1,720,997 research outputs found
Philippe Waniez, Cartographie sur MacIntosh
No full textLeterrier E. Philippe Waniez, Cartographie sur MacIntosh. In: Annales de Géographie, t. 98, n°550, 1989. p. 707
Philippe Waniez : Cabrai 1500 - logiciel de cartographie automatique
No full textVigneron Emmanuel. Philippe Waniez : Cabrai 1500 - logiciel de cartographie automatique. In: Espace, populations, sociétés, 1994-2. Les populations du Pacifique - Populations of the Pacific. pp. 267-268
Philippe Waniez - La cartographie des données économiques et sociales sur Macintosh ® et PowerMacintosh ®
No full textRobert Samuel. Philippe Waniez - La cartographie des données économiques et sociales sur Macintosh ® et PowerMacintosh ® . In: L'information géographique, volume 64, n°3, 2000. p. 285
Louis Arréghini, Philippe Waniez : La Nouvelle-Calédonie au tournant des années 1990. Un état des lieux
No full textVigneron Emmanuel. Louis Arréghini, Philippe Waniez : La Nouvelle-Calédonie au tournant des années 1990. Un état des lieux. In: Espace, populations, sociétés, 1994-2. Les populations du Pacifique - Populations of the Pacific. pp. 265-266
Philippe Waniez : La cartographie des données économiques et sociales sur Macintosh et PowerMacintosh
No full textThumerelle Pierre-Jean. Philippe Waniez : La cartographie des données économiques et sociales sur Macintosh et PowerMacintosh. In: Espace, populations, sociétés, 2000-3. Le vieillissement dans le monde. p. 505
Philippe Waniez, La cartographie des données économiques et sociales sur Macintosh et PowerMacintosh avec Philcarto et Philexplo, 1999
No full textPerronnet-Menault Monique. Philippe Waniez, La cartographie des données économiques et sociales sur Macintosh et PowerMacintosh avec Philcarto et Philexplo, 1999. In: Lusotopie, n°7, 2000. Lusophonies asiatiques, Asiatiques en lusophonies. pp. 675-676
Les Systèmes d'Information Géographique: un état de l'art
Full text linkCheylan Jean-Paul, Miellet Philippe, Waniez Philippe. Les Systèmes d’Information Géographique: un état de l’art. In: Mappemonde, 1993/4. Facettes de SIG. p. 2
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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