1,721,022 research outputs found
Irvin D. Yalom, Et Nietzsche a pleuré, 2007
No full textPollmann Christopher. Irvin D. Yalom, Et Nietzsche a pleuré, 2007. In: Raison présente, n°168, 4e trimestre 2008. Science et laïcité. pp. 140-142
Irvin D. Yalom, Et Nietzsche a pleuré, 2007
No full textPollmann Christopher. Irvin D. Yalom, Et Nietzsche a pleuré, 2007. In: Raison présente, n°168, 4e trimestre 2008. Science et laïcité. pp. 140-142
Wetz Franz Josef, Die Würde der Menschen ist antastbar. Eine Provokation, 1998
No full textPollmann Christopher. Wetz Franz Josef, Die Würde der Menschen ist antastbar. Eine Provokation, 1998. In: Droit et société, n°44-45, 2000. Justice et Politique (III). Les magistratures sociales. pp. 302-309
Dimoulis Dimitri, Die Begnadigung in vergleichender Perspektive. Rechtsphilosophische, verfassungs- und strafrechtliche Probleme, coll. « Strafrechtliche Abhandlungen. Neue Folge », 1996
No full textPollmann Christopher. Dimoulis Dimitri, Die Begnadigung in vergleichender Perspektive. Rechtsphilosophische, verfassungs- und strafrechtliche Probleme, coll. « Strafrechtliche Abhandlungen. Neue Folge », 1996. In: Droit et société, n°36-37, 1997. On Side of a Dialogue. Exemples actuels de Socio-Legal Studies au Royaume-Uni. pp. 455-459
Rabault Hugues, L'interprétation des normes : l'objectivité de la méthode herméneutique, 1997 : Portée et limites de l'objectivation du pouvoir par le droit
No full textPollmann Christopher. Rabault Hugues, L'interprétation des normes : l'objectivité de la méthode herméneutique, 1997 : Portée et limites de l'objectivation du pouvoir par le droit . In: Droit et société, n°39, 1998. Une sociologie non culturaliste de la norme en contexte arabe. pp. 434-439
Nationalisme, forme politique du capitalisme : l'exemple de la Grèce. Interview de Jannis Milos par Christopher Pollman
No full textPollmann Christopher, Milos Jannis. Nationalisme, forme politique du capitalisme : l'exemple de la Grèce. Interview de Jannis Milos par Christopher Pollman. In: Raison présente, n°123, 3e trimestre 1997. Politique, nouveaux enjeux. pp. 45-57
Dimoulis Dimitri, Die Begnadigung in vergleichender Perspektive. Rechtsphilosophische, verfassungs- und strafrechtliche Probleme, coll. « Strafrechtliche Abhandlungen. Neue Folge », 1996
No full textPollmann Christopher. Dimoulis Dimitri, Die Begnadigung in vergleichender Perspektive. Rechtsphilosophische, verfassungs- und strafrechtliche Probleme, coll. « Strafrechtliche Abhandlungen. Neue Folge », 1996. In: Droit et société, n°36-37, 1997. On Side of a Dialogue. Exemples actuels de Socio-Legal Studies au Royaume-Uni. pp. 455-459
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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