1,720,961 research outputs found

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Tortuously Turning Reality into Theatre: The Case of Nicoleta Esinencu

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    How do the professionals of the theatre of the real deal with the dilemmas raised by the techniques and ethics of representation that lie at the heart of this particular drama genre? There is little in the available scholarship to provide much guidance in this regard. This article addresses the question and the gap encased within it by examining the critical case of Nicoleta Esinencu, one of the most high profile contemporary drama directors of this kind in Eastern and Central Europe. Focused on the work done by Esinencu at the avant-garde Laundry-Theatre in Kishinev, the analysis dwells on the ethics of documentary work and of representing real life people, the information-gathering process, the choice of topics and the societal implications of the performance. Furthermore, the article captures the bespoke interdisciplinarity of ethnographic research and drama studies while unearthing unsuspected tensions between the claims about representing authentic experiences made by the theatre of the real and the actual perceptions of the professionals

    A Theatre for the Workers, Protest as Performance, and the Political Police as (Art) Historian. A Plea for the Rediscovering of Interwar Peripheries

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    The article argues the importance of a renewed approach of the proletarian and Agit-prop theatre in interwar Romania, as well as forms of political proto-performances, as sociological and political phenomena, more than as aesthetical ones, based especially on the research of primary sources. Due to the specific political context of the period and the harsh censorship, these primary sources are mainly to be represented by the files of the political police of the time, Siguranţa. Taken over by its communist successor, these files were manipulated and reinterpreted according to occasional political needs: any research of the original documents is an archaeological process dealing with both the analyzed activity per se and the politicization of archives during the 1948-1989 period

    The Public Consciousness of the Transition

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    The decade following the Romanian Revolution, generally known as “the transition”, saw radical changes in the economic and social fabric of the country, with one apparent exception: the public theatre system. At the same time, the monopoly the winners of post-communism developed on the discourse about the transition and the traditional practices of cultural production delayed any artistic representation of that period for at least another decade. The article tackles the issue of this delayed public reflection on the long-term effects of the transition, how the theatre managed to preserve its own oblivion to these effects, and how the independent theatre of a new generation of artists engaged, after the financial crisis of 2008-2011, in a public reckoning of the ongoing legacy of the transition

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

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