7,824 research outputs found
Jennifer-Angoh/Pine-Marten-Rodent: v.1.0.0
No full text<p>Code for article "How do microtine rodent abundance, snow and landscape parameters influence pine marten Martes martes population dynamics?". Authors: Siow Yan Jennifer Angoh Affiliation: Inland Norway University of Applied Sciences, NO-2480, Koppang, Norway. Corresponding author: Siow Yan Jennifer Angoh, [email protected], ORCID: <a href="https://orcid.org/0000-0002-3791-0150">https://orcid.org/0000-0002-3791-0150</a></p>
<p><strong>Full Changelog</strong>: <a href="https://github.com/Jennifer-Angoh/Pine-Marten-Rodent/commits/Pine-Marten-Rodent">https://github.com/Jennifer-Angoh/Pine-Marten-Rodent/commits/Pine-Marten-Rodent</a></p>
Jennifer-Angoh/Pine-Marten-Rodent: v.1.0.1
No full text<p>Code for article "How do microtine rodent abundance, snow and landscape parameters influence pine marten Martes martes population dynamics?". Authors: Siow Yan Jennifer Angoh Affiliation: Inland Norway University of Applied Sciences, NO-2480, Koppang, Norway. Corresponding author: Siow Yan Jennifer Angoh, [email protected], ORCID: <a href="https://orcid.org/0000-0002-3791-0150">https://orcid.org/0000-0002-3791-0150</a></p>
<p><strong>Full Changelog</strong>: <a href="https://github.com/Jennifer-Angoh/Pine-Marten-Rodent/commits/Pine-Marten-Rodent">https://github.com/Jennifer-Angoh/Pine-Marten-Rodent/commits/Pine-Marten-Rodent</a></p>
Dr. Jennifer Bowie – Faculty Author Interview
No full textDr. Jennifer Bowie, Assistant Professor of Political Science, is the co-author of a new book, The View from the Bench and Chambers: Examining Judicial Process and Decision Making on the U.S. Courts of Appeals, published recently by the University of Virginia Press. This book presents a series of quantitative analyses of judicial decisions in the Courts of Appeals with the perspectives gained from in-depth interviews with the judges and their law clerks
Ep. #136 - Jennifer Gabrys
No full textThis recording and transcript form part of a collection of podcasts conducted by the Cultures of Energy at Rice University. Cultures of Energy brings writers, artists and scholars together to talk, think and feel their way into the Anthropocene. We cover serious issues like climate change, species extinction and energy transition. But we also try to confront seemingly huge and insurmountable problems with insight, creativity and laughter.Your cohosts discuss what sensory technologies they might wish for their own home and the kind of multispecies encounters Cymene might have had in a Tegucigalpa red light district hotel (trigger warning: there be cockroach stories ahead!) Then (20:29) we chat with the multitalented Jennifer Gabrys from Goldsmiths (https://www.jennifergabrys.net), author most recently of Program Earth (U Minnesota Press, 2016), and her fascinating work on the spread of environmental sensing technologies and the impacts they are having on our worlds. Jennifer explains to us why she became taken with Whitehead’s concept of the “superject” as a different, more distributed and relational way of thinking about sensation and experience. That gets us to talking about nonhuman modes of sensing, what humans want from all these sensors, the problem of environmentality in smart city designs, computational urbanism, and why the figure of the idiot interests her in terms of thinking about models of digital participation. Jennifer explains how we can be for a world (and for other worlds) rather than simply of the world and why the etho-ecological is thus such an interesting domain for her. In closing, we return to Jennifer’s pathbreaking work on digital waste and the need for electronic environmentalism and talk about the e-waste/energy nexus and the paradox of spending ever more energy to monitoring ourselves using more energy. Listen on
Author and poet Lily Brett at the National Library of Australia, Canberra, 18 October 2012 /
No full textTitle from acquisitions documentation.; Part of the collection: Portraits of author and poet Lily Brett at the National Library of Australia, Canberra, 18 October 2012.; Acquired in digital format; access copy available online.; Mode of access: Online.; Photographed by a staff member of the National Library of Australia
Adrian Caesar speaking at Alex Miller author: A Celebration, held at the National Library, Canberra, 30 October 2011 /
No full textTitle from information supplied by photographer.; Part of the collection: Alex Miller author: A Celebration, held at the National Library of Australia theatre, 30 October 2011.; Mode of access: Online.; Photographed by a staff member of the National Library of Australia
Dr. Jennifer Erkulwater and Dr. Catherine Bagwell – Faculty Author Interview
No full textFeatured authors are Dr. Catherine Bagwell, Associate Professor of Psychology and Dr. Jennifer Erkulwater, Associate Professor of Political Science. Dr. Rick Mayes is another co-author, but he is unable to join us today due to a research leave project in Peru. Their new book, Medicating Children: ADHD and Pediatric Mental Health, integrates analyses of the clinical, political, historical, educational, social, economic and legal aspects of ADHD and the medications and treatment surrounding the mental disorder
Art and the unconscious : a semiotic case study of the painting process
No full textThis dissertation is an attempt to design an interpretation model for the comprehension of unconscious content in artworks, as well as to find painting techniques to free the unconscious mind, allowing it to be expressed through artwork. The interpretation model, still in its infancy, is ripe for further development. The unconscious mind is a fascinating subject—in art production as well as in many scientific fields. This hidden part of the mind, being the source of creativity, constitutes an important foundation for many possible and valuable inquiries in multiple areas of knowledge. In the present study, the unconscious is approached from an art-educational perspective.
