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    Introducing Jean-Pierre Brun

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    Dear Colleague,Dear Jean-Pierre Brun, Who doesn’t remember images from Fellini Roma, the film by Federico Fellini, in which the team digging the tunnel for the Roman underground discovered superb frescos that were instantly erased under the effect of the air. Our colleague Christian Goudineau, who was recently Chair of National Antiquities at the Collège de France, expressed the emotion he had felt in 1977 when bulldozers destroyed a Gallo-Roman oil mill that he had excavated shortly prior to..

    Présentation de Jean-Pierre Brun

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    Cher Collègue, Cher Jean-Pierre Brun, Qui ne se souvient des images de Fellini Roma, le film de Federico Fellini, où le percement du métro met à jour dans le sous-sol de Rome de superbes fresques qui s’effacent aussitôt sous l’action de l’air. Notre collègue Christian Goudineau, qui fut récemment le titulaire de la chaire d’Antiquités nationales au Collège de France, exprimait l’émotion qu’il ressentit en 1977 devant la destruction par les bulldozers d’une huilerie gallo-romaine qu’il avait f..

    Pierre Brun. — Autour du dix-septième siècle. — Grenoble, Librairie dauphinoise

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    Trolliet Émile. Pierre Brun. — Autour du dix-septième siècle. — Grenoble, Librairie dauphinoise. In: Revue internationale de l'enseignement, tome 44, Juillet-Décembre 1902. p. 471

    Pierre Brun. Savinien de Cyrano Bergerac, gentilhomme parisien. L'histoire et la légende. De Lebret à M. Rostand, 1909

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    Marsan Jules. Pierre Brun. Savinien de Cyrano Bergerac, gentilhomme parisien. L'histoire et la légende. De Lebret à M. Rostand, 1909. In: Revue d'histoire moderne et contemporaine, tome 13 N°2,1909. pp. 207-208

    Jean-Pierre Brun (Éd.), Artisanats antiques d’Italie et de Gaule. Mélanges offerts à Maria Francesca Buonaiuto, 2009

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    Van Wonterghem Frank. Jean-Pierre Brun (Éd.), Artisanats antiques d’Italie et de Gaule. Mélanges offerts à Maria Francesca Buonaiuto, 2009. In: L'antiquité classique, Tome 82, 2013. pp. 682-683

    Le gemme votive

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    Many reasons induced to dedicate gems to the gods. Archaic temples inventories quote rings or gems; gems which were consecrated in Etruscan and Latine temples are known, as well as gems with inscriptions which clarify that a dream or an oracle suggested the consecration. A series of gems for Aphrodite, Nemesis and many other gods are mentioned. A chapter is devoted to the gems for the recovered health. The inscriptions mention stolen rings, which were consecrated to a god, and therefore one can suppose that several rings, with their gems, when recovered, were consecrated in the temples

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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