1,721,010 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Russion literary fairy tale of Soviet period
Full text linkПредмет ове дисертације је совјетска ауторска бајка од 1920. до 1980. године.
Истраживање је спроведено анализом ауторских бајки овог периода, намењених
дечијој или аудиторији одраслих, при чему се посебна пажња посвећује
ауторским бајкама, чији су сижеи позајмљени из књижевно-уметничке традиције,
односно делима насталим по узору на већ постојеће ауторске бајке, у највећем
броју случајева, аутора западноевропског порекла. Циљ истраживањаусмерен је
на структуру дела, конструктивне елементе и књижевне поступке, односно на
анализу садржинских измена, начин естетичког функционисања новог дела у
одређеном културно-историјском контексту, настанак и развој одређених модела
и односа између текстова. Неке од категоријa, по којима се одaбрани материјал
анализира су: систем ликова, уметнички простор и време и сижејно-композициона
организација. Осим анализе наведених аспеката књижевних дела, пореде се и
анализирају уметничке функције и естетика насталих промена и истражују
основни разлози и мотиви руских писаца за прераду и адаптацију постојећих
сижеа. Основни задаци истраживања су: прецизно одређивање извора, тј.
прототекстова на основу којих су створена одређена дела аутора овог периода,
детаљна анализа дела насталих адаптацијом и анализа начина адаптације, према
конкретним друштвено-васпитним циљевима; анализа свих осталих видова
интертекстуалности са основним прототекстом; одређивање могућих осталих
интертекстуалних веза са књижевно-уметничком традицијом; критичко
сагледавање потенцијала перцепције тако насталих ауторских бајки и њиховог
универзалног уметничког домета, независно од контекста социјалне
ангажованости.
У истраживању се користи неколико неопходних комплементарних метода:
историјско-типолошки, историјско-функционални, структурно-генетички, уз
принципе методологије упоредне књижевне анализе, а такође и метод мотивске и
интертекстуалне анализе. Методама интердискурсивности и интерсемиотичности
истражено је њихово постојање и улога у текстовној и жанровској структури
ауторске бајке...The subject of this dissertation is Soviet literary fairy tales written in the period for 1920.
to 1980. The research was conducted by the method of analysis of fairy tales from this
period, written for children as well as for adult audiences. Special attention was paid to
those author fairy tales which borrow their plots from literary and artistic tradition, that is:
to the works conceived on the model of already existing author fairy tales, in the typical
case, those by Western European authors. The goal of the research is primarily the
structure of the work, elements of its construction and literary procedures, that is, the
analysis of content changes, aesthetical function of the work in the specific cultural and
historical context, appearance and development of certain models and relations between
the texts. Some of the categories used in the analysis are the following: system of
characters, artistic space and time and topical-compositional analysis. Also, artistic
functions and aesthetics of these changes are compared and analyzed, and an inquiry
conducted into the main reasons and motives of the Russian authors for the reworking and
adaptation of the previously existing plots. The basic tasks of the research are: accurate
location of the sources, that is, prototexts theat served as the bases of the works from the
period in question, a detailed analysis of the works produced by adaptation, and analysis of
the methods of adaptation, according to specific socio-educational aims; analysis of all
other forms of intertextuality with their basic prototexts; determining other possible forms
of intertextual connections with literary and artistic tradition; critical assessment of
potential perceptions of literary fairy tales so conceived as well as of their artistic
achievement, considered independently of their social engagement.
Several complementary methods are used in the research: historico-typological, historicofunctional,
structuro-genetical, along with the principles of methodology of comparative
literary analysis, and motive and intertextual analysis. It is also inquired into the presence
and roles of interdiscursivity and intersemiotics in the textual and genre structure of the
literary fairy tale.
In the central chapter, entitled Authors, composed on eleven subchapters, selected fairly
tales of specific authors are analyzed and compared to their prototypes. The first ten
subchapters are devoted to the analysis of the works of authors such as: J. Shwartz, S.
Marshak, A. Tolstoy, J. Olješa, K. Chukovski, A. Nekrasov, A. Volkov, L. Lagin, N.
Nosov, J. Postnikov, V. Medvedev, J. Lari, whose works represent adaptations of the
higher order, or, in some cases, even works only based on the motives of other works, or
loosely inspired by them. In these subchapters, reasons, aims and results of the textual
interventions are examined, as well as the achievements and possible receptions of the
newly produced texts. In the last subchapter of this chapter, translating solutions of B.
Zahoder are examined and compared to the solutions of other translators. Zahoder’s
translations where also used in in the adaptation process, but typically without an intention
of cultural or socio-ideological directing of the way the work will be received
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Russion literary fairy tale of Soviet period
No full textПредмет ове дисертације је совјетска ауторска бајка од 1920. до 1980. године.
