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The aesthetics of Pierre Boulez
Get PDFTo enable the reader to find references as quickly and easily as possible, I have grouped all references together in the bibliography in alphabetical order. Texts by the same author are distinguished first by year and second, if there are several texts from the same year, by letter. Interviews and writing collaborations (including published correspondence) involving Boulez are also ordered alphabetically. The year given at the beginning of each bibliographical entry is, in the majority of cases, the year in which the text was first published (not necessarily the year of the edition cited). For all writings written by Boulez, I have provided the original title under which the text in question was first published (usually in French). Many articles have subsequently been translated into English and therefore I have decided to provide page references for both versions. For all texts by writers other than Boulez, I have cited the version of the text I have used. Wherever possible, I have cited the existing English translations of texts originally written in French. However, on many occasions I have considered it necessary to make alterations to the published translations. This is particularly applicable to Boulez on Music Today (1971) and Orientations (1986), both of which display an often heavy-handed and rather inaccurate approach to the task of translating specific concepts employed by Boulez. In contrast. Stocktakings of an Apprenticeship (1991) has required only occasional minor amendments. All changes to the published English translations are acknowledged in the corresponding footnote. None of the material m this thesis has previously been submitted for a degree in this or any other University. The copyright of this thesis rests with the author. No quotation from it should be published without prior written consent and information from it should be acknowledged. I have received permission to exceed the word limit from the Graduate School Committee at the University of Durham
Nat Hentoff interviews Pierre Boulez, undated
No full textNat Hentoff interviews Pierre Boulez, produced by WTWC, is an interview with composer and conductor Pierre Boulez, undated
Encontro com Pierre Boulez
No full textQuando do Encontro com Pierre Boulez, realizado no auditório do Departamento de Música da ECA-USP em 23 de outubro de 1996, as respostas do compositor, intérprete e pensador francês às quatro perguntas - formuladas por: Marcos Branda Lacerda, Luís Antônio Giron, Haroldo de Campos e Décio Pignatari - foram traduzidas oralmente por Gilberto Tinetti e José Eduardo Martins. A convite do Departamento de Música, a Rádio Cultura-FM gravou o evento, tendo inclusive apresentado, no mês de dezembro de 1996, em quatro programas, parte das respostas de Pierre Boulez. A partir das gravações, preparou-se a tradução escrita, buscando-se ao máximo desvinculá-la do sentido literário, guardando sim, na medida do possível, a espontaneidade do discurso. Torna-se necessária esta colocação, pois Pierre Boulez é detentor de uma das mais claras, objetivas e elegantes penas do pensar musical. As notas fazem-se presentes a fim de simplesmente trazer subsídio complementar - sobremaneira na especificidade extramusical - ao histórico Encontro. A Revista Música agradece à Sociedade de Cultura Artística, co-realizadora do evento
Hommage à Pierre Boulez (1925-2016)
Get PDFPierre Boulez Professeur au Collège de France de 1978 à 1995, Pierre Boulez nous a quittés le 5 janvier 2016 à Baden-Baden. C’était un immense compositeur, chef d’orchestre et chercheur, qui fut directement à l’origine de bien des aspects de la musique moderne de par ses œuvres et son action marquante dans la communauté musicale mondiale. Il faut citer en particulier la création en 1977 de l’Ircam, Institut de recherche et coordination acoustique-musique qu’il a dirigé jusqu’en 1992, ainsi q..
Pierre Boulez
No full text« La beauté convulsive sera érotique-voilée, explosante-fixe, magique-circonstancielle ou ne sera pas » (André Breton) Il existe dans la musique de Pierre Boulez une unité profonde qui permet de relier les œuvres les plus récentes à celles du début, comme si le temps n’avait pas prise sur elles : certaines pièces sont en cours d’élaboration depuis de nombreuses années, tendues vers un achèvement hypothétique ; d’autres sont reprises à distance et se présentent en des versions successives – pa..
La inteligencia musical de Pierre Boulez
No full textPierre Boulez ha cumplido el pasado marzo 83 años. Cada día que pasa no hace sino crecer e intensificarse su condición de gran patriarca vivo de la música
Pierre Boulez e a análise musical: Notations
No full textA análise musical de Pierre Boulez exige um posicionamento diante da quantidade de informações existentes em textos do próprio autor, em entrevistas e em comentarista. Dentre essas informações, selecionamos apresentar a experiência de Jonathan Goldmann frente à análise de obras de Pierre Boulez. Algumas das principais características de estilos encontradas em suas obras, nos aspectos de textura, ritmo e proliferação podem ser verificadas em Douze Notations para piano e nas Notations, para orquestra
Pierre Boulez (1925-2016)
No full textProfesseur au Collège de France de 1978 à 1995, Pierre Boulez nous a quittés le 5 janvier 2016 à Baden-Baden. C’était un immense compositeur, chef d’orchestre et chercheur, qui fut directement à l’origine de bien des aspects de la musique moderne de par ses œuvres et son action marquante dans la communauté musicale mondiale. Il faut citer en particulier la création en 1977 de l’Ircam, Institut de recherche et coordination acoustique-musique qu’il a dirigé jusqu’en 1992, ainsi que la création ..
Hyperprism ; Intégrales...[etc.] / Varèse, comp. ; Ensemble instrumental ; Pierre Boulez, dir.. Suite op. 29 / Schoenberg, comp. ; Yvonne Loriod, p ; Ensemble instrumental ; Pierre Boulez, dir.
No full textTitre uniforme : Varèse, Edgard (1883-1965). Compositeur. [Hyperprism]Titre uniforme : Varèse, Edgard (1883-1965). Compositeur. [Intégrales]Titre uniforme : Varèse, Edgard (1883-1965). Compositeur. [Octandre]Titre uniforme : Schoenberg, Arnold (1874-1951). Compositeur. [Suites. Piano, clarinettes (3), trio à cordes. Op. 29]Collection : Présence de la musique contemporaineCollection : Présence de la musique contemporaineCollection : Les concerts du Domaine musicalCollection : Les concerts du Domaine musicalComprend : Hyperprism / Varèse, comp. ; Ensemble instrumental ; Pierre Boulez, dir. ; Intégrales / Varèse, comp. ; Ensemble instrumental ; Pierre Boulez, dir. ; Octandre / Varèse, comp. ; Jacques Catagner, fl. ; Guy Deplus, Marcel Naulais, clar. ; Claude Maisonneuve, htb... [et al.] ; Pierre Boulez, dir. ; Suite op. 29 / Schoenberg, comp. ; Yvonne Loriod, p ; Guy Deplus, Marcel Naulais, clar. ; Louis Montaigne, clar. b.... [et al.] ; Pierre Boulez, dir.BnF-Partenariats, Collection sonore - BelieveContient une table des matière
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