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Common quarrels - individual solutions : coping with conflicts in the Lake Chad Area of Northern Nigeria
No full textThe conflict I refer to happened at the beginning of the 1998 farming season when the distribution of land started. The seasonal migrants went into the village area were they had been farming since many years, they gave their contributions and payments to the respective officials and started to prepare the land. Shortly after they had started to plant the beans – the main cash crop beside fishing – they were harassed by armed people and had to leave the area. Only several weeks later they were able to go back to their prepared fields and proceeded with their farming business. The question I want to concentrate on is related to the topic of the ethnological sub-project – “Community building in newly founded settlements in the Lake Chad area” – and can be specified as “What do conflicts tell us about the community and people involved?
Sammeln aus Leidenschaft und Forschen aus Passion : das Frobenius-Institut an der Universität
No full textEthnologische und geomorphologische Aspekte zum Bau von Brunnen und Getreidespeichern in Musene (Nordost-Nigeria)
No full textBei den hier vorgestellten ethnologischen und geomorphologischen Aspekten von Brunnen und Getreidespeichern in der firgí-Region Musenes wird besonders die "angepaßte Technologie" der hier lebenden Menschen deutlich. Die kulturelle Entwicklung der Region hängt eng mit den besonderen naturräumlichen Bedingungen zusammen. Die Eigenbezeichnung als firgiwú (die Leute des Tons) verweist auf eine Beziehung der Bewohner zum Naturraum, in dem Ton eine besondere Rolle spielt und für den es spezielle Berufszweige gibt. Die Ressource Ton wird, gleichwohl im Bewußtsein, daß es sich hierbei um regionalspezifische Aspekte handelt, als integrierendes Moment über die ethnischen Grenzen hinweg als Teil ihrer firgiwú -Kultur verstanden. Offensichtlich hat diese eine lange Tradition. Interessant wäre, ob in anderen ähnlich ausgestatteten Naturräumen in Westafrika eine vergleichbare Anpassung bzw. Nutzung des Naturraumes zu finden ist, bzw. wie dort die Nutzungsstrategien aussehen
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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