6,721 research outputs found
Supplemental material for Overall mortality in men and women in the randomized Prostate, Lung, Colorectal, and Ovarian Cancer Screening Trial
Supplemental Material for Overall mortality in men and women in the randomized Prostate, Lung, Colorectal, and Ovarian Cancer Screening Trial by Paul F Pinsky, Eric A Miller, Claire S Zhu and Philip C Prorok in Journal of Medical Screening</p
Conversations with Paul Auster
Interviews with the author of The New York Trilogy, In the Country of Last Things, and The Brooklyn Follies.Cover -- Contents -- Introduction -- Chronology -- Translation -- Interview with Paul Auster -- An Interview with Paul Auster -- Memory's Escape-Inventing the Music of Chance: A Conversation with Paul Auster -- The Making of Smoke -- The Manuscript in the Book: A Conversation -- An Interview with Paul Auster -- The Futurist Radio Hour: An Interview with Paul Auster -- Paul Auster: Writer and Director -- Off the Page: Paul Auster -- Paul Auster: The Art of Fiction -- Jonathan Lethem Talks with Paul Auster -- A Conversation with Paul Auster -- The Making of The Inner Life of Martin Frost -- Interview: Paul Auster -- A Connoisseur of Clouds, a Meteorologist of Whims: The Rumpus Interview with Paul Auster -- Interview: Paul Auster on His New Novel, Invisible -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- ZInterviews with the author of The New York Trilogy, In the Country of Last Things, and The Brooklyn Follies.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
Data sharing in clinical trials: An experience with two large cancer screening trials
Paul Pinsky of the US National Cancer Institute and colleagues describe the implementation and outcomes of web-based data sharing from the PLCO and NLST cancer screening trials
The Vision of John Paul II: Assessing His Thought and Influence
Paul F. Lakeland is a contributing author, John Paul II and Collegiality p. 184-199.
Book Description: The Vision of John Paul II assesses the writings, work, and ecclesial vision of this long-serving pontiff. Moving beyond the scope of so many other books on John Paul II, this volume seeks to fill a gap by focusing on his lasting influence on pressing issues facing the church today: social justice, women’s roles, collegiality, ecumenism, and interreligious dialogue. – Publisher description.https://digitalcommons.fairfield.edu/religiousstudies-books/1005/thumbnail.jp
The Political Economy of Textbook Writing: Paul Samuelson and the making of the first ten Editions of Economics (1945-1976)
Over the past two decades, numerous contributions to the history of economics have tried to assess Paul Samuelson’s political positioning by tracing it in the subsequent editions of his famous textbook Economics. This literature, however, has provided no consensus about the location of Samuelson’s political ideas. While some authors believe that Samuelson has always had inclinations toward interventionism, others conclude that he more often acted as a pro-business advocate. The purpose of this paper is not to argue for one of these two interpretations but to depict the making of Economics itself as a political process. By ‘political’ it is not meant the conduct of party politics but the many political elements that a textbook author has to take into account if he wants to be published and favorably received. I argue that the “middle of the road” stance that Samuelson adopted in the book was consciously constructed by the MIT economist, with the help of his home institution and his publishing company, McGraw-Hill, to ensure both academic freedom and the success of the book. The reason for which the stance developed is related to pre-McCarthyist right-wing criticisms of the textbook and how Samuelson and the MIT department had to endure the pressures from members of the Corporation (MIT’s Board of Trustees), who tried to prevent the publication of the textbook and threatened Samuelson’s tenure at MIT as soon as 1947 – when early manuscripts were circulated. As a result, it was decided in accordance with both the Corporation and McGraw-Hill that the Readings volume would be published to balance conflicting ideas about state intervention. Following these early criticisms, the making of the subsequent editions relied on a network of instructors and referees all over the US in order to make it as successful and consensual as possible. This seemed to work quite well in the 1950s and for a good portion of the 1960s, until Economics became victim of its own success and was seen, in an ironical twist of fate, as a right wing text by younger, radical economists. From now on, Samuelson will try to have his book sent as often as possible to the radicals for referring process, with mixed results. Eventually, the book became criticized from both its left and its right.Paul Samuelson, Economics, Textbook, Politics, Economic Education
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Laos: Search For Peace in the Midst of War
Report on peacekeeping efforts in Laos on the part of the neutralist wing of the Royal Government and the political and military conflict between communists and others in the country.Pre-publication version of the article (for the Rand Corp) in the the Asian Survey. Search for Peace in the Midst of War ;Paul F. Langer; Asian Survey, Vol.
