1,005 research outputs found
Introduction by Manuela Gieri
No full textIn the introduction to the volume, the author outlines the development of Italian cinema from its early days to the present
Author Correction: Association analyses of more than 140,000 men identify 63 new prostate cancer susceptibility loci
No full textCorrection to: Nature Genetics, 50, 928–936 (2018), https://doi.org/10.1038/s41588-018-0142-8, published online 11 June 2018.
In the version of this article initially published, the name of author Manuela Gago-Dominguez was misspelled as Manuela Gago Dominguez. The error has been corrected in the HTML and PDF version of the article.No Full Tex
La biografía de Manuela Cambronero
No full textManuela Cambronero’s biography has been a pending issue until now, given that her figure has not aroused interest and no studies which focus on clarifying her origins and chronology have been published. This information is essential as a starting point for any work on the author, which is why elucidating these unknowns through direct archive research is a sine qua non. Consequently, locating Manuela Cambronero’s baptismal, marriage and death certificates is the only reliable way to dispel any doubt about her provenance and to determine the exact places and dates of the trans-cendental events of her life.La biografía de Manuela Cambronero ha sido una cuestión pendiente hasta ahora, pues, como su figura no ha suscitado interés, no se han publicado estudios centrados en esclarecer su origen y su cronología. Esta información es esencial como punto de partida para cualquier trabajo sobre la autora, por lo que dilucidar estas incógnitas a través de la búsqueda directa en archivos se convierte en una condición sine qua non. En consecuencia, la localización de los certificados de bautismo, de matrimonio y de defunción de Manuela Cambronero es la única vía fiable para disipar las dudas sobre su procedencia y para concretar los lugares y fechas exactas de los eventos trascendentales de su vida
Manuela Sáenz en varios textos
No full textThis report is an attempt to analyze the narrative discourse order in the novel “La esposa del Dr. Thorne” (Dr. Thorne’s Wife) of the Venezuelan writer Denzil Romero, in the light of ¨Las cuatro estaciones de Manuela” (“The Four Seasons of Manuela”) of the American author Víctor W. von Hagen, and of “Manuela. Sus diarios perdidos y otros papeles”, (Manuela. Lost Diaries and Other Papers) of the Ecuadorian Carlos Álvarez Saá. This paper is a risky comparison between a book of fiction, presumably based on real facts, where Manuela’s eroticism is the central theme in Romero, the large literary chronicles issued by von Hagen and the compilation and discovery of alleged original and historic texts (letters and diaries) produced by Álvarez Saá. It is also a research exercise where, whimsically, what the official discourse says, as it may be viewed by the school of Venezuela or that of Quito, is mixed with the fictionalization of that discourse. It is, too, a possible vindication of Manuela Sáenz as a person and/or predominant character in the fights for the independence of America beyond her ¨circumstantial¨ relationship with Simón Bolívar. It is, to a certain extent, a look into how literary texts and the perceptions of history about a character (Manuela) tend to a “rearrangement” in present times and how there has been an attempt to consolidate the figure of Manuela Sáenz as a heroine, awarding a victory to what von Hagen calls “the school of Quito”.Si prese l’analisi dell’ordine discorsivo narrativo del romanzo dell’autore venezuelano Denzil Romero, La sposa del Dott.re Thorne, attraverso le comparazioni delle opere dell’autore statunitense Víctor W. Von Hagen, Le quattro stagioni di Manuela e dell’ autore ecuadoregno Carlos Álvarez Saá, Manuela, i suoi diari persi ed altre carte. È una comparazione azzardadata tra un libro di finzione, forse basato in fatti reali, dove l’erotismo della donna (Manuela) costituisce la tematica centrale, nell’opera di Romero, con la lunga cronaca letteraria che fa von Hagen e la compilazione e la scoperta di supposti testi originali e storici (lettere, diari) che fa Álvarez Saá. È un esercizio di ricerca dove si mescolano, in modo capriccioso, il campo d’attività del Venezuela o quello del Quito, e la finzione di quello ufficiale. È anche la rivendicazione possibile di Manuela Sáenz come persona e/o personaggio preponderante nelle lotte indipendentistiche dell’America che era aldilà della relazione congiunturale con Simón Bolívar. Si vuole vedere, fino a un certo punto, come i testi letterari e le percezioni della storia su un personaggio (Manuela) tendono a sistemarsi con i tempi attuali e come si ha voluto affiancare la figura eroica di Manuela Sáenz, concedendole il trionfo, forse secondo la tesi di von Hagen: quella che lui definisce la scuola di Quito.Se pretendeu analisar a ordem discursivo-narrativa do romance do venezuelano Denzil Romero, “La esposa del Dr. Thorne”, à luz das obras do americano Víctor W. von Hagen, ¨Las cuatro estaciones de Manuela” e do equatoriano Carlos Álvarez Saá, “Los diários perdidos de Manuela Sáenz y otros papeles”. Este trabalho é a comparação arriscada entre um livro de ficção, baseado aparentemente em fatos reais, no qual o erotismo da mulher (Manuela) é o tema central, em Romero, com a extensa crônica literária que lhe faz von Hagen e a recopilação e a descoberta de aparentes textos originais e históricos (cartas, diários) que faz Álvarez Saá. Também é um exercício de pesquisa em que, de maneira especial, se mistura o que diz o discurso histórico oficial, segundo seja visto pela escola da Venezuela ou a de Quito, com a visão dada pela ficção a esse discurso. É, ao mesmo tempo, um pouco a possível reivindicação de Manuela Sáenz como pessoa e/ou personagem preponderante nas lutas de independência da América que chegavam além do seu ¨controvertido¨ relacionamento com Simón Bolívar. É ver, de certa forma, como os textos literários a as percepções da história sobre uma personagem (Manuela) têm tendência