1,406 research outputs found
Dioniso e la nuvola. L’informazione e la critica teatrale in rete: nuovi sguardi, nuove forme, nuovi pubblici
No full textIn rete tutti possono comunicare con tutti, su qualunque argomento, compresi libri, spettacoli, musica, film e video. In apparenza una grande conquista democratica, che rischia però di annullare il pensiero critico, rendendo impossibile la definizione di qualunque scala di valore. In questo scenario è indispensabile ripensare il ruolo del mediatore culturale, che ha il compito di mettere ordine in un’offerta di prodotti culturali gigantesca e caotica e spesso di bassissimo livello.
Ha ancora senso parlare di teatro nell'era della rete? Quale può essere il rapporto tra Dioniso, il dio di quest'arte antica, e le nuove forme della comunicazione diffusa, multimediale e partecipata?
Da qui una riflessione sul ruolo della critica nell'epoca del web.
In rete tutti possono comunicare con tutti su qualunque argomento, compresi libri, spettacoli, musica, film e video. In apparenza una grande conquista democratica, che rischia però di annullare il pensiero critico, rendendo impossibile la definizione di qualunque scala di valore.
In questo scenario è indispensabile ripensare il ruolo del mediatore culturale, che ha il compito di mettere ordine in un'offerta di prodotti culturali gigantesca, caotica e spesso di bassissimo livello. Partendo da una riflessione sulla natura e sulla storia della critica nel teatro e in altre discipline artistiche, il testo affronta la rivoluzione della comunicazione nell'era della rete e della partecipazione, confermando la necessità di un approccio critico: un contromanuale di critica ai tempi del web.
Una panoramica aggiornata, ricca di dati ed esempi, con spunti di riflessione utili a chi si avvicina all'ambito culturale e a chi già vi opera
I festival culturali: dal lockdown a un nuovo inizio? L'impatto del Covid-19 sugli eventi dell'estate 2020
No full textIn February-March 2020, Covid-19 stopped all cultural events, until mid-June 2020, when indoor and outdoor venues could resume their activity, albeit with many restrictions, from environmental sanitation measures to social distancing for the audience and the artists. It was a great economic, organizational and aesthetic challenge. Curators had the choice to move online, to cancel the 2020 edition or to postpone their events in the Fall-Winter. Using a database of more than 1000 Italian festival in different 253 fields (visual arts, cinema, music, performing arts, books and culture), the essay examines the impact of Covid-19 on cultural festivals, and the different strategies used by programmers
I festival culturali italiani: la scommessa della post pandemia
No full textCultural festivals, with both an informative and spectacular approach, had a notable development in Italy in the last few years. In addition to being cultural attractors, festivals are also a tool for promoting territories, with different impacts such as reputation, attractor for audiences, discovery of the territory's tangible and intangible heritage, social aggregation.
In this year of health emergency, festivals had to stop their activities, with significant consequences on the aesthetic, social and economic levels. Almost thirty percent of the 1030 Festivals mapped by TrovaFestival canceled the 2020 edition; and 13% of the festivals went online, with an entirely digital 2020 edition. If the sanitary measures had negative consequences on many festivals, this experience can also offer new opportunities.
The analysis of the data led can help us to understand the way the pandemic is changing the participation to festivals and cultural events, during and after the health emergency
I festival culturali. Aspetti economici, di generazione di valore e occupazionali
No full textI festival culturali
Aspetti economici, di generazione di valore e occupazionali
SAMPIERDARENA TRA RICOSTRUZIONE STORICA E RESTITUZIONE TRIDIMENSIONALE
No full textIl contributo presenta parte dei risultati della ricerca condotta nell’ambito del PRIN finanziato dal Ministero dell’Università e della Ricerca nel 2004, dedicato alle 'Residenze nobiliari e trasformazioni urbane: il ‘modello’ genovese tra XVI e XVIII secolo, integrazione fra strutture architettonico-decorative e paesaggio urbano'. Coordinatore nazionale del programma di ricerca scientifica, Prof. Marcello Fagiolo, Università degli Studi di Roma ‘La Sapienza’, Facoltà di Architettura Valle Giulia
Dall’albero alla foresta: i festival culturali in Italia
No full textCultural festivals are complex phenomena that blend rituality, social exchange, and the promotion of cultural heritage. This study aims to classify Italian festivals in relation to their territorial contexts, based on an empirical database (DBFest) of 1,574 events observed between 2019 and 2024. The findings highlight a heterogeneous distribution: culturally "vocated" regions such as Lombardy, Emilia-Romagna, and Tuscany contrast with areas hosting fewer events, often corresponding to less urbanized or less touristically developed provinces. The Covid-19 pandemic profoundly impacted the cultural offer, accelerating the polarization between vibrant centers and marginal areas. While DBFest represents an initial framework it enables systematic reflections on the role of festivals in fostering cultural resilience and vitality across territories, providing insights for inclusive and sustainable cultural development policies
Giulia Veronica Varisco
No full textThe headword explains the biography and the contribution of the author Giulia Varisco to the children's literatur
L'evento culturale come momento di creazione di welfare di comunità: la risposta di Suq Genova
No full textThe Suq of Genoa is a large theater where every visitor is part of the audience of a collective, choral creation, and at the same time the author and protagonist of his/her own performance. The setting is a temporary bazaar in the Old Port, housing ethnic shops and restaurants, 53 in the latest “in-person” edition, managed by traders with a migratory background active in the city. The central square and some surrounding spaces host shows, concerts, debates, lessons, partly organized by migrant associations, partly selected by the artistic direction. For the visitor, the festival becomes a journey towards his/her own identity recognition, through the comparison with the Other. The visitor of the Suq, as an individual, is part of the aggregating community that he is building with his/her own presence, in the openness and recognition of the new: the feeling of belonging lasts the time of the festival, which unfortunately has never found the economic support necessary for an organic organizational growth, with a greater venue and/or a longer duration. Despite this limitation, the Suq has been recognized as a European Best Practice since 2014 and continues to be a successful experiment in creating community welfare
Contributo alla conoscenza floristica della Campagna Romana: il Vallone di Ponte Lupo (Roma)
No full text""Contribution to the floristic knowledge of the Campagna Romana: the area of the Valley of Ponte Lupo. The present work on the flora of Valley of Ponte Lupo (Rome) fits into the broader context of the floristic knowledges of the territory of the Campagna Romana. The taxa recorded are 448 belonging to 80 families and 308 genera. These data highlight a good floristic richness of the site, mainly due to the presence of different habitat. Among the entities collected, there are some of interest as endemic species at national level (Astragalus pelecinus subsp. pelecinus, Centaurea deusta subsp. deusta, Crepis bursifolia, Drymochloa drymeja subsp. exaltata, Erysimum pseudorhaeticum, Linaria purpurea) or rare at regional level (Astragalus pelecinus subsp. pelecinus, Chenopodium hybridum, Leontodon saxatilis subsp. saxatilis, Thalictrum minus subsp. minus). Others are included in LR 61\\\/1974 (Biarum tenuifolium subsp. tenuifolium, Linaria purpurea, Polygonum romanum, Styrax officinalis, Staphylea pinnata) or also in the regional red lists of IUCN (Staphylea pinnata). The structural analysis shows the high prevalence of the therophytes and hemicriptophytes, although the accentuated steepness of certain sectors of the area allowed to the preservation of a good percentage of phanerophytes. Chorologically, the Euroasiatic and Mediterranean types are the most represented, according to the character of bioclimatic transitionality of the Campagna Romana, although the percentage of the multizonal species is relatively high, linked to a certain degree of human disturbance for agro-pastoral, cutting activities, and anthropic frequentation of the site."
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