5,870 research outputs found
From Eggs to the Stars
No full textJane Pollak is a Westport, Connecticut, artist who started her career as a high school art teacher. She has now branched out into public speaking, is the author of two books, and embraces the life of entrepreneur as a sole proprietor of her rapidly expanding business of decorating eggs. For Jane, her life path has been one of hope and unexpected personal and business achievements.</jats:p
From Eggs to the Stars
No full textInterview of artist Jane Pollak by Shawn Blau and Laurence Weinstein.
Jane Pollak is a Westport, Connecticut, artist who started her career as a high school art teacher. She has now branched out into public speaking, is the author of two books, and embraces the life of entrepreneur as a sole proprietor of her rapidly expanding business of decorating eggs. For Jane, her life path has been one of hope and unexpected personal and business achievements
Author Jane Knuth At Creighton University
No full textCreighton University Collaborative Ministry invited author Jane Knuth to talk about her book "Thrift Store Saints: Meeting Jesus 25 Cents at a Time". Her book and talk were full of stories about her experiences working at a Saint Vincent DePaul thrift store in Kalamazoo, Michigan. Jane was delightful and everybody really enjoyed her visit
Jane Arnold interviews short story author Sylvia Watanabe
No full textShort story author Sylvia Watanabe talks about why she moved from Hawaii to Michigan, her book "Talking To The Dead", and her novel in process. Watanabe is interviewed by librarian Jane Arnold for the Michigan State University Libraries' Michigan Writers Series
Hamilton, Catherine Jane [pseud. Retlaw Spring] (1841–1935), author and journalist
No full textHamilton, Catherine Jane [pseud. Retlaw Spring] (1841-1935), author and journalist, was born on 25 January 1841 at Kilmersdon, Somerset, where she was baptized on 12 April 1841, the younger of two daughters of Richard Hamilton (1805?-1859), vicar of Kilmersdon, and his wife Charlotte, née Cooper (1809-1882), the fifth daughter of William Cooper, of Queens County, Ireland. She was of Irish heritage on both sides. Her father belonged to a military family with roots in Strabane (county Tyrone) - his father, John Hamilton, and her father’s four older brothers were all officers in the Fifth Foot – and was a graduate of Trinity College Dublin. He had been a bright scholar with an aptitude for languages, and as a preacher was praised for his powerful sermons and his ability to bring the Bible to life for his parishioners
The light of the eye : doctrine, piety and reform in the works of Thomas Sherlock, Hannah More and Jane Austen
No full textBibliography: leaves 376-401.This thesis investigates the ways in which three eighteenth-century writers, Bishop Thomas Sherlock, Hannah More and Jane Austen embody orthodox Anglican doctrine according to their individual perceptions of the enlightening properties of Protestant Christianity. After situating them in their respective gender, literary and ecclesiastical contexts, I examine some of their key doctrines and analyse excerpts from their works. My selection of passages from Sherlock's works is fairly comprehensive, but in the case of More and Austen, where there is already a formidable body of literary criticism, it is more selective. Thus, I focus on doctrine in More's tracts, Strictures on the System of Female Education, An Essay on St Paul and most especially Coelebs in Search of a Wife and in the case of Austen, on her prayers and select passages from Sense and Sensibility and Mansfield Park. I conclude that, although diverse in their particular kind of Anglicanism (High, Evangelical and Median) and in their choice of genre, transparency or obscurity (anonymity and pseudonymity) and the various narratological strategies some of them invoke to circumvent certain taboos, Sherlock, More and Austen champion the same central orthodox doctrines, defend them against current alternatives to orthodoxy such as Latitudinarianism, Deism and various forms of Freethinking, and promote similar moral and ecclesiastical reforms. However, indirectly (through female characters who resist male representation or control) the women writers subject their ostensibly authorially-endorsed male narrators/characters to scrutiny and sometimes (when the males objectify the women) subversion
Jane Clayson Johnson (Journalist, Author, and Mother) on Overcoming Depression
No full textEver dealt with depression and felt alone or weak? Join Jane Clayson Johnson (award-winning journalist for her work at CBS, ABC, and NPR; best-selling author of I Am a Mother and Silent Souls Weeping; and an incredible mother) as she talks about her encounter with depression and how others with depression shouldn\u27t feel flawed or trapped
Journal/Author Name Estimator (JANE)
No full textThe Journal/Author Name Estimator (JANE) is a free online bibliographic journal selection tool. Interfacing directly with PubMed/MEDLINE, the resource is web-based and allows users to easily input keywords, abstract text, or author names and view related articles based on terms. JANE is recommended for those working in health and biomedical fields
Making the Scene Together: Mai Zetterling's Flikorna/The Girls (1968) and Aristophanes' Lysistrata
No full textThis essay provides an in-depth analysis of a film that has received little scholarly attention despite its status as a pioneering effort in the visualization of contemporary feminist ideas. It discusses the influence of Aristophanes' stylistics and the political ideas of the play on the film, and Zetterling's critique of the latter, particularly in the film's ending.This is an Author's Accepted Manuscript of an article published in Quarterly Review of Film and Video 25.2 (2008), 97-106, copyright Taylor & Francis, available online at: http://www.tandfonline.com/10.1080/10509200601074553Peer reviewe
Politicising stardom: Jane Fonda, IPC Films and Hollywood, 1977-1982
No full textPhDThis thesis is an empirical analysis of Jane Fonda’s films, stardom, and political activism during the most commercially successful period of her career. At the outset, Fonda’s early stardom is situated in relation to contemporaneous moral and political ideologies in the United States and how she functioned as both an agent and symbol of these ideologies. Her anti-war activism in the early-1970s constituted the apex of Fonda’s radicalisation and the nadir of her popular appeal; a central question of this thesis, therefore, is how her stardom was rehabilitated for the American mainstream to the point of becoming Hollywood’s most bankable actress.
As the star and producer of IPC Films, Fonda developed political projects using commercial formats, namely Coming Home (1978), The China Syndrome (1979), Nine to Five (1980), and Rollover (1981). The final IPC film, On Golden Pond (1981), signalled an ideological breach in this political strategy by favouring a familial spectacle, and duly outperformed its predecessors significantly. The first and last chapters of this work provide historical parameters for IPC in Fonda’s career, while the remaining chapters are structured by the conceptual and political aspects of each IPC project. Julia (1977) is discussed as an IPC prototype through its dramatisation of political consciousness. Coming Home, The China Syndrome, Nine to Five, and Rollover all exhibit this motif whereas On Golden Pond employs melodramatic nostalgia. Often discussed reductively as a star symbolising change, this thesis instead uses archival and published sources to analyse Fonda’s individual agency in historical context, as well as the cultural and political impact of her stardom. The IPC enterprise provided cinematic apparatus for Fonda’s political recuperation within the American mainstream, which, more broadly, harboured significance for the nation’s conservative resurgence at the end of the 1970s
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