1,499 research outputs found
Dialogical Skirmishes
Tan was guest editor for 'And Now China?', a special print edition of the Ctrl+P journal, which critically responded to the celebratory rhetoric’s of ‘China Now’ and other celebratory markers of China's global ascent in 2008. As well as the introductory article 'Dialogical Skirmishes', Tan also interviewed Hans Ulrich Obrist
Philadelphia on Stone: Commercial Lithography in Philadelphia, 1828-1878
Book Review of Philadelphia on Stone: Commercial Lithography in Philadelphia, 1828-1878 by Erika Piola, editor. Reviewed by Erika Esau
Barb Rosenstock & Erika Meza: Cook Prize 2023, Silver Medal Acceptance Speech
Barb Rosenstock (author) and Erika Meza (illustrator) give an acceptance speech and talk about their book The Mystery of the Monarchs. Published by Alfred A. Knopfhttps://educate.bankstreet.edu/cook/1006/thumbnail.jp
First person – Erika Testa
ABSTRACT
First Person is a series of interviews with the first authors of a selection of papers published in Journal of Cell Science, helping early-career researchers promote themselves alongside their papers. Erika Testa is the first author on ‘H2afx and Mdc1 promote maintenance of genomic integrity in male germ cells’, published in Journal of Cell Science. Erika is a PhD student in the lab of Dr Marco Barchi at the University of Rome Tor Vergata, Rome, Italy, investigating meiosis, DNA repair, genome stability of meiotic cells and male fertility.</jats:p
Erika Howsare
Publicity photo submitted by author/presenter for ODU\u27s Annual Literary Festival 2025.https://digitalcommons.odu.edu/litfest_images/1019/thumbnail.jp
Undergraduate Perceptions of Social Media and Meaning Making: Validated Survey Instrument
This instrument was developed as a part of the Erika E. Smith’s (2016) doctoral thesis, Exploring undergraduate perceptions of meaning making and social media in their learning, completed at the University of Alberta. For more information, please see: https://doi.org/10.7939/R33J39B71 and https://doi.org/10.1186/s41239-017-0049-
Der Andere in der Ethik therapeutischen Handelns - Denkanstöße von Moreno und Lévinas für die Integrative Therapie
Die Autorin stellt zwei philosophisch-ethische Denkansätze vor, die die Ethik der Integrativen Therapie begründen und untermauern: Jakob Levy Morenos „Therapeutische Philosophie“ und Emmanuel Lévinas‘ „Humanismus des anderen Menschen“. Beide vertreten eine Ethik der Verantwortung für den anderen Menschen. Moreno legt den Akzent auf die Verpflichtung des einzelnen zum Einsatz für den Nächsten und zum Handeln für eine gerechte, „therapeutische“ Weltordnung. Lévinas bemüht sich um die Begründung einer unausweichlichen Verantwortung des Einen für den Anderen, die aber dem Anderen seine absolute Autonomie läßt und jedem Bemächtigungsversuch widersteht. Beide Ansätze geben TherpeutInnen wichtige Denkanstöße für die Reflexion ihrer Verantwortung für den Patienten sowie die Deutung und Gestaltung der therapeutischen Beziehung, insbesondere im Hinblick auf das Macht-Ohnmacht-Gefälle zwischen TherapeutIn und PatientIn.The author presents two philosophic approaches, which the Integrative Therapy is based upon. J.L Moreno’s Therapeutic Philosophy and Lévinas‘ ‚Humanism of the Other‘. Both stand for an ethic of responsibility for the other person. Moreno stresses the individual’s obligation of commitment to those who live next to us and of acting for a fair ‚therapeutic‘ world order.Lévinas strives for the substantiation of men’s inescapable responsibility for each other, leaving the other person his/her absolute autonomy without any attempt to take hold of him/her. For therapists both attempts represent important impulses concerning their responsibility for their patients as well as the interpretation and development of therapeutic relationship esp. with regard to the aspect of power-powerlessness between therapist and patient.https://www.fpi-publikation.de/polyloge/11-2003-striedelmeyer-erika-der-andere-in-der-ethik-therapeutischen-handelns/peerReviewedpublishedVersio
Large-scale connectivity of the sandy beach clam Mesodesma mactroides along the Atlantic coast of South America, and climate change implications
