1,720,964 research outputs found
Late Republican–early Imperial flat-bottomed amphorae: some remarks about their origins and widespread success
No full textIn questo contributo viene ricostruito la storia e la modalità di diffusione delle anfore a formo piatto che , avendo avuto origine in area campana alla fine del II sec-I sec. a.C. ebbero poi un notevole sviluppo in Italia, in Gallia e nella Penisola iberica venendo poi a costituire tipologie provinciali ben note ( forma Oberaden 74; Anfore galliche etc.) in uso sino alla prima erà imperiale
Il processo di “romanizzazione” della Corsica: alcune riflessioni dall’analisi dei reperti ceramici
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La ceramica, l'archeometria e il mare: storie di traffici fra l'Etruria settentrionale e il Mediterraneo
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Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Attività manifatturiere nel retroterra di Portus Pisanus
No full textIn loc. Ca' Lo Spelli (Collesalvetti, Livorno), nel retroterra del più importante fra i porti di Pisa antica ( Portus Pisanus)è stato individuato un centro manifatturiero polifunzianale di cui sono visibili alcune fornaci per la produzione di laterizi, anfore Dressel 1(A e B) e vasellame di uso comune. Viene qui studiata la ceramica comune rinvenuta, integrando dati tipologici eanalisi archeometriche effettuate al microscopio polarizzatore su sezione sottile
Vasi comuni nell’Etruria settentrionale costiera
No full textCette étude est consacrée aux céramiques de cuisine utilisées en Étrurie septentrionale côtière. Elle est fondée sur l’observation des récipients destinés au stockage domestique, à la cuisson et à la préparation des mets, retrouvés sur huit sites localisés sur les territoires de Pise et de Volterra, et datés entre le IVe av. J. ‑C. et le VIe s. ap. J. ‑C. : centres de production (trois ateliers près de Pise et de nombreux ateliers près de Vada Volaterrana, port de Volterra), sites de consommation (habitats urbains ainsi que fermes et villae) et centres de distribution (les ports de Portus Pisanus et de Vada Volaterrana). Ces récipients se répartissent en cinquante‑cinq types présentés ici, dont la description morphologique est enrichie par l’association à une pâte céramique, par une liste d’attestations régionales et par la fourchette chronologique concernée.Menchelli Simonetta, Leone Ninetta, Maccari Aurora, Montagna Pasquinucci Marinella, Picchi Giulia. Vasi comuni nell’Etruria settentrionale costiera. In: Les céramiques communes dans leur contexte régional : faciès de consommation et mode d'approvisionnement. Actes de la table ronde organisée à Lyon les 2 et 3 février 2009 à la Maison de l'Orient et de la Méditerranée. Lyon : Maison de l'Orient et de la Méditerranée Jean Pouilloux, 2012. pp. 87-111. (Travaux de la Maison de l'Orient et de la Méditerranée, 60
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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