1,665 research outputs found
Licklider Correspondence
No full textCorrespondence between Kevin Lynch and J.C.R. Licklider regarding the proposed topic of study. The study discussed became the Perceptual Form of the City, a research project investigating the individual’s perception of the urban landscape
Continuous metadata flows for distributed multimedia
No full textThe practical use of temporal multimedia has increased markedly in recent years as enabling technologies for the distribution and streaming of media have become available. As a part of this trend, hypermedia systems and models have adapted accordingly to incorporate such distributed multimedia for presentation. Structured interpretation of information has long been a fundamental feature of both open hypermedia systems and knowledge systems. Metadata, in its many forms, has become the cornerstone for providing this structured knowledge above and beyond basic data and information. This thesis presents the rationale and requirements for continuous metadata, which supports the metadata accompanying distributed multimedia throughout the lifecycle of streamed media, from generation, through distribution, to presentation. Throughout this process it is the temporal and continuous nature of the metadata which is paramount. A conceptual framework for continuous metadata is proposed to encapsulate these principles and ideas. Continuous metadata and the associated framework enable the development, in particular, of real-time, collaborative, semantically enriched distributed multimedia applications. Experience building one such system using continuous metadata is evaluated within the framework. An ontology is developed for the system to enable the collation, distribution, and presentation of structure aiding navigation of multimedia, and it is shown how continuous metadata utilising the ontology can be distributed using multicas
R Code and Output Supporting: Do Capture and Survey Methods Influence Whether Marked Animals are Representative of Unmarked Animals?
No full textThe archive consists of 9 files:
1. WA_elk.R = R code used to analyze elk resighting data.
2. WA_elk.html = html output resulting from running the R code in WA_elk.R.
3. Mtg_AK_WA.R = R code used to analyze mountain goat resighting data.
4. Mtg_AK_WA.html = html output resulting from running the R code in Mtg_AK_WA.R.
5. Moose_MN.R = R code used to analyze moose resighting data.
6. Moose_MN.html = html output resulting from running the R code in Moose_MN.R.
7. sightdat.csv = resighting data collected from moose in Minnesota between 2004 and 2007.
8. MTG_Sight_Alaska.csv = resighting data collected from mountain goats in Alaska.
9. NE_MN_Map.pdf = map of collection region for moose resighting data.These files contain R code (along with associated output from running the code) supporting all results reported in "Do Capture and Survey Methods Influence Whether Marked Animals are Representative of Unmarked Animals?" in Wildlife Society Bulletin. The lead author wrote this code to analyze multi-year re-sighting data collected from moose (Alces alces) in Minnesota, elk (Cervus elaphus) in Washington, and mountain goats (Oreamnos americanus) in Washington and Alaska, to evaluate whether detection probabilities increased or decreased as a function of time since animals were captured.Fieberg, John R; White, Kevin S. (2015). R Code and Output Supporting: Do Capture and Survey Methods Influence Whether Marked Animals are Representative of Unmarked Animals?. Retrieved from the University Digital Conservancy, http://dx.doi.org/10.13020/D6Z597
McCarthy, Kevin E. (Kevin Edward), 1954- Siting law regarding renewable energy facilities
No full text1 online resource (5 pages)"October 27, 2020."Discusses the Siting Council's jurisdiction over renewable energy generating facilities, the process by which the council grants declaratory rulings regarding such facilities, how residents can participate in the declaratory hearing process, and the right to appeal decisions in declaratory hearing cases. Updates OLR research report 2010-R-048
Environmental and Parental Influences on Offspring Health and Growth in Great Tits (Parus major)
No full textPMCID: PMC3728352This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited
Music for classical guitar by South African composers : a historical survey, notes on selected works and a general catalogue
No full textIncludes abstract.Includes bibliographical references (leaves 296-309).This is the first comprehensive investigation of music for, or including, the classical guitar by South African composers. The focus of this research has been, firstly, to uncover as much of the repertoire as possible, and, secondly, to collate, study, catalogue and report on the information. A brief historical survey of the guitar in South Africa provides the context within which this study was conducted. The primary sources of quantitative data collection were through the archival catalogues of the South African Music Rights Organisation and through personal contact with guitarists, composers and guitar teachers. Other sources consulted were publishers, broadcasting corporations, recording companies, libraries and the internet. The body of the dissertation comprises biographical sketches, background notes, analyses and technical notes on 17 selected solo and chamber works dating from 1947 to 2007 by some of South Africa's most prominent composers and guitaristcomposers. The repertoire ranges in style from the traditional and ethnically inspired to the experimental and abstract. As this is an empirical survey, each selected entry includes details on instrumentation, duration, level of difficulty, number of pages, scordatura, commissions or requests, sources or publishers, premières and recordings. A biography of each composer is provided as well as background notes which offer an overview of the selected work. The notes discuss historical, cultural, musical and extra-musical influences, and frequently include references to interview material. The commentaries on the selected works, with musical examples, include an analytical component describing structure, form, stylistic and compositional elements, while the technical observations include performance suggestions and a grading for each work
Serious play: the art of Kevin Mortensen
No full textKevin Mortensen came to prominence in Australia and internationally as an early and highly regarded practitioner of performance art. He represented Australia at an early Venice Biennale and was a major figure in the Mildura Sculpture Triennials, which helped establish contemporary sculpture in this country in the 1960s and 1970s after a long period in which the art form languished. The new sculpture of this time was strongly related to American performance art, Happenings and Earth Art, and in Australia took on environmental concerns and facets of Australia's landscape, flora and fauna. Mortensen's art is highly environmental. More recently Mortensen has practised as a sculptor and also made prints and drawings. He was Head of Sculpture at RMIT University in the 1980s and early 1990s but, today almost a recluse, continues to exhibit new work at Australian Galleries in Melbourne and Sydney. Author Rob Haysom provides a beautifully written and researched account of Mortensen's entire career and the book is lavishly illustrated
El ser racializado: el concepto de raza en las experiencias autobiográficas de Richard Rodriguez y Kevin R. Johnson
No full textabstract: Race is a complex system founded on social ideologies that categorize and evaluate human beings into different groups based on their visible characteristics (e.g., skin color) that, according to this notion of race, indicate a person's personal traits (e.g., intelligence). The concept of race has been an integral part of American society since the ratification of the United States Constitution in the late 18th century. Early on, the practice of race within American society established one particular group as the norm: the White Anglo-Saxon Protestant. By the late 19th and early 20th centuries, the distinctions among racial groups essentially came down to "white" and "nonwhite." Consequently, certain social inequalities were bestowed upon those groups that did not fit the model of the dominant "white" group. Autobiographies, especially those from marginalized groups, can serve as an important source of these social disparities since the author is able to recount their own social experiences vis-à-vis racial practices within society. With this in mind, this thesis analyses the concept of race in relation to the personal experiences of two authors through their respective autobiographies: Hunger of Memory: The Education of Richard Rodriguez (1982) by Richard Rodriguez and How Did You Get to Be Mexican?: A White/Brown Man's Search for Identity (1999) by Kevin R. Johnson. The critical work of Paula M. L. Moya, Linda Martín Alcoff, Hazel Rose Markus, George M. Fredrickson, Genaro M. Padilla and others are used as the theoretical framework in the literary analysis of these authors' texts. In summary, the results of this study demonstrate the concept of race as a salient aspect in regards to the ideological formation of each respective author.Dissertation/ThesisM.A. Spanish 201
Other title: Office of Legislative Research backgrounder--when I'm 64, some policy implications of an aging Connecticut; Other title: When I'm 64, some policy implications of an aging Connecticut
No full text"December 4, 2012."; Includes bibliographical references.; Updates OLR research report 2010-R-0453 (same author, same title).; Harvested from the web on 12/10/1
Licklider Correspondence
No full textCorrespondence between Kevin Lynch and J.C.R. Licklider regarding the proposed
topic of study. The study discussed became the Perceptual Form of the City, a
research project investigating the individual’s perception of the urban landscape
- …
