8,265 research outputs found
,,Grechuta z Chopina jest i basta!”. Ślady Chopina we wczesnej lirycznej twórczości Marka Grechuty
No full textIn this article the author examines the influence of Fryderyk Chopin’s work and style on the early work of Marek Grechuta based on his 1970 concept album Marek Grechuta & Anawa. The author claims that Grechuta’s early work can be classified as lyrical. She outlines common features, such as: poetic musical language, references to Romantic traditions, motifs from Polish folk music and references to jazz music. She then points to and discusses specific songs from the album in which Chopin’s influence resounds: Wesele [The wedding], W dzikie wino zaplątani [Tangled in Ivy], Zadymka [Blizzard], Będziesz moją panią [You Shall Be My Lady]. Following Wojciech Majewski, she defines the representative Grechutian waltz variety inspired by the singer’s work. In reference to Grechuta’s perception as a “tender poet,” she discusses the lyrics from the first album, which were published in two volumes of poetry — pointing out the differences between them. The author uses literary and musicological analysis in her work, focusing on music studies and song studies.W niniejszym artykule autorka bada wpływ twórczości i stylu Fryderyka Chopina na wczesną twórczość Marka Grechuty na podstawie jego pierwszego albumu koncepcyjnego Marek Grechuta & Anawa z 1970 roku. Autorka twierdzi, że wczesną twórczość Grechuty można nazwać liryczną, popierając swoją tezę przykładami. Zauważa wspólne dla obu twórców cechy, takie jak: poetycki język muzyczny, nawiązania do romantycznych tradycji, motywy polskiej muzyki ludowej, odniesienia do muzyki jazzowej. Omawia konkretne utwory z pierwszej płyty pieśniarza, w których wybrzmiewa wpływ Chopina: Serce, Wesele, W dzikie wino zaplątani, Zadymka, Będziesz moją panią. Odwołując się do ustaleń Wojciecha Majewskiego, omawia reprezentacyjną Grechutowską odmianę walca inspirowaną twórczością Chopina. W nawiązaniu do nazwy ,,poeta czuły” omawia teksty z pierwszej płyty, które zostały opublikowane w dwóch tomikach poetyckich, wskazując widoczne między nimi różnice. Autorka w pracy wykorzystuje analizę literacką oraz analizę muzykologiczną, skupiając się na badaniach music studies oraz piosenkologii
supplementary_materials_CPS-19-0220.R2 – Supplemental material for The Price of Collaboration: How Authoritarian States Retain Control
No full textSupplemental material, supplementary_materials_CPS-19-0220.R2 for The Price of Collaboration: How Authoritarian States Retain Control by Barbara Maria Piotrowska in Comparative Political Studies</p
Barbara Schleicher / Andrea Alt / Christiane Lesch / Aleksandra Piotrowska: Pädagogik im Fokus feministischer Kritik. Frankfurt am Main: Brandes & Apsel 2004 (235 S.) [Rezension]
No full textRezension von: Barbara Schleicher / Andrea Alt / Christiane Lesch / Aleksandra Piotrowska: Pädagogik im Fokus feministischer Kritik. Frankfurt am Main: Brandes & Apsel 2004 (235 S.; ISBN 3-86099-313-5; 19,90 EUR)
Barbara James
No full textDate:1943Barbara was born in Holdredge, Nebraska in the United States of America in 1943. In 1960 she arrived in Darwin working in a variety of occupations such as a journalist, historian, author, activist, advocate and editor. Barbara wrote 13 books including "No Man's Land" which explored the contributions of women in the Northern Territory. She also received a number of awards including 2001 NT Heritage Award, the 2000 NT Literary Essay Awards and the Chief Minister's Women's Achievement Award in 1999.JournalistHistorianAuthorActivistEditorAmerica
Barbara Ras - Sowell Conference 2017
No full textBarbara Ras, San Antonio, Poet, author of "Bite Every Sorrow" and "The Last Skin
Exclusive interview with author Barbara Kingsolver
No full textExclusive interview with author Barbara Kingsolver for her 2018 novel *Unsheltered
Dataset for publication: Post‐war architecture and urban planning as means of reinventing Opole’s past and identity
