1,065 research outputs found
Interview with Luciana Adriano da Silva and Angélica Souza Pinheiro
No full textThe Global Feminisms Project (http://www.umich.edu/~glblfem/en/index.html) is a collaborative international oral history project that examines the history of feminist activism, women's movements, and academic women's studies in sites around the world. The current archive includes interviews with women's movement activists and women's studies scholars in China, India, Nicaragua, Poland, and the United States. We are currently working on adding interviews from Brazil and Russia. The Project is based in the Institute for Research on Women and Gender (IRWG) at UM, which is also the home for the U.S. site research team. Our international collaborators include: - Laboratório de História Oral e Imagem - UFF (the Laboratory of Oral History and Images at the Federal Fluminense University in Rio de Janeiro) and Núcleo de História, Memória e Documento - NUMEM (the Center for History, Memory, and Documentation at the Federal State University in Rio de Janeiro), BRAZIL - China Women's University in Beijing, CHINA - SPARROW, Sound and Picture Archives for Research on Women in Mumbai, INDIA - Movimiento Autónomo de Mujeres de Nicaragua (Autonomous Women's Movement), NICARAGUA - Fundacja Kobiet eFKa (Women's Foundation eFKa) in Krakow, POLANDLuciana Adriano da Silva (interviewed with Angélica Souza Pinheiro) was born in 1981 in Angra dos Reis. She studied at the Federal Rural University of Rio de Janeiro, and received a graduate degree in Rural Education. Luciana is a community leader of the Quilombo Santa Rita do Bracuí and also works with a number of other social movements and institutions. Angélica Souza Pinheiro (1982-2016) was a Quilombola and black woman who studied Rural Education at the Federal Rural University of Rio de Janeiro and later tourism, focusing on community based tourism. She represented the Quilombo Santa Rita do Bracuí in the Forum of Traditional Communities of Angra dos Reis, Paraty, and Ubatuba, succeeding in creating quilombola schools. The GFP staff note with sadness the death of of Angélica in 2016.https://deepblue.lib.umich.edu/bitstream/2027.42/145715/1/SilvaPinheiro_ORIG_PR.movhttps://deepblue.lib.umich.edu/bitstream/2027.42/145715/2/SilvaPinheiroTranslationFINAL_E.pdfhttps://deepblue.lib.umich.edu/bitstream/2027.42/145715/3/SilvaPinheiroTranscriptionFINAL_PR.pdfhttps://deepblue.lib.umich.edu/bitstream/2027.42/145715/4/SilvaPinheiro_biblio.pd
Métricas de autor Angélica María Parra Báez
No full textInforme de las métricas de autor de la Dra. Angélica María Parra Báez de las publicaciones indexadas en Google Académico cuyo objetivo es entregar un insumo para el fortalecimiento de las capacidades y potencialidades de los autores de la Universidad Santo Tomás en el posicionamiento y visibilidad de sus publicacionesReport of the author metrics of Angélica María Parra Báez of the publications indexed in Google Scholar whose objective is to provide an input for the strengthening of the capacities and potentialities of the authors of the Santo Tomás University in the positioning and visibility of their publications.http://unidadinvestigacion.usta.edu.c
Comunidades tradicionais em áreas litorâneas da Amazônia: estudo sobre desenvolvimento local em Vila Mota, Pará, Brasil.
No full textO trabalho apresenta a dimensão socioeconômica em Vila Mota, no município de Maracanã, Pará, e seu reflexo no processo de desenvolvimento local, entendido como satisfação das necessidades humanas fundamentais
Formação em saúde : práticas e perspectivas no campo da saúde coletiva
No full textOrganizadores Francis Sodré, Maria Angélica Carvalho Andrade, Rita de Cássia Duarte Lima, Ana Cláudia Pinheiro Garcia
Masked portrait with smell of family
No full textEste es es un texto sobre la obra relacional que la autora Angélica, desarrolla a partir del trabajo grupal con su familia, desplegando puntos de interés como lo son el retrato, el sentido del olfato y la experiencia artística atraes de su proceso de indagación.Maestro en artes plásticasPregradoThis is a text about the relational work that the author Angélica develops from group work with her family, displaying points of interest such as the portrait, the sense of smell and the artistic experience you attract from her process of inquiry
Enriching the French romance: Pauline Viardot-Garcia’s early cosmopolitan songs (1838-1850)
No full textThe development of the sentimental romance of the 1830s and 1840s into the more sophisticated genre of song known as mélodie is often linked to Gabriel Fauré and Henri Duparc’s early songs. In his seminal study, La mélodie française de Berlioz à Duparc, Frits Noske did much to correct this limited model by discussing the works of composers such as Charles Gounod, Hector Berlioz, Hyppolyte Monpou, and Louis Niedermeyer. The author, however, failed to consider the early songs of the influential French mezzo-soprano of Spanish origins, Pauline Viardot-Garcia (1821-1910). These compositions, close to thirty songs in French, German, Italian and Spanish, reflect the scope of her international operatic career and her facility to absorb different languages, musical styles, and cultures. Investigating the genesis of the early songs and analyzing and contextualizing them are key goals of the present dissertation. I intend to demonstrate through the examination of primary source material that the construction by influential contemporaries such as George Sand, Théophile Gautier, Alfred de Musset, and Franz Liszt of Viardot-Garcia’s personality as cosmopolitan, versatile, and exotic qualified her in the eyes of the Romantic generation as a valid representative of the Other and thus a legitimate creator of a wide variety of musical styles. In particular, the consecration of young Viardot-Garcia’s fascinating musical personality in George Sand’s influential novel Consuelo (1842) determined the course and objectives of her career both as singer and composer during the 1840s. Through the publication of her two initial song albums, Viardot-Garcia contributed to the modification of expectations surrounding the typical French romance of the 1840s. Viardot-Garcia modernized its style by introducing into it foreign musical resources, thus liberating it from the formal regularity and musical weakness, which limited its expressive possibilities. The high quality of these publications in combination with the composer’s international fame pushed them into the vanguard of the revitalization tendency of French art song. Just as Berlioz and Gounod have been commonly embraced from the time of Ravel to our day as the fathers of French mélodie, Viardot-Garcia may now receive her own accolade as the mother of French mélodie.Ph. D.Includes bibliographical referencesIncludes vitaby Angélica Minero Escoba
PINHEIRO, Maria Lúcia Bressan. Neocolonial, Modernismo e Preservação do Patrimônio no debate cultural dos anos 1920 no Brasil.
