324,358 research outputs found
An introduction to Conceptual Graphs
This paper provides a lucid introduction to Conceptual Graphs (CG), a powerful knowledge representation and inference environment that exhibits the familiar object-oriented features of contemporary enterprise and web applications. An illustrative business case study is used to convey how CG adds value to data, including inference for new knowledge. It enables newcomers to conceptual structures to engage with this exciting field and to realise "Conceptual Structures: Knowledge Architectures for Smart Applications", the theme of the 15(th) Annual International Conference on Conceptual Structures (ICCS 2007, www.iccs2007.info)
Helping system users to be smarter by representing logic in transaction frame diagrams
We identify a lucid way of conveying complex information to users in a highly visual, easy to follow form. As explanation, we describe several ideas about system user instructions. Several key ideas are clarified using diagrams. A direction for exploration is offered, with the view that ICCS conferees will be aware of a simple, diagrammatic way to explain use of systems dealing with very complex real world problems
Learning perspectives of enterprise architectures through TrAM
Engaging with case studies and reasoning about complex business
situations allows theoretical and practical skills to be practiced and developed
by students as if they were industrial practitioners. There are often several
solutions to enterprise architecture designs, and being able to abstract and
conceptualise about enterprise architecture develops the students' design and
analytical skills in preparation of industrial practice. The Transaction Agent
Modelling (TrAM) framework enhances this practice in that it deepens the
design thinking for transaction agent modelling and transactions within
enterprise architecture through capturing its underlying business semantics.
Core to TrAM are Conceptual Graphs (CG). We reflect on good examples
produced by student design groups applying TrAM to case studies as simulation
of industrial practice. The paper reveals the key lessons that can be learnt from
these good examples and how its guidelines can be derived to improve the use
of TrAM in industry, stimulated by the student experience
Diffusive author(s), cohesive author: Analysis of S/N (1994)
This study indicates the ways in which various aspects of the author(s) are brought forth in Dumb type’s performance art, the S/N production. Previous research has suggested a non-hierarchical organization of Dumb type and the absence of a “privileged author” in Dumb type’s collaborative work, S/N. However, the results that I have investigated from member’s interviews on the creative process of S/N along with my analysis of the recorded images of S/N, indicate a different aspect of the author(s). First, S/N was created through, so to speak, the collective ideas of the members of Dumb type. Further, S/N has at least nine quotations from previous performances, installations, and printed writings, besides the work-in-progress technique. Explicating one of the “author functions” as given by Michel Foucault, each text has plural subjects of the author. However, it has been revealed from members’ interviews that Teiji Furuhashi had a decision-making role in selecting the members’ ideas within the performance. Since then, S/N has had plural subjects of creation; however, Furuhashi is one of the subjects of creation along with the “privileged author.” S/N has plural authors (diffusive authors) yet at the same time, it has a “privileged author,” Teiji Furuhashi (cohesive author)
Dr. Tajana Polovina Prološčić obranila doktorsku disertaciju: “Usporedba digito-palmarnih dermatoglifa djece s cerebralnom obitelji i njihove uže obitelji”
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Author's address:
Can archives of audiovisual TV interviews be used to make authors more visible to students, and thereby reduce the learning gap between native and non-native language speakers in college classes? We examined students in a college course who learned about one scholar's ideas through watching an audiovisual TV interview (i.e., visible author format) and about another scholar's ideas through reading a formal text description (i.e., invisible author format). For the invisible author, native language speakers scored significantly higher than the non-native language speakers on a corresponding exam question (i.e., a cognitive measure), generated more words on the exam question (i.e., a motivational measure), and mentioned the author's name more often in answering the exam question (i.e., an affective measure). For the visible author, the groups did not differ on any of these measures. These findings provide evidence for the idea that making the author visible through audiovisual TV interviews can eliminate the learning gap between native and non-native language speakers. 3 Universities around the world serve students who are non-native speakers of th
The vanishing author in computer-generated works: a critical analysis of recent Australian case law
Abstract
The use of software is ubiquitous in the creation of many copyright works, yet the requirement in copyright law that every work have a human author who engages in independent intellectual effort means that its use may prevent copyright subsistence. Several recent Australian cases have refocused attention on authorship as an essential criterion of copyright subsistence, and these cases suggest that much computer-produced output may be authorless and thus lack copyright protection. This article, the first in a two-part series, analyses how each case deals with the question of authorship of computer-produced works and why the use of software diminishes copyright protection for a significant number of computer-generated works. The article critiques the application of conventional notions of human authorship developed in the pre-computer age to modern productions and suggests alternative approaches to authorship that satisfy both the major objectives of copyright policy and the need to adapt to the computer age. The article argues that, without a broader judicial approach to authorship of computer-generated works, Parliament must remedy the lacuna in protection for these ‘authorless’ works. Possible solutions for reform are suggested. In a forthcoming article, the author comprehensively examines those reform proposals
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