No full textThe collection includes files related to the publication: Barbara Szczepańska, Post‐War Architecture and Urban Planning as Means of Reinventing Opole’s Past and Identity, „Urban Planning”, Vol 8, No 1 (2023): Bombed Cities: Legacies of Post-War Planning on the Contemporary Urban and Social Fabric, pp. 266-278, https://doi.org/10.17645/up.v8i1.6079. The collection includes figures used in the publication:Opole_plan A plan of Opole, with areas of Ostrówek (left), Market Square (center) and Central Square (right) highlighted in red. Originally published in: "Guidebook to the city of Opole" ("Przewodnik po mieście Opolu", Opole: Księgarnia Opolska, 1948, https://polona.pl/preview/2f383a4a-5e9e-444d-9e94-366b8ac8610d). Author: Z. Streer. Licence: CC0Opole_Monument to the Opole Silesian Fighters for Freedom A photograph depicting Monument to the Opole Silesian Fighters for Freedom (Pomnik Bojownikom o Wolność Śląska Opolskiego) in Opole. Author: Barbara Szczepańska. Licence: CC0Opole_monument of Kazimierz I Opolczyk A photograph depicting the monument of Kazimierz I Opolczyk in the Market Square in Opole. Author: Barbara Szczepańska. Licence: CC0Opole_Market Square_eastern frontage A photograph depicting eastern frontage of the Market Square in Opole. Author: Barbara Szczepańska. Licence: CC0Opole_Market Square_eastern frontage_before 1945 A photograph depicting eastern frontage of the Market Square in Opole before 1945. Originally published on Wikimedia Commons: https://commons.wikimedia.org/wiki/File:Market_Square_in_Opole,_eastern_frontage.jpg. Author: unknown. Licence: CC0Opole_monument of Frederick the Great A photograph depicting monument of Frederick the Great in Opole, before 1945. Originally published on Wikimedia Commons: https://commons.wikimedia.org/wiki/File:Opole_Oppeln_Denkmal_Friedrich_der_Große.jpg. Author: unknown. Licence: CC0</ul
Social inequalities in young people’s conduct problems: informing intervention development
No full text'A date with Barbara': paracosms of the self in biographies of Barbara Newhall Follett
No full textIn 1927, 13-year-old Barbara Newhall Follett published her first book, the critically acclaimed novel, The House Without Windows and Eepersip's Life There.
Twelve years later, on December 7, 1939, 25-year-old Barbara quarrelled with her husband and left her apartment in Boston with $30 in her pocket, and a notebook. She was never seen again.
The House Without Windows is set in a paracosm (Farksolia) she invented, and ends with the metamorphosis of the titular character into a 'fairy-a wood nymph … invisible for ever to all mortals, save those few who have minds to believe, eyes to see'.
In Barbara's (auto)biography, The Unconscious Autobiography of a Child Genius (1966), written by Harold Grier McCurdy 'in collaboration with Helen Follett' (Barbara's mother), the authors wonder: 'Can we be far wrong in substituting Barbara's name for Eepersip's in the closing scenes of [House Without Windows]?
In this paper, I grapple with the formal and ethical challenges of writing about Barbara Newhall Follett, and the ways her family and others have approached the problem of writing her unresolved life story: a child raised and educated in solitude, a celebrated 'natural' child author, a young woman whose disappearance remains unsolved. The paper will explore the ways in which adults write the stories of children's lives, as nostalgia and fable, as fairytale and paracosmic narrative, and the ways in which Barbara's biographers have, consciously and unconsciously, created biographical concordances, or paracosms of the self, in seeking to make meaning of her life's story
Barbara Ehrenreich: Blood Rites: A New Evolutionary Perspective on Violence
No full textBarbara Ehrenreich, author, social critic and political essayist, discusses the emotional and social aspects of warfare and violence.
Barbara Ehrenreich is an American author and political activist who describes herself as a myth buster by trade” and has been called a veteran muckraker by The New Yorker.During the 1980s and early 1990s she was a prominent figure in the Democratic Socialists of America. She is a widely read and award-winning columnist and essayist, and author of 21 books. Ehrenreich is perhaps best known for her 2001 book Nickel and Dimed: On (Not) Getting By in America
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