196,736 research outputs found
In 11. et 12. Caput S. Matthaei
No full textTübingen, Univ., Diss., 1714Praeside Joh. Christophoro Pfaffio, SS. Theol. Doct. Et Profess. ... Defendent Johann Mader, Tubing. Joh. Christoph. Hölderlin, Aichschiess. Wilhelm Pfisterer, Königens. SS. Theolog. Studios. ...Vorlageform des Erscheinungsvermerks: TUBINGAE, TYPIS VIDUÆ GEORG-HENRICI REISI, ANNO M DCC XIV
Wettstreit in Erz: Porträtmedaillen der deutschen Renaissance, Ausstellungskatalog, München, Staatliche Münzsammlung - Wien, Kunsthistorisches Museum - Dresden, Staatliche Sammlungen, Oktober 2013 - Januar 2016, Deutscher Kunstverlag, Berlin - München
No full textQuesta mostra fa il punto sui molti problemi storiografici che investono la comparsa della medaglia tra Reno, Danubio e Oder nel XVI secolo: problemi di recezione, storiografia, collezionismo e paragone e dialogo con altri media; le medaglie mostrano però anche legami significativi con pratiche culturali, gruppi sociali, contesti di produzione e forme di mobilità diverse. In particolare, i saggi e le diverse sezioni del catalogo si sforzano di ripensare l’articolazione geografica dei centri e soprattutto la declinazione in senso nazionaleo fornita da Gerg Habich nel suo fondamentale repertorio sulle medaglie “tedesche” del 1929-34.This exhibition addresses the many historiographical problems connected with the appearance of the medal between Rhine, Danube and Oder in the sixteenth century: problems of reception, historiography, collecting, paragone and dialogue with other media. Medals were also significant bound with diverse cultural practices, social groups, production environments and forms of mobility. In particular, the essays and the different sections of this catalogue make an effort to rethink the geographical articulation of the medal production centres and the nationally-minded interpretation provided by Georg Habich in his fundamental repertory on "German" medals of 1929-34
Bir-kot-ghwandai in the Post-Kushan Period
No full textThe author introduces the data coming from the Post-Kushan layers of the Italian excavations directed by himself at Bir-kot-ghwandai (Swat, Pakistan), and interprets them in the light of the historical sources on the concerned period. Being one of the first stratigraphic excavations in urban sites of the region, the site of Bir-kot-ghwandai offers a precious contribution for the study of the architectural and artistic evidence of the period. Particularly noteworthy is the possibility of anchoring to a solid stratigraphic sequence the information on pottery, given that examples of similar wares have recently been acquired by Museums from the antiquarian market
Il corpo senza organi dell'opera d'arte: creazione e schizofrenia in Antonin Artaud
No full textAfter having briefly outlined – according to R. D. Laing’s reflections, pioneer of the anti-psychiatric movement – Antonin Artaud schizophrenia characteristics, this essay focuses on one of his most peculiar traits: his rejection of the anatomical organization of the body, which requires the organs to obey to a hierarchically organized and productively aimed structure. This system was deeply inadequate and outside his psychic life – uncontrolled flow of thoughts and feelings constantly on the run from any structuring centrality – so Artaud aspired to the re-establishing of his body on new basis. And the mean by which he proposed to work this flesh alchemy out is the artistic creation, which is, in Artaud’s opinion, painfully and cruelly inseparable from being. The pattern he used is the body without organs, “immanence’s field of desire” according to Gilles Deleuze words, place of intensity and conflicts, surplus of life unfettered by purpose, so able to create by means of expanding and aggregating heterogeneous elements. This happens into the schizophrenic delirium which, in Deleuze and Guattari’s opinion, shows us a pattern of creation opposite to the western way of thought - the tree model - and this is the more libertarian rhizome pattern: in botanic the rhizome is an elongated and pulpy stem, with surface branches in every direction and underground concretions too; it grows in assemblages incorporating disparate elements, it may be broken in any part of its going on and increasing through new lines of flight, no matters the point of arrival, driven only by the anarchic force of desire. The work of art thus modeled, rather than mirror of a world which it remains separate from, will be intimately linked to the world, having incorporated irrelative fragments. Example of this way of creation, in Artaud’s opinion, is Van Gogh’s painting. His paintings seem authentic bodies without organs, rhizomatic combinations of art and life, graphic mark and matter, chemical colors and organic secretions, in a constant intrusion of the real level into the symbolic one. The 1947 essay by Artaud about the great Dutch painter too (Van Gogh le suicidé de la société) is in turn amenable to the pattern of the body without organs with respect to all levels: the promiscuity, always present, among experienced author and subject of study; disordered structure and without a center which juxtaposes different sections unable to come to a real conclusion; the same verbal material, encumbered by the presence of glossolalias: assemblages of syllables, elementary sounds which – often used by schizophrenics – seem to want to avoid the human voice to make sense with socially recognizable meanings, showing themselves as pure expressions of vocal cords, tongue, teeth and palate: organs finally free from any anatomical organization
Dr. Duane M. Jackson, Morehouse College, July 2011
No full textThis video is a conversation with Dr. Duane M. Jackson. Dr. Jackson talks about his paper, "Recall and the Serial Position Effect: The Role of Primacy and Recency on Accounting Students' Performance." Jackie Daniel, AUC Woodruff Library, is the interviewer
"Reflections on the subject of Emigration from Europe with a view to Settlement in the United States" By M. Carey.
No full text"Reflections on the subject of Emigration from Europe with a view to Settlement in the United States: containing bried sketches of the moral and political character of those states.
By M. Carey, member of the American philosophical, and of the American Antiquarian Society, and author of The Olive Branch, Cindiciae Hibernicae, essays on banking, on political economy, and on internal improvement.
To which are now added the English editor's comments on the subject; together with Important Advice to Emigrants, and Cautions Against Impositions Practiced in the Outports
Dispelling the Myths Behind First-author Citation Counts
No full textWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Adolf Hildebrand,Das Problem der Form in der bildenden Kunst, Strassburg Heitz & Mündel 1893 XIV, 125 S. Universitätsbibliothek München
No full textThis paper aims at exploring the crucial role played by Adolf Hildebrand's essay "The Problem of Form" for the development of Heinrich Wölfflin's theory of style in the visual arts
Dr. Glendon Swarthout
No full textHosted by Roger M. Busfield, MSU Assistant Professor of Speech and Theater, Meet the Author is designed to introduce a general audience to a contemporary author and their work through in-depth interviews. This episode features a conversation between Dr. Glendon Swarthout, prolific author and English professor at MSU, and assistant professors Sam S. Baskett and Theodore B. Strandness
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