1,721,051 research outputs found

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Hardware Occlusion Queries Made Useful

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    Hardware occlusion queries make it possible for an application to ask the 3D API whether or not any pixels would be drawn if a particular object was rendered. With this feature, applications can check to see whether or not the bounding boxes of complex objects are visible; if the bounds are occluded, the application can skip drawing those objects. In this chapter, we present a simple and powerful algorithm to solve the problem of latency and CPU/GPU stall typically associated with a naive usage of hardware occlusion queries

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Neural Denoising with Layer Embeddings

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    We propose a novel approach for denoising Monte Carlo path traced images, which uses data from individual samples rather than relying on pixel aggregates. Samples are partitioned into layers, which are filtered separately, giving the network more freedom to handle outliers and complex visibility. Finally the layers are composited front-to-back using alpha blending. The system is trained end-to-end, with learned layer partitioning, filter kernels, and compositing. We obtain similar image quality as recent state-of-the-art sample based denoisers at a fraction of the computational cost and memory requirements.Computer Graphics ForumDenoising and Filtering39

    Guided Fine-Tuning for Large-Scale Material Transfer

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    We present a method to transfer the appearance of one or a few exemplar SVBRDFs to a target image representing similar materials. Our solution is extremely simple: we fine-tune a deep appearance-capture network on the provided exemplars, such that it learns to extract similar SVBRDF values from the target image. We introduce two novel material capture and design workflows that demonstrate the strength of this simple approach. Our first workflow allows to produce plausible SVBRDFs of large-scale objects from only a few pictures. Specifically, users only need take a single picture of a large surface and a few close-up flash pictures of some of its details.We use existing methods to extract SVBRDF parameters from the close-ups, and our method to transfer these parameters to the entire surface, enabling the lightweight capture of surfaces several meters wide such as murals, floors and furniture. In our second workflow, we provide a powerful way for users to create large SVBRDFs from internet pictures by transferring the appearance of existing, pre-designed SVBRDFs. By selecting different exemplars, users can control the materials assigned to the target image, greatly enhancing the creative possibilities offered by deep appearance capture.Computer Graphics ForumMaterials39

    Joint SVBRDF Recovery and Synthesis From a Single Image using an Unsupervised Generative Adversarial Network

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    We want to recreate spatially-varying bi-directional reflectance distribution functions (SVBRDFs) from a single image. Pro- ducing these SVBRDFs from single images will allow designers to incorporate many new materials in their virtual scenes, increasing their realism. A single image contains incomplete information about the SVBRDF, making reconstruction difficult. Existing algorithms can produce high-quality SVBRDFs with single or few input photographs using supervised deep learning. The learning step relies on a huge dataset with both input photographs and the ground truth SVBRDF maps. This is a weakness as ground truth maps are not easy to acquire. For practical use, it is also important to produce large SVBRDF maps. Existing algorithms rely on a separate texture synthesis step to generate these large maps, which leads to the loss of consistency be- tween generated SVBRDF maps. In this paper, we address both issues simultaneously. We present an unsupervised generative adversarial neural network that addresses both SVBRDF capture from a single image and synthesis at the same time. From a low-resolution input image, we generate a large resolution SVBRDF, much larger than the input images. We train a generative adversarial network (GAN) to get SVBRDF maps, which have both a large spatial extent and detailed texels. We employ a two-stream generator that divides the training of maps into two groups (normal and roughness as one, diffuse and specular as the other) to better optimize those four maps. In the end, our method is able to generate high-quality large scale SVBRDF maps from a single input photograph with repetitive structures and provides higher quality rendering results with more details compared to the previous works. Each input for our method requires individual training, which costs about 3 hours.Eurographics Symposium on Rendering - DL-only TrackBxDF
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