1,721,141 research outputs found

    Portrait of Kathleen Gorham [picture] /

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    Condition: Good.; Inscriptions: "Phil Ward Studios Pty Ltd. 296 Pitt Street, Sydney, No. 72 proof" -- on reverse.; Part of the collection: J.C. Williamson collection of photographs.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn3064554

    Portrait of Kathleen Gorham, sur les pointes [picture] /

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    Condition: Good.; Inscriptions: "Phil Ward Studios Pty Ltd. 296 Pitt Street, Sydney, No. 69 proof" -- on reverse.; Part of the collection: J.C. Williamson collection of photographs.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn3080269

    Portrait of Reg Lewis, 1964 [picture] /

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    Title supplied cataloguer; Condition: Good.; Stamped on verso: Property of Reg. Lewis ; Phil Ward Studios Pty Ltd, 296 Pitt Street Sydney No. 5 ... '64.; Part of the collection: Lewis collection of photographs.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn3696731

    Reg Gorman as Jenkins in the J C Williamson production of How to succeed in business without really trying, 1964 [1] [picture] / Phil Ward Studios, Sydney.

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    From: How to Succeed in Business Without Really Trying / music and lyrics by Frank Loesser ; book by Abe Burrows , Jack Weinstock and Willie Gilbert.; Part of the collection: J.C. Williamson collection of photographs.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn3719800; Seasons in Australasia recorded in programs and ephemera held in J C Williamson collection, PROMPT Collection: 1963 commencing 16 August. Her Majesty's Theatre, Melbourne ; 1964 commencing 15 February. Her Majesty's Theatre Sydney ; 1964 commencing 4 September. Her Majesty's Theatre Adelaide ; 1964 commencing 4 December. Her Majesty's Theatre, Brisbane

    Open access for REF2020

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    Open access (OA) may have been the ‘big thing’ in 2013 but the OA juggernaut is still rolling and plans are now afoot for the requirements for the ‘next REF’ (which from now on we will refer to as REF2020). In 2013, on behalf of the four UK Funding Councils, the Higher Education Funding Council for England (HEFCE) undertook a two-stage consultation exercise on open access requirements for articles submitted to REF2020. There are a number of nuances and caveats to the current proposals. This article will reflect on what the probable rules might be, and their implications for research managers, administrators and institutional repository managers alike

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods
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