The nature of the unconscious is addressed through the theories of Carl Gustav Jung and Charles Sanders Peirce, as well as through the information gained from data the author produced herself during the experimental painting process she devised for this study. For psychological distinctions not addressed by Jung, the theories of Sigmund Freud are used to forward this inquiry into the unconscious mind.
A research method was created to bring Peirce’s theories into consonance with Jung’s amplification method. Since Peirce’s theories are challenging to read, to avoid misinterpretation, the author used Phyllis Chiasson’s 2001 book Peirce’s Pragmatism: The Design for Thinking as a secondary source. Peirce’s three modes of reality—firstness, secondness, and thirdness—were utilized to interpret artworks. This three-mode reality allows interpreters to reflect on their subjective feelings and then to compare them to collected data. The interpreters’ intuitive self-interpretations often correlate well with the more objective data.
In this approach to interpretation, the work of art is seen as a sign, in the Jungian as well as in the Peircean sense, and interpretation seeks to discover a sign’s objects—icon, index, and symbol. Additionally, the objects are studied in combination with Peirce’s designation of the sign’s character elements—sinsign, qualisign, and legisign. Peirce’s theory offers a logical and productive structure for approaching a variety of signs and reaching a multiplicity of interpretations.
Jungian theories inculcated a combined psychological and artistic perspective for the interpretation of artworks. Jung’s method of amplification is an effort to bring a symbol to life, and it is used as a technique to discover—through the seeking of parallels—a possible context for any unconscious content that an image might have. In amplification, a word or element—from a fantasy, dream, or, in this study, artwork—is associated, through use of what Jung called the active imagination, with another context where it also occurs. It must be remembered that unconscious images in artworks do not easily open themselves up for interpretation. One way to interpret possibly unconscious images is for the interpreter to become vulnerable by employing his or her own unconscious mind to interpret an artwork; such use of the active imagination can enable a subjective experience of the artwork on the part of the interpreter, who might thereby uncover unconscious content.
Moreover, in this study, Jung’s theory of archetypes is employed, in parallel with Peirce’s and Jung’s theories of the sign, to illuminate an artwork’s images by connecting them with collective unconscious archetypes. The author relied upon The Book of Symbols: Reflections on Archetypal Images (Ronnberg and Martin 2010) as the main source for interpreting possibly unconscious elements in the artworks. This approach is especially powerful when artists interpret their own artwork—possibly leading to a galvanizing self-discovery as they revisit past encounters, personal highlights, and other pieces of unconscious content that might reveal previously unknown meaning important to their life. By comparing archetypes to the unconscious content in their own lives, people can discover themselves.
Unconscious phenomena were approached on both the theoretical and empirical levels. Different methods and ideas were used to stimulate the author’s unconscious thinking while performing artwork analyses of three paintings: surrealist Salvador Dalí’s (1904–1989) Assumpta Corpuscularia Lapislazulina; abstract expressionist Jackson Pollock’s (1912-1956) The Deep; and one painting by the author herself, and for which the process of painting is videorecorded (www.astagallery.com/academic.html).
With regard to the third painting interpreted, the author is the study subject, and her artistic production is used as an opportunity to explore the unconscious mind. During the act of painting, an attempt is made to free unconscious thinking by fusing Dalí’s and Pollock’s methods as well as by testing multiple other methods. The author’s artistic production was conjoined with use of a technique that is called the verbal protocol method, which generates additional data not necessarily visible in the final artwork. This method unseals the artist’s tacit knowledge, which in normal circumstances remains silent.
In the verbal protocol method, the author, while engaged in the act of painting, speaks aloud the stream of consciousness that accompanies and guides the art-making activity; the recorded and transcribed monologue from the artistic production is supplied, in both Finnish and English, in appendices. This thinking-aloud technique allows a person to become more self-aware and to create more solutions while struggling with emergent artistic problems. Such narratives can reveal more about the painting than the completed artwork alone can convey. Along with the artist’s finished painting and the videorecorded material, narratives produced during the painting activity were interpreted. Moreover, the discoveries arising from the author’s interpretation of her own artwork are correlated with some of the latest research on the unconscious.
This study allows the reader-viewer an intimate glimpse into the author’s subjective painting experience and demonstrates the participation of the unconscious in an artwork’s creation. The interpretations methodology constitutes an interpretation model suitable for other artists and art educators to follow.
Keywords: unconscious, art, archetype, mandalaei tietoa saavutettavuudest
224 - Jennifer Marie Owen
No full textThis poster was presented by Jennifer Owen at the 2017 Graduate Student Showcase.Includes bibliographical references.Video games play an integral role in the lives of adolescents and provide unique opportunities for active and engaged learning. This project contains an exploratory analysis of the narrative constructs within video games and investigates how they can be utilized as an educational tool in secondary English classrooms. As an alternative text, video games offer unique potential to study storytelling and elements of literature, while also providing new insights into digital compositions. Through analysis and evaluation, the development of an innovative curriculum is constructed in the hopes to persuade educators to seek more enriching learning opportunities for their students
David Hill speaking at the National Library of Australia, Canberra, 23 October 2012, 1 /
No full textTitle devised by cataloguer from information supplied by photographer.; Part of the collection: Author talk with David Hill at the National Library of Australia, Canberra, 23 October 2012; Acquired in digital format; access copy available online.; Mode of access: Online.; Photographed by a staff member of the National Library of Australia
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