No full textResenha do livro Neocolocial, Modernismo e Preservação do Patrimônio no debate cultural dos anos 1920 no Brasil, publicado em 2011 pela historiadora Maria Lúcia Bressan Pinheiro. 
Relatório de estágio curricular obrigatório: área de extensão rural em avicultura de corte
No full textO presente relatório de estágio curricular obrigatório em Medicina Veterinária tem por objetivo descrever as atividades desenvolvidas na área de Extensão Rural em Avicultura de Corte, somando 544 horas, sob supervisão do Médico Veterinário Felipe Rodrigues Baldo e sob orientação acadêmica da professora Drª. Cátia Chilanti Pinheiro Barata, além de, ao final apresentar uma breve revisão bibliográfica sobre estresse térmico pelo frio no alojamento de frangos de corte. O objetivo durante o estágio curricular foi aplicar na prática os conhecimentos adquiridos em sala de aula. Durante o período de estágio, foram acompanhadas atividades de extensão rural à campo, acompanhando os extensionistas nas atividades diárias de manejo na produção de frangos de corte, além de treinamentos e conhecimento das etapas de toda cadeia produtiva, desde recria, matrizes e incubatório, além da fábrica de rações. O período de realização de estágio teve grande importância para o crescimento
profissional, proporcionado a aplicação do raciocínio clínico e técnicas aprofundadas durante a graduação. [resumo fornecido pelo autor]This mandatory curricular internship report in veterinary medicine aims to describe the activities developed in the area of Rural Extension in Broiler Poultry, totaling 544 hours, under the supervision of Veterinarian Felipe Rodrigues Baldo and under the academic guidance of Professor Drª. Cátia Chilanti Pinheiro Barata, in addition, at the end, it presents a brief literature review on thermal stress due to cold in the housing of broiler chickens. The objective during the curricular internship was to apply the knowledge acquired in the classroom in practice. During the internship period, rural extension activities were monitored in the field, accompanying the extension workers in the daily management activities in the production of broiler chickens, in addition to training and knowledge of the stages of the entire production chain, from rearing, breeders and hatchery, in addition to the feed mill. The internship period was of great importance for professional growth, providing the application of clinical reasoning and in-depth techniques during graduation. [resumo fornecido pelo autor
Angélica Freitas\u27 lyrical-cyborg: googling to simulate
No full textEste trabalho parte de uma reflexão sobre a imbricação entre o humano e a máquina na constituição do fazer literário. A série 3 poemas com auxílio do google, da poeta Angélica Freitas, suscitou a reflexão que será desenvolvida aqui, pois a autora valeu-se de buscas no Google para, ao “transcrever” os resultados de tais pesquisas, problematizar a criação poética via um eu-lírico transmutado em um lírico-ciborgue. Neste trabalho, através da análise dos poemas e tendo em vista a importância da dimensão autoral envolvida, pensamos o fazer literário enquanto uma simulação de discursos presentes em nossa sociedade, uma potência poética que problematiza a criação literária e o lugar político da poesia contemporânea.This paper reflects on the imbrication between human and machine in the literary making. The series 3 poemas com auxílio do google, by the poet Angélica Freitas, raised the idea that will be developed here. The author used Google searches to “transcribe” the results of such researches as poetical creations. In doing this, she problematizes the poetic creation with a lyrical-self transmuted into a lyric-cyborg. In this paper, through the analysis of the poems and bearing in mind the importance of the authorial dimension, we conceive the literary making as a simulation of discourses present in our society, a poetic power that problematizes literary creation and the political place of contemporary poetry
María Angélica FONTAN. Matices de la excepcionalidad. Aprender en pandemia. Ciudad Autónoma de Buenos Aires: El Escriba, 2022. 128 p.
No full textMatices de la excepcionalidad, aprender en pandemia is a book published by María Angélica in 2022. The author is an Argentinian psychopedagogue who has written other works related to psychopedagogical practice, especially clinical practice. Undoubtedly, her books are a source of information for colleagues and form part of the bibliography of the curricula of various psychopedagogy courses in the country.Matices de la excepcionalidad, aprender en pandemia es un libro que editó María Angélica en el año 2022. La autora es una psicopedagoga argentina que acredita otros escritos vinculados a la práctica psicopedagógica, especialmente la clínica. Sin duda, sus libros son insumos de colegas y forman parte de la bibliografía de los planes de estudio de diversas carreras de psicopedagogía del país
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