1,045 research outputs found
Ryszard Piotrowicz, Asylum Seekers, Good Faith and the State, “International Journal on Minority and Group Rights” 2013, vol. 20, iss. 2
No full textRyszard Piotrowicz, Osoby ubiegające się o ochronę międzynarodową, dobra wiara i państwo, „International Journal on Minority and Group Rights” 2013, vol. 20, iss. 2 (opr. Agnieszka Narożniak
El periodismo collage de Ryszard Kapuscinski | Ryszard Kapuściński’s Collage Journalism
No full textResumen El periodismo collage desarrollado por Ryszard Kapuściński se ha tornado controversial por su difícil clasificación de género y por combinar distintas técnicas y enfoques pertenecientes a varias disciplinas. En este artículo se analizará la influencia de los principales trozos interdisciplinarios que componen la totalidad de la obra de este autor: la fotografía y la poesía, las ciencias sociales, la politología, el cine y la literatura. Como marco teórico se empleará la fenomenología y se expondrán algunos ejemplos de sus obras cumbres para mostrar cómo se ponen en práctica las técnicas interdisciplinarias del collage. La obra kapuścińskiana, a pesar de ser completamente heterogénea en cuanto a su estructura, comparte una esencia en común: retrata la realidad sociopolítica de algunos de los acontecimientos más relevantes del siglo XX, a la vez que proyecta un recuento muy íntimo de las experiencias del autor en el campo. La responsabilidad epistémica del autor para con sus sujetos de trabajo está siempre presente, dando espacio a sus lectores a juzgar por ellos mismos la credibilidad de su postura y de sus historias. Palabras clavePeriodismo literario; Ryszard Kapuściński; interdisciplinariedad; collageAbstract Ryszard Kapuściński´s collage journalism has become a controversial topic because of its hard to define genre and because it combines different techniques and approaches that pertain to various disciplines. In this article we will analyze the principal interdisciplinary influences in the author´s work: photography and poetry, social sciences, political science, film, and literature. In order to attest how the visual collage journalism techniques are put into practice, some examples from the author’s main books will be brought to light. Although Kapuściński’s work’s structure is heterogeneous, a common essence is observed: the vivid depiction of some of the most significant events of the 20th century through the author´s intimate experiences in the field. Moreover, Kapuściński´s epistemic responsibility with his work subjects is ever-present, providing space for his readers to judge his credibility for themselves. KeywordsLiterary journalism; Ryszard Kapuściński; interdisciplinary; collag
Participation of the 11th Legion Uhlan Regiment from Ciechanów in the Coup D’Etat in 1926
No full textTematem artykułu jest udział 11. Pułku Ułanów Legionowych z Ciechanowa w puczu wojskowym w maju 1926 r. Autor w oparciu o materiały archiwalne przechowywane w Instytucie Józefa Piłsudskiego w Ameryce podejmuje próbę sprostowania wielu błędnych informacji, które wprowadzili do historiografii Ryszard Juszkiewicz oraz inni badacze.The subject of the article is the participation of the 11th Legion Uhlan Regiment from Ciechanów in the military coup in May 1926. Based on archival materials stored at the Józef Piłsudski Institute of America, the author attempts to correct many erroneous pieces of information introduced into historiography by Ryszard Juszkiewicz and other researchers
Ryszard Marciniak (1939–2009) — bibliotekarz i historyk doskonały
No full textRyszard Marciniak (1939–2009) — a perfect librarian and historian A medievalist by profession, Ryszard Marciniak was associated with two research libraries in Wielkopolska: the Kórnik Library of the Polish Academy of Sciences 1965–1980 and the Library of the Poznań Science Society 1980–2009 where he was director. He also took part in the teaching of librarians at the Adam Mickiewicz University in Poznań and was a distinguished manuscript expert, author of manuscript catalogues, historian of libraries and historian of the region. The authors of the article present the figure and achievements of Ryszard Marciniak set against the background of the situation of Polish libraries, referring to his own opinions. The article includes bibliography of Marciniak’s selected publications on book and library science.Ryszard Marciniak (1939–2009) — a perfect librarian and historian A medievalist by profession, Ryszard Marciniak was associated with two research libraries in Wielkopolska: the Kórnik Library of the Polish Academy of Sciences 1965–1980 and the Library of the Poznań Science Society 1980–2009 where he was director. He also took part in the teaching of librarians at the Adam Mickiewicz University in Poznań and was a distinguished manuscript expert, author of manuscript catalogues, historian of libraries and historian of the region. The authors of the article present the figure and achievements of Ryszard Marciniak set against the background of the situation of Polish libraries, referring to his own opinions. The article includes bibliography of Marciniak’s selected publications on book and library science
In memory of Ryszard Ryba (1935–2022)
Full text linkRyszard Ryba is a Polish sculptor active in the
second half of the 20th century. He was primarily a
creator of sacred art, and his works can be found in
the churches of the Podkarpacie and Lesser Poland
regions (the present dioceses of Przemyśl, Rzeszów,
Tarnów and Sandomierz). In addition to sculpting,
he was involved in designing sacred interiors and
elements of their decor (tabernacles, sedilia, pews,
confessionals, etc.), participating in the development
of principles for adapting church interiors to the
conditions of the reformed liturgy after the Second
Vatican Council. He is also the author of graphic
and drawing series, which he created especially in the
first twenty years of the 21st century. His sculptures,
especially those from the beginning of his creative
path, are characterised by great simplicity. Their impact
is due to their powerful, synthetic form, acting
as an expressive sign. With time, his great narrative
talent became revealed more and more clearly, and
the qualities that built the mood of unique softness