8, No. 1, A Survey of Asia in 1967- Part I (Jan., 1968), pp. 80-8
The assessment of motivation in the Saint Paul Hotel employees
Plan BKey words: hospitality and tourism, employees’ motivation, turnover, absenteeism, human resource. The collective hotel industry is a significant parrot of the world tourism industry. The industry is by design delivers services to be registered and non registered guests. Key in the process of delivering service in any hotel situation is the hotel staff. The ultimate quality of service provided will depend on the collective ability of staff, training and individual motivation to produce the services demanded by the guest. Hotels are physical structures supported by human resources that enable the delivery of service. Key in the process of delivering quality service is the individual motivation of all employees whether professional, skilled or unskilled. With the growth of the service industry the hotel industry now competes for quality service employees. Research finds that it is a challenge for hotel management today to motivate employees to provide quality services as high turnover and absenteeism is widespread in the United States hotel industry. This study evaluated the motivation factors of employees in a four star hotel in St. Paul, Minnesota. The study centered on why people choose to work for this specific hotel while modeling motivational factors that enable their overall performance. The study also sought to learn if there is a gender based difference in motivational factors. The results of the study revealed that the main reasons people choose to work at the hotel was based on the “quality” class of the hotel, interesting jobs, salary and job security. When considering the gender construct, gender did have a role influencing employees’ perception of motivational factors. Males preferred salary, job security and loyalty to employees, while females preferred interesting jobs, working environment and camaraderie with co-workers
L’oeuvre d’art, le temps et la restauration. Conversaciones con... Paul Philippot. Num. 1 Año 1 (2015) enero-diciembre
1 L’histoire de la restauration dans son contexte culturel européen a fait l’objet de la thèse de Jukka Jokilehto, A History of Architectural Conservation. The Contribution of English, French, German and Italian Thought towards an International Approach to the Conservation of Cultural Property, 3 vol., Ph. D. Thesis. The University of York, The lnstitute for Advanced Architectural Studies, septembre 1986. L’ouvrage classique de Carlo Ceschi, Storia e teoria del restauro. Rome, Mario Bulzoni Editore, 1970, traite uniquement de l´architecture en Italie et accessoirement en France. On consultera aussi utilement, de ce point de vue, G. Bazin, Le temps des musées, Liège, Desoer, 1967, et surtout l’ouvrage plus récent et lumineux de Françoise Choay, L’allégorie du patrimoine, Paris, Seuil, 1992.2 A. Riegl, Der moderne Denkmalkultus, sein Wesen und seine Entstehung, Vienne, Braumüller, 1903, Gesammelte Aufsätze, Augsbourg-Vienne, Dr. Benno Filser Verlag, 1929, pp. 144-193, trad. fr. par D. Wieczorek, Le culte moderne des monuments, intr. par F. Choay, Paris, Seuil, 1984, et F . Choay, op. cit., p. 76 et suiv.3 J. Jokilehto, op. cit. , p. 91 et suiv.4 E. Viollet-Le-Duc, Dictionnaire raisonné de l’architecture française du XIe au XVIe siècle, Paris, 1854-1868 (Ve Restauration).5 J. Ruskin, The