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    Application of coatings on silver studied with punctual and imaging techniques: from specimens to real cases

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    The protection of silver artifacts with a coating of organic material isolating the surface from oxygen and S-bearing gases is still one of the most used techniques for the preservation of silver surfaces. A variety of materials suitable to this purpose are being used in the conservation practice. Among them there are acrylic polymers, nitrocellulose lacquer, microcrystalline wax and combination of them in superimposing layers. They are applied either by brush or, in some cases, by spraying. The first stage in a conservation project is often the cleaning of residuals of old protectives, aimed at making the silver surface free from remnants of yellowish materials and enabling the application of new coatings. Unfortunately, removing aged coatings and applying new ones are "blind" processes, since the techniques available for not invasively monitoring the surface of silver artifacts are punctual and do not allow an overall overview of the surface. This is the case of reflectance FTIR and thickness measurement with the Eddy Current technique, which, apart from being punctual, are tricky to apply to uneven surfaces. In this paper, we aim to show the benefits of using an imaging technique, UV induced VIS luminescence, for monitoring the presence and the distribution of protective coatings on silver surfaces and of combining it with reflectance FTIR and thickness gauge. At first, our study was focused on specimens treated with nitrocellulose, acrylic emulsion and microcrystalline wax. The application of the treatments was studied with UV-induced VIS luminescence as well as with the abovementioned punctual techniques to cross-validate the outcome of each method and to assess their suitability for application on organic protective layers on silver artifacts. In a further stage, UV induced VIS luminescence was applied to a real case, a silver chalice that was treated with nitrocellulose lacquer after cleaning

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods
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