : music of the motion picture / Cole Porter, comp. ; Nelson Riddle et son Orchestre
No full textTitre uniforme : Porter, Cole (1892-1964). Compositeur. [Can-can (Comédie musicale)]. Arr.Comprend : It's all right with me - It's all right with me - Allez-vous-en, go away - You do something to me - Maidens typical of France - Let's do it - Just one of those things - I love Paris - C'est magnifique - Come along with me - Live and let live - Montmart' - Can-canBnF-Partenariats, Collection sonore - BelieveContient une table des matière
High Society by Cole Porter
No full textPoster advertising High Society by Cole Porter, presented by Queen's College Music and Drama Society at the Union Theatre, University of Melbourne
Cole Porter: Harmonious Hedonist
Full text link“There’s something wild about you child, that’s so contagious. Let’s be outrageous. Let’s misbehave!” This exclamation from Cole Porter’s hit, Let’s Misbehave, exhibits the facetious sensuality that was typical of Porter’s music. Well known for his witty, yet generally risqué, lyrics, Porter was a prominent composer of his time. His music, laden with double-entendres, managed to shine anywhere he composed, from the Broadway stage to the silver screen of Hollywood
A Cole Porter Companion
No full textBalancing sophisticated melodies and irresistible rhythms with lyrics by turns cynical and passionate, Cole Porter sent American song soaring. Timeless works like I Get a Kick Out of You and At Long Last Love made him an essential figure in the soundtrack of a century and earned him adoration from generations of music lovers. This book offers essays on little-known aspects of the master tunesmith's life and art. Here are Porter's days as a Yale wunderkind and his nights as the exemplar of louche living; the triumph of Kiss Me Kate and shocking failure of You Never Know; and his spinning rhythmic genius and a turkey dinner into You're the Top while cultural and economic forces take Ev'ry Time We Say Goodbye in unforeseen directions. Other entries explore notes on ongoing Porter scholarship and delve into his formative works, performing career, and long-overlooked contributions to media as varied as film and ballet.</p
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