Seven Lamps of Architecture, 1859, The Lamp of Memory, Aphorism 31.6 C. Brandi, Teoria del restauro, Turin, Einaudi, 1977. L’analyse de Brandi sur Le temps, l’oeuvre d’art el la restauration (pp. 21-27) étant fondamentale pour sa théorie et peu connue, notamment du fait de l’absence de traduction française, nous nous permettons de la reprendre ici en paraphrasant à plusieurs reprises ses formulations les plus significatives.7 C. Brandi, Le due vie, Bari, Laterza, 1966, trad. fr. par P. Philippot, Les deux voies de la critique, Bruxelles, Vokar/Hazan, 1989.8 G. C. Argan, Raffaello e la critica, dans Classico Anticlassico. Il Rinascimento da Brunelleschi a Bruegel, Milan, Feltrinelli, 1984, pp. 238-249.9 Même l’artiste, lorsqu’il reprend en artiste son oeuvre endommagée, crée une nouvelle oeuvre ou tout au moins une nouvelle version de l’oeuvre primitive.10 U. Eco, La guerre du faux, Paris, Grasset et Fasquelle, Le Livre de poche, 1985.11 G. C. Argan, Progetto e destino, Milan, Il Saggiatore, 1965
La obra de arte, el tiempo y la restauración. Conversaciones con... Paul Philippot. Num. 1 Año 1 (2015) enero-diciembre
1 La historia de la restauración dentro del contexto cultural europeo fue el tema de tesis de Jukka Jokilehto, A history of Architectural Conservation. The Contribution of English, French, German and Italian Thought towards an International Approach in the Conservation of Cultural Property, 3 vol., Ph. D. Thesis, The University of York,The Institute for Advanced Architectural Studies, Septiembre de 1986. La obra clásica de Carlo Ceschi, Storia e teoria del restauro, Roma, Mario Bulzoni Editore, 1970, trata únicamente de la arquitectura en Italia y de manera accesoria en Francia. Se puede también consultar útilmente a G. Bazin, Le temps des musées, Liege, Desoer, 1967, y sobre todo la obra más reciente y luminosa de Françoise Choay, L’allégorie du patrimoine, Paris, Seuil, 1992.2 A. Riegl, Der moderne Denkmalkultus, sein Wesen und seine Entstehung, Viena, Braumüller, 1903, Gesammelte Aufsätze, Augsburgo-Viena, Dr. Benna Filser Verlag, 1929, pp. 144-193, trad. al francés por D. Wieczorek, Le culte moderne des monuments, introducción por F. Choay, Paris, Seuil, 1984 y F. Choay, op. cit., p. 76 y siguientes.3 J. Jokilehto, op. cit., p. 91 y siguientes.4 E. Viollet-Le-Duc, Dictionnaire raisonné de l’architecture française du XIe au XVIe siècle, Paris, 1854-1868 (Restauration).5 J. Ruskin, The Seven Lamps of Architecture, 1859, The Lamp of Memory, Aphorism 31.6 C. Brandi, Teoria del restauro, Turin, Einaudi, 1977. Siendo el análisis de Brandi sobre El tiempo, la obra de arte y la restauración, pp. 21-27) fundamental para su teoría y poco conocido, nos permitimos aquí de retomarla, parafraseando en varias ocasiones sus formulaciones más significativas.7 C. Brandi, Le due vie, Bari, Laterza, 1966, trad. por P. Philippot, Les deux voies de la critique, Bruxelles, Vokar/Hazan, 1989.8 G. C. Argan, Raffaelo e la critica, en Classico Anticlassico. Il Rinascimento da Brunelleschi a Bruegel, Milan, Fetrinelli, 1984, pp. 238-249.9 Incluso el artista, cuando vuelve a retomar su obra dañada como artista, crea una nueva obra o por lo menos una nueva versión de la obra primitiva.10 U. Eco, La guerre du faux, Paris, Grasset et Fasquelle, Le livre de poche, 1985.11 G.C. Argan, Progetto e destino, Milan, Il Saggiatore, 1965
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