5,266 research outputs found
Robin Phillips' Strange and Wondrous Dream
No full textRobin Phillips' 1976-77 production of A Midsummer Night's Dream at the Stratford Festival has been one of the few since Peter Brook's 1970 production to carve out its own vision of the play. By mounting the production as a dream vision in the mind of Elizabeth I, Phillips discovered an extraordinary unity among the worlds of court and forest, and found analogies with the court of Elizabeth that brought out often neglected aspects of the play in a highly theatrical way.
La mise en scène par Robin Phillips du Songe d'une nuit d'été à Stratford en 1976-1977 représente l'une des rares réalisations, depuis celle de Peter Brook en 1970, qui ait offert une vision originale de cette pièce de Shakespeare. En montant la pièce sous forme d'une vision apparue à Elisabeth Ière, Phillips aurait découvert des parallèles frappants entre la cour et la forêt, et retrouvé des liens avec la Cour d'Elisabeth qui soulignent, de façon fort théâtrale, certains aspects de l'oeuvre jusque-là souvent négligés
Robin Phillips' Richard III: History and Human Will
No full textRobin Phillips' Richard III in 1977 was among the most distinguished productions of Shakespeare during Phillips' six-year tenure as artistic director of the Stratford Festival. Brian Bedford's Richard, presented as a recognizably human study of perverted will, was balanced, not by Richmond, who was played by Tom Wood as a pious Machiavellian, but by the play's chorus of women, presented by Martha Henry, Margaret Tyzack, Maggie Smith and Mary Savidge as the unified voice of time, history and the play's plot.
Le Richard III de Robin Phillips a été en 1977, l'une des représentations de Shakespeare les plus remarquables produites pendant les six ans au cours desquels Phillips était le directeur artistique du festival de Stratford. Le Richard de Brian Bedford, présenté comme l'un des avatars d'une volonté pervertie, a eu pour contrepoids, non pas tant Richmond, interprété par Tom Wood comme un Machiavel pieux, que le choeur des femmes, composé de Martha Henry, Margaret Tyzack, Maggie Smith et Mary Savidge représentant l'unité temporelle, historique et structurale
Konsert
No full textRobin Michael, solocellist i John Eliot Gardiners Orchestre Révolutionnaire et Romantique, spelar sonater från wienklassicismen tillsammans med pianisten Simon Crawford-Phillips
Happy Hour with Robin Sacks
No full textRobin Sacks is the author of Get Off My Bus!: How to Get Clarity, Get in the Driver\u27s Seat, and Get Moving in Your Life! Introduction by Kristen Kuhlman, LSW, LHNA, MBA/HCM DHA Candidate
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Robin Hill: There's only one sky.
No full textThis catalog was published on the occasion of an exhibition at Art Space 1616, Sacramento California. February 8-29, 2020. essay by Julia Couzens
This catalog was published on the occasion of the exhibition:
Robin Hill: There’s only one sky
artspace 1616
February 8 - February 29, 2020
1616 Del Paso Boulevard
Sacramento, CA 95815
Previous iterations of this project include:
Robin Hill: There Was
March 9 - April 22, 2017
Lennon, Weinberg, Inc.
514 West 25 Street
New York, NY 10001
and
Robin Hill: Dispersed Transmissions
July 1 - August 31, 2018
www.anotheryearinla.com
To see images visit: www.robin-hill.net
ESSAY: Generous not Knowing, by Julia Couzens
Julia Couzens is a textile-based artist whose constructions take shape between the disciplines of craft, decorative art, and the expressive character of abstract painting and sculpture. She has created distinct bodies of work in drawing, painting, sculpture, and text-based installation. Couzens has written articles for The Sacramento Bee, Two Coats of Paint, and Ceramics:
Art and Perception as well as essays for artist catalogues and brochures. Since 2014 she has been a contributing writer to squarecylinder.com.
CATALOG DESIGN: Lisa Ekström
Artist-designer Lisa Ekström lives and works in Santa Cruz, California. Raised in a family of architects, painters, musicians,
and weavers, she was the only second grader in her class who knew what “Helvetica” was.
PHOTOGRAPHY: Robin Hill, Richard Gilles (artspace 1616 installation image), Lisa Oxley ("stuck in place", Tujunga, CA)
The artist wishes to thank Mima Begovic, Numan Begovic, Tom Bills, Sadie Bills, Wheeler Bills, Connor Phillips, Ulla
Warchol, Elizabeth Whalley, Lisa Ekström, David E. Stone, Cathy Stone, Jill Weinberg Adams, Mary Shah, Garrett
Daniels, Richard Gilles, Aida Lizalde, Jodi Connelly, Muzi Rowe, Felicity Machado, Andre Yi, Brian Mallman, Doug Harvey, Kristin Hough, Lisa Oxley, Paige Wery, Peter Frank, Samantha Fields, Stephanie Stein, Vincent Johnson, and the University of California - Davis: Academic Senate Committee on Research and the College of Letters and Science
Public management : Reinventing Government: a symposium. by Robin Butler
No full texttag=1 data=Public management : Reinventing Government: a symposium. by Robin Butler
tag=2 data=Butler, Robin
tag=3 data=Public Administration,
tag=4 data=72
tag=5 data=2
tag=6 data=Summer 1994
tag=7 data=263-270.
tag=8 data=MANAGEMENT%PUBLIC SERVICE
tag=10 data=The author indicates how the major themes of the book [Reinventing Government] can be seen to correspond with many of the recent management initiatives in UK government.
tag=11 data=1994/6/8
tag=12 data=94/0490
tag=13 data=CABThe author indicates how the major themes of the book [Reinventing Government] can be seen to correspond with many of the recent management initiatives in UK government
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