and tenderness came to the fore. He was also increasingly willing to reach for topics related to
family and everyday life. His artistic oeuvre, however,
constitutes a coherent whole which is still intensely
impressive
Niemiecka polityka narodowościowa na terenach wcielonych do Rzeszy w latach 1939-1945
Full text linkRyszard Kaczmarek, focuses on the German national policy on the
territories incorporated into the Reich in the years 1939—1945, that is in: Pomerania,
Greater Poland (Wielkopolska), Silesia, Luxemburg, Lorraine, Alsace, Lower Styria,
Camiola. The author notices both the common and the individual features of this
policy
Ecopoetics by Ryszard Kapuścińki
No full textCelem artykułu jest próba odczytania twórczości Ryszarda Kapuścińskiego w kontekście głównych założeń ekokrytyki. Autorka, analizując tworzoną przez reportera poezję, reportaże oraz Lapidaria, stara się odpowiedzieć na pytanie, w jaki sposób konstruuje on w swych pracach dziennikarskie i literackie reprezentacje przyrody. Nakreślone w szkicu badania pokazują, że reporter często w swych ustaleniach powraca do tematyki ekologicznej, pokazując, że człowiek jest immanentną częścią ekosystemu, szczególnie zobowiązaną do tego, by dbać o środowisko naturalne.The purpose of the article is to analyze the legacy of Ryszard Kapuściński in the context of the main concepts of ecocriticism. The author of this research focuses on Kapuściński’s poetry, reportage and Lapidaria in order to answer the question how the reporter constructs journalistic and literary representations of nature. The article outlines that the reporter often presents the ecological issues,
showing the man as an immanent part of the ecosystem who is particularly obliged to take care of the natural environment
Literature or journalism? The Emperor: A controversial reportage by Ryszard Kapuściński as an image of the authority created by the author and an evidence of his writing mastery.
No full textRyszard Kapuściński, a worldwide-known, prize-winning writer, is also regarded as a controversial author. After his death there are still many people who question the value of his reportages and his credibility as a reporter. In this paper I want to examine the nature of his work on the example of The Emperor: Downfall of an Autocrat. I wish to focus on the way he decided to present his observations from his stays in Ethiopia in the 70s of the 20th century, as well as to find the reasons why he chose a particular writing strategy. This paper seeks to explain the phenomenon of these controversies which tend to place the author either in the world of literature or journalism, as in the title. Furthermore, I will briefly focus on the image of Haile Selassie and his authority as presented in the book. Ryszard Kapuściński described the Ethiopian ruler who already had a big influence on people who surrounded him as he had been on the throne for over forty years. The author of The Emperor examined the relations between those who worked on the court at the time as well. It seems that he found the principles that were followed both there and in the People’s Republic of Poland. In my study, I also want to rely on some other sources such as A Reporter's Self Portrait and Travels with Herodotus by Ryszard Kapuściński and Kapuściński Non-fiction by Artur Domosławski.Ryszard Kapuściński, autor znany na całym świecie i zdobywca wielu nagród, jest też postacią kontrowersyjną. Po jego śmierci wciąż wiele osób kwestionuje wartość jego reportaży i jego wiarygodność jako reportera. W tym artykule pragnę przyjrzeć się twórczości autora na przykładzie powieści „Cesarz”. Skupię się na sposobie, w jaki opisywał wydarzenia, których był świadkiem podczas swoich pobytów w Etiopii w latach 70. minionego wieku, a także na powodach, dla których mógł zdecydować się na stosowanie wybranej strategii reporterskiej. Jak zasygnalizowałam w tytule, zastanawiam się też nad istotą kontrowersji wokół twórczości Kapuścińskiego (literatura czy dziennikarstwo?). Przyjrzę się również ukazanej w książce postaci cesarza Haile Selassie, którego wpływ na państwo podczas przeszło czterdziestoletnich rządów był potężny. Czytając „Cesarza”, w tym relacje pracowników cesarskiego dworu, ma się wrażenie, że Ryszard Kapuściński widział pewne podobieństwa między tamtym realiami a tymi panującymi w Polskiej Rzeczpospolitej Ludowej. W tekście powołuję się ponadto na inne utwory Kapuścińskiego („Autoportret reportera” i „Podróże z Herodotem”) oraz „Kapuściński Non-fiction” Artura Domosławskiego
The fight between the spirit and the language in "Heban" by Ryszard Kapuściński
No full textIn this essay the author presents description of African spirituality described by Ryszard Kapuściński. In his book "Heban", Kapuściński characteristics religiosity of Africans and shows us that it is very difficult from European point of view because of distinctions in language and culture. Those distinctions prevent European and African cultures from fully understanding of each other
Trafficking in persons:A victim's perspective
No full textHistorically, protection and assistance to victims of human trafficking in many countries is anchored in migration law and dependent on whether or not a residence permit is granted to the victim. Apart from some limited exceptions, cooperation with law enforcement authorities in criminal investigations is a condition for the granting of a residence permit to victims of trafficking. Given the fact that many victims are national victims (for instance in the Netherlands around 25%) or in the context of the EU are EU citizens and do not need a residence permit, this link with migration law excludes them from the special programmes for trafficking victims. Moreover, many victims do not want to go to the police or do not consider themselves victims of trafficking or are unaware of the protection and assistance facilities available, which further limits the range of such programmes. This triggers the question whether or not the current protection and assistance provided to victims of trafficking matches the needs of these victims. Based on empirical research in the Netherlands, this chapter aims to answer this question
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