The yellow clam Mesodesma mactroides is a cool-water species that typifies sandy beaches of the Southwestern Atlantic Ocean (SAO), which embraces one of the strongest ocean warming hotspots. The region is influenced by the Rio de la Plata (RdlP), which represents a zoogeographic barrier that restricts its larval exchange. We investigated yellow clam larval connectivity patterns using an individual based model (IBM). The IBM combined outputs from a 3D hydrodynamic model with a clam submodel that considered salinity- and temperature-dependent mortality for the planktonic larvae. Connectivity across the RdlP estuary occurred only for larvae released in spring during a strong La Niña event. Mortality due to freshwater precluded larval transport across the RdlP, whereas larval mortality induced by warmer waters reduced connectivity, leading to self-recruitment in most areas. Warming acceleration in this hotspot could further restrict larval connectivity between populations in the SAO, with conservation implications for this threatened species.Fil: Meerhoff, Erika. Universidad de la República; UruguayFil: Combes, Vincent. State University of Oregon; Estados UnidosFil: Matano, Ricardo. State University of Oregon; Estados UnidosFil: Barrier, Nicolas. Centre National de la Recherche Scientifique. Institut de Recherche pour le Développement; FranciaFil: Franco, Barbara Cristie. Universidad de Buenos Aires. Facultad de Ciencias Exactas y Naturales. Centro de Investigaciones del Mar y la Atmósfera; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas. Oficina de Coordinación Administrativa Ciudad Universitaria. Centro de Investigaciones del Mar y la Atmósfera. Universidad de Buenos Aires. Facultad de Ciencias Exactas y Naturales. Centro de Investigaciones del Mar y la Atmósfera; ArgentinaFil: Piola, Alberto Ricardo. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Ministerio de Defensa. Armada Argentina. Servicio de Hidrografía Naval; Argentina. Instituto Franco-Argentino sobre Estudios del Clima y sus Impactos; Argentina. Universidad de Buenos Aires. Facultad de Ciencias Exactas y Naturales. Centro de Investigaciones del Mar y la Atmósfera; ArgentinaFil: Hernández Vaca, Freddy. Instituto Oceanográfico de la Armada; EcuadorFil: Defeo, Omar. Universidad de la Republica; Urugua
Exhibiting cinema in contemporary art /
Explores the emergence of cinema as a primary medium of artistic production, offering an in-depth inquiry into its genesis, its defining features, and its ramifications. Erika Balsom also tackles cinema studies' great disciplinary obsession--namely, what cinema was, is, and will become in a digital future. Rich in theoretical reflections and critical analyses, Exhibiting Cinema in Contemporary Art offers insights into the whole history of cinema from the vantage point of today's art.Includes bibliographical references (pages 227-239) and index.Explores the emergence of cinema as a primary medium of artistic production, offering an in-depth inquiry into its genesis, its defining features, and its ramifications. Erika Balsom also tackles cinema studies' great disciplinary obsession--namely, what cinema was, is, and will become in a digital future. Rich in theoretical reflections and critical analyses, Exhibiting Cinema in Contemporary Art offers insights into the whole history of cinema from the vantage point of today's art.Print version record.JSTO
Magischer Realismus als "verdeckte" Schreibweise, am Beispiel von Erika Mitterer und Gabriel García Márquez
This study deals with two works, from the perspective of “magic realism”: Cronica unei morþi anunþate by Gabriel Garcia Márquez and Der Fürst der Welt by Erika Mitterer. Magic realism is mostly associated with Latin American literature, especially with the style of Gabriel Garcia Márquez, the 1982 Nobel Prize laureate in Literature. Magic realism techniques are used by the Viennese author Erika Mitterer in the abovementioned historical novel too, in order to render a “camouflaged” writing for avoiding the National Socialist censorship
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