a ¨se readaptar” nos tempos atuais e como se quis dar força à figura de heroína de Manuela Sáenz, dando uma vitória a ela na que, tal vez, von Hagen denomina “a escola de Quito”.Se pretendió el análisis del orden discursivo narrativo de la novela del venezolano Denzil Romero, “La esposa del Dr. Thorne”, a luz de las obras del estadounidense Víctor W. von Hagen, ¨Las cuatro estaciones de Manuela” y del ecuatoriano Carlos Álvarez Saá, “Manuela. Sus diarios perdidos y otros papeles”. Este trabajo es la comparación riesgosa entre un libro de ficción, basado presumiblemente en hechos reales, donde el erotismo de la mujer (Manuela) es el tema central, en Romero, con la larga crónica literaria que hace von Hagen y la recopilación y descubrimiento de presuntos textos originales e históricos (cartas, diarios) que hace Álvarez Saá. Es también un ejercicio de investigación donde de manera caprichosa se mezcla lo que dice el discurso histórico oficial, según sea visto por la escuela de Venezuela o de Quito, y la ficcionalización de ese discurso. Es también un poco la posible reivindicación de Manuela Sáenz como persona y/o personaje preponderante en las luchas independentistas de América que iban más allá de la ¨coyuntural¨ relación con Simón Bolívar. Es ver, hasta cierto punto, cómo los textos literarios y las percepciones de la historia sobre un personaje (Manuela) tienden a ¨reacomodarse” en los tiempos actuales y cómo se ha querido afianzar la figura de heroína de Manuela Sáenz, dándole el triunfo, tal vez, a lo que llama von Hagen “la escuela de Quito”
La biografía de Manuela Cambronero
No full textLa biografía de Manuela Cambronero ha sido una cuestión pendiente hasta ahora, pues, como su figura no ha suscitado interés, no se han publicado estudios centrados en esclarecer su origen y su cronología. Esta información es esencial como punto de partida para cualquier trabajo sobre la autora, por lo que dilucidar estas incógnitas a través de la búsqueda directa en archivos se convierte en una condición sine qua non. En consecuencia, la localización de los certificados de bautismo, de matrimonio y de defunción de Manuela Cambronero es la única vía fiable para disipar las dudas sobre su procedencia y para concretar los lugares y fechas exactas de los eventos trascendentales de su vida.Manuela Cambronero’s biography has been a pending issue until now, given that her figure has not aroused interest and no studies which focus on clarifying her origins and chronology have been published. This information is essential as a starting point for any work on the author, which is why elucidating these unknowns through direct archive research is a sine qua non. Consequently, locating Manuela Cambronero’s baptismal, marriage and death certificates is theonly reliable way to dispel any doubt about her provenance and to determine the exact places and dates of the trans-cendental events of her life
Author Correction:Association analyses of more than 140,000 men identify 63 new prostate cancer susceptibility loci
No full textIn the version of this article initially published, the name of author Manuela Gago-Dominguez was misspelled as Manuela Gago Dominguez. The error has been corrected in the HTML and PDF version of the article.</p
Sustainable Interventions for the Preservation of Earthen Heritage
Full text linkAbstractEarth is one of the most common material used for the construction of historical villages, whose conservation ensures the transmission of a technological culture that represents the landscape, as well as historical and architectural values. The preservation of this rich, but very fragile, heritage requires the development of projects that should be promoters of sustainable interventions, not only able to guarantee a limit in the consumption of resources, but also the start-up of local development processes, generating externalities that could significantly contribute to the preservation of tangible and intangible assets. As it concerns Piedmont earthen vernacular architecture the development of thematic itineraries could give a significant contribution to the enhancement of this cultural heritage
Twentieth-Century Italian Filmmakers
No full textIn two volumes the author discusses the evolution of Italian cinema from the early days to the present, in the works of its greatest directors
Author correction: Genome-wide association study identifies susceptibility loci for B-cell childhood acute lymphoblastic leukemia
Full text link\ua9 2019, The Author(s). The original version of this Article contained an error in the spelling of a member of the PRACTICAL Consortium, Manuela Gago-Dominguez, which was incorrectly given as Manuela Gago Dominguez. This has now been corrected in both the PDF and HTML versions of the Article. Furthermore, in the original HTML version of this Article, the order of authors within the author list was incorrect. The PRACTICAL consortium was incorrectly listed after Richard S. Houlston and should have been listed after Nora Pashayan. This error has been corrected in the HTML version of the Article; the PDF version was correct at the time of publication
La representación de lo nacional en Manuela, de Eugenio Díaz Castro
No full textThis article explores from literature, representations and symbols that the subordinate sectors feature built into the everyday context of nineteenth-century New Granada. Exploring the novel Manuela therefore, the national writer Eugenio Diaz Castro, the author presents a reflection on his clothes, manners, clothes, languages, arts, crafts and cultural and political conflicts in those sectors involved in the narrative of Díaz Castro.El presente artículo explora desde la literatura, las representaciones y símbolos que los sectores subalternos construyeron en la cotidianidad característica del contexto neogranadino decimonónico. Explorando por tanto la novela Manuela, del escritor nacional Eugenio Diaz Castro, la autora presenta una reflexión sobre los vestidos, costumbres, ropas, lenguajes, artes, oficios y conflictos culturales y políticos de tales sