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Between Trade and Legitimacy, Maritime and Continent: The Zheng Organization in Seventeenth-Century East Asia
Full text linkThis study examines the Zheng organization, which flourished from 1625 to 1683, during a time when the Ming-Qing transition in China intersected with the formation of an integrated early modern economy in maritime Asia. This quasi-governmental commercial enterprise reached the apex of its power under Zheng Chenggong (1624-1662), and his son and successor Zheng Jing (1642-1681). From bases along the southeastern Chinese coast and Taiwan, they relied upon overseas commerce to maintain a sustained resistance against the Manchus, who had taken over most of China in 1644 from the collapsing Ming, the ethnic Chinese dynasty to which both men had pledged their support. Like their fiercest competitor, the Dutch East India Company (VOC), the organization protected the safety and property of Chinese subjects abroad, engaged in armed trade, and aggressively promoted overseas expansion. Zheng Chenggong and Jing proved far more successful and profitable at these endeavors than the VOC. In 1662, shortly before his death, Chenggong even defeated and expelled the company from its colony of Taiwan, and opened the island for Chinese colonization and settlement.Yet, operating within an imperial world order that looked upon overseas contact of any form as a potential source of political instability, the Zhengs, lacking "native" maritime sources of legitimacy, had to receive recognition for their authority from continental centers of power. Father and son skillfully utilized the ranks and titles from the Ming Yongli pretender to rule over territory, develop a civil bureaucracy, and sign treaties with foreign powers, functioning essentially as an autonomous "state." Moreover, by successfully intermediating between continental and maritime Chinese cultural discourse, they forged a complex social unit of traders, militarists, and Ming imperial descendants and loyalist elites. However, this ambiguous arrangement, which gave the organization maximum autonomy and flexibility, came under threat due to the gradual consolidation of Qing rule.Chenggong's successor, Zheng Jing, turned away from Ming symbols of authority on Taiwan during the 1660s, and tried to institutionalize a new identity based upon Han Chinese customs and Confucian moral values on an island considered by contemporaries to be geographically and culturally outside of "China." In negotiations with the Qing court, he pressed hard for the emperor to recognize Taiwan as a tributary kingdom along the lines of Korea. The talks broke down, however, over ethnic identity, as Zheng insisted upon keeping his Han Chinese long hair and flowing robes, while the Qing ruler ordered him to shave his head and wear tight riding jackets in the Manchu style. Despite the failure of negotiations, Zheng took significant steps toward articulating a distinct Han Chinese state. He traded extensively, signed a commercial treaty with the English East Indies Company, and nearly launched an invasion of the Spanish Philippines. However, his return to China to participate in the Rebellion of the Three Feudatories (1674-1681) ruined his organization and paved the way for the Qing invasion and occupation of Taiwan in 1683, two years after his death.This project moves beyond the standard Confucian trope of the Zhengs as ardent Ming loyalists or the Western narrative of ruthless pirate entrepreneurs, extreme discourses later appropriated to serve different nationalisms. Instead, the two men should be viewed as both the initiators and products of a dynamic and internally generated East Asian modernity within an interdependent economic and cultural region that nonetheless enjoyed significant interactions outside the system. Such an approach imbues maritime China with agency and revises the role commonly attributed to it as a marginalized appendage of its bureaucratic and agrarian continental counterpart. An examination of interstate relations unique to this East Asian world region also allows one to conceive of communities beyond the nation-state, and make sense of their identity formation and change, especially when combined with shifts in spatial settings
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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