39 research outputs found
Diagnostyka genetyczna u młodego pacjenta z rozlanym rakiem żołądka — opis przypadku
Full text linkOpis przypadku dotyczy 25-letniej pacjentki z rodowodowo-klinicznym rozpoznaniem dziedzicznego rozlanego raka żołądka (HDGC), u której w wyniku diagnostyki genetycznej nie udało się zidentyfikować dziedzicznego czynnika odpowiedzialnego za rozwój choroby. Dziedziczny rozlany raka żołądka to zespół predysponujący do zachorowania na raka żołądka typu rozlanego w młodym wieku. Średni wiek rozpoznania choroby u osób z HDGC wynosi 37 lat. Szacuje się, że do rozwoju około 40% przypadków HDGC prowadzi mutacja w genie CDH-1 kodującym białko e-kadherynę. Ze względu na 80-procentowe życiowe ryzyko zachorowania na rozlanego raka żołądka, u nosicieli zalecane jest wykonanie profilaktycznej gastrektomii. U większości chorych z HDGC badanie genetyczne nie identyfikuje dziedzicznej mutacji odpowiedzialnej za rozwój nowotworu, przez co ocena ryzyka zachorowania na rozlanego raka żołądka u członków rodziny osoby chorej jest niemożliwa. Z tego powodu, zalecenia dotyczące HDGC obejmują nadzór endoskopowy u krewnych chorych osób bez zidentyfikowanego molekularnego, dziedzicznego czynnika sprawczego
Nowoczesny preparat do przygotowania do kolonoskopii ― mała dawka, dobry smak, brak piany i wysoka skuteczność
No full textW artykule omówiono aktualne schematy przygotowania jelita grubego do kolonoskopii w świetle ostatnich dowodów naukowych i dyskutuje rolę nowego, nisko objętościowego preparatu z simetikonem
"Technology on Stage" : "The Use of Technology in Scenography in a Theatrical Context"
No full textThe following thesis focuses on the use of technology within the field of theatre scenography and serves as a starting point for a related final project. The author uses this work as an opportunity to investigate the role of technology- both analogue and digital- for the development of theatre productions through a careful examination of its history; the patterns and movements in scenography as a reflection of broader social and philosophical context. Technology serves as an important tool of innovation within the field of scenography. However, its impact on the overall development of the dramatic action, as well as the focus of the audience, is also to be considered. The author aims to analyze the reasons for the implementation of elements such as lighting, projections and movement in scenography, as an addition to action's dynamic in the past and draw the conclusions for when such devices could be useful in the future. Another important aspect analyzed and discussed in this work is the issue of sustanability within theatre. The author analyzes current situation and discusses potential ways in which it could be improved- both on a local and global level- which then results in the final project discussed below. The project aims to serve as a long-term, sustainable alternative to the current approach to theatre production. Using an exisiting project of the director Fabio Cherstich as a starting point of the project, the author strives to both fulfill the requirements of the individual "client", as well as to serve a greater cause of offering a new, sustainable approach to scenography through a design of a service surrounding the final product
"Technology on Stage" : "The Use of Technology in Scenography in a Theatrical Context"
No full textThe following thesis focuses on the use of technology within the field of theatre scenography and serves as a starting point for a related final project. The author uses this work as an opportunity to investigate the role of technology- both analogue and digital- for the development of theatre productions through a careful examination of its history; the patterns and movements in scenography as a reflection of broader social and philosophical context. Technology serves as an important tool of innovation within the field of scenography. However, its impact on the overall development of the dramatic action, as well as the focus of the audience, is also to be considered. The author aims to analyze the reasons for the implementation of elements such as lighting, projections and movement in scenography, as an addition to action's dynamic in the past and draw the conclusions for when such devices could be useful in the future. Another important aspect analyzed and discussed in this work is the issue of sustanability within theatre. The author analyzes current situation and discusses potential ways in which it could be improved- both on a local and global level- which then results in the final project discussed below. The project aims to serve as a long-term, sustainable alternative to the current approach to theatre production. Using an exisiting project of the director Fabio Cherstich as a starting point of the project, the author strives to both fulfill the requirements of the individual "client", as well as to serve a greater cause of offering a new, sustainable approach to scenography through a design of a service surrounding the final product
Wajda’s Dostoevsky and Foucault’s heterotopia
No full textNational paradigms in cinematography are increasingly giving way to a transnational paradigm:
cinema is becoming polylocal. Polylocality first means locations not tied to one particular
country and an international cast and crew. It also corresponds to the merging of two or
more multicultural spaces interacting in the process of filmmaking that results in creating a
kind of master space, which is more than their sum. Such understanding is based on the Henri
Lefebvre’s definition of space as a product where the mental and the cultural, the social and the
historical, are interconnected. Polylocality, as a rule, takes place in film adaptations of literary
works made in a tradition different from the culture of the literary source and distant from it
in time and/or in space. Examples include Nastazja (1994) by Polish director Andrzej Wajda
that creates a special kind of cinematic space, to which the notion of polylocality applies to
a greater extent than to many other screen adaptations. The paper attempts to outline this
special space in the context of Michel Foucault’s ideas about heterotopia as a special location,
illusory and real, open and closed, permeable and sealed, where the order of things is different.
The author concludes that Wajda in Nastazja created a cinematic heterotopia, the structure of
which includes heterochrony, crisis heterotopia, death-resurrection heterotopia, and cultural
heterotopia
P62 Probe-based confocal laser endomicroscopy as a novel technique for diagnosis of signet ring cell carcinoma
No full textUtility of nutritional evaluation for the clinical risk assessment of postoperative complications. Does oncology need the NRS 2002 scale?
No full textSafety, efficacy, and changing trends in endoscopic ablation for dysplastic Barrett esophagus in Poland : a long-term multicenter retrospective analysis
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