Истраживање је спроведено анализом ауторских бајки овог периода, намењених
дечијој или аудиторији одраслих, при чему се посебна пажња посвећује
ауторским бајкама, чији су сижеи позајмљени из књижевно-уметничке традиције,
односно делима насталим по узору на већ постојеће ауторске бајке, у највећем
броју случајева, аутора западноевропског порекла. Циљ истраживањаусмерен је
на структуру дела, конструктивне елементе и књижевне поступке, односно на
анализу садржинских измена, начин естетичког функционисања новог дела у
одређеном културно-историјском контексту, настанак и развој одређених модела
и односа између текстова. Неке од категоријa, по којима се одaбрани материјал
анализира су: систем ликова, уметнички простор и време и сижејно-композициона
организација. Осим анализе наведених аспеката књижевних дела, пореде се и
анализирају уметничке функције и естетика насталих промена и истражују
основни разлози и мотиви руских писаца за прераду и адаптацију постојећих
сижеа. Основни задаци истраживања су: прецизно одређивање извора, тј.
прототекстова на основу којих су створена одређена дела аутора овог периода,
детаљна анализа дела насталих адаптацијом и анализа начина адаптације, према
конкретним друштвено-васпитним циљевима; анализа свих осталих видова
интертекстуалности са основним прототекстом; одређивање могућих осталих
интертекстуалних веза са књижевно-уметничком традицијом; критичко
сагледавање потенцијала перцепције тако насталих ауторских бајки и њиховог
универзалног уметничког домета, независно од контекста социјалне
ангажованости.
У истраживању се користи неколико неопходних комплементарних метода:
историјско-типолошки, историјско-функционални, структурно-генетички, уз
принципе методологије упоредне књижевне анализе, а такође и метод мотивске и
интертекстуалне анализе. Методама интердискурсивности и интерсемиотичности
истражено је њихово постојање и улога у текстовној и жанровској структури
ауторске бајке...The subject of this dissertation is Soviet literary fairy tales written in the period for 1920.
to 1980. The research was conducted by the method of analysis of fairy tales from this
period, written for children as well as for adult audiences. Special attention was paid to
those author fairy tales which borrow their plots from literary and artistic tradition, that is:
to the works conceived on the model of already existing author fairy tales, in the typical
case, those by Western European authors. The goal of the research is primarily the
structure of the work, elements of its construction and literary procedures, that is, the
analysis of content changes, aesthetical function of the work in the specific cultural and
historical context, appearance and development of certain models and relations between
the texts. Some of the categories used in the analysis are the following: system of
characters, artistic space and time and topical-compositional analysis. Also, artistic
functions and aesthetics of these changes are compared and analyzed, and an inquiry
conducted into the main reasons and motives of the Russian authors for the reworking and
adaptation of the previously existing plots. The basic tasks of the research are: accurate
location of the sources, that is, prototexts theat served as the bases of the works from the
period in question, a detailed analysis of the works produced by adaptation, and analysis of
the methods of adaptation, according to specific socio-educational aims; analysis of all
other forms of intertextuality with their basic prototexts; determining other possible forms
of intertextual connections with literary and artistic tradition; critical assessment of
potential perceptions of literary fairy tales so conceived as well as of their artistic
achievement, considered independently of their social engagement.
Several complementary methods are used in the research: historico-typological, historicofunctional,
structuro-genetical, along with the principles of methodology of comparative
literary analysis, and motive and intertextual analysis. It is also inquired into the presence
and roles of interdiscursivity and intersemiotics in the textual and genre structure of the
literary fairy tale.
In the central chapter, entitled Authors, composed on eleven subchapters, selected fairly
tales of specific authors are analyzed and compared to their prototypes. The first ten
subchapters are devoted to the analysis of the works of authors such as: J. Shwartz, S.
Marshak, A. Tolstoy, J. Olješa, K. Chukovski, A. Nekrasov, A. Volkov, L. Lagin, N.
Nosov, J. Postnikov, V. Medvedev, J. Lari, whose works represent adaptations of the
higher order, or, in some cases, even works only based on the motives of other works, or
loosely inspired by them. In these subchapters, reasons, aims and results of the textual
interventions are examined, as well as the achievements and possible receptions of the
newly produced texts. In the last subchapter of this chapter, translating solutions of B.
Zahoder are examined and compared to the solutions of other translators. Zahoder’s
translations where also used in in the adaptation process, but typically without an intention
of cultural or socio-ideological directing of the way the work will be received
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
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