1,721,442 research outputs found
Phil Jones.
No full textPhotograph of Phil Jones, ski instructor at a Utah ski resort, taken between 1960 and 197
Phil Jones.
No full textBlack and white photograph of Phil Jones, ski instructor at a Utah ski resort, taken in 1960
Phil Jones, Brighton Ski School instructor
No full textPhotograph of Phil Jones, Brighton Ski School instructor, taken in 1960
Bill Briggs, Phil Jones and unidentified.
No full textPhoto of Bill Briggs and Phil Jones at the Utah Ski Archives Annual Banquet held in October of 200
L - R: Phil Jones, Max Lundberg, Adrien Segil, Clark Parkinson
No full textPhoto of ski instructors (left to right) Phil Jones, Max Lundberg, Adrien Segil, Clark Parkinson, probably in the 1960s or 70
No.375, Phil Jones, interview by Joe Arave and Greg Thompson
No full textTranscript (261 pages) of interview by Joseph Arave with Phil Jones of Park City, in January, February, and March 1990. This interview is no. 375 in the Everett L. Cooley Oral History Project, and tape nos. U-1189 to U-1196In a series of interviews, Jones, President and General Manager of Park City Ski Area, shares his observations on skiing as a recreational sport and as a business enterprise. Interviewers: Joe Arave, Gregory C. Thompso
Towards a Cognitivist Understanding of Communication Design
No full textThis book demonstrates the relevance and importance of cognitive linguistics when applied to the analysis and practice of graphic design/communication design.
Phil Jones brings together a diverse range of theory and organizes it in accordance with different stages in the design process. Using examples from contemporary communication design, as well as more familiar selections from the graphic design canon as case studies, this book provides an account of how meanings are made by users, and suggests new strategies for design practice. It seeks convergences between the ways that graphic/communication designers think and talk about their practice and the theories emerging from cognitive science.
This book will be of interest to scholars working in design, graphic design, the philosophy of art and aesthetics, communication studies, and media and film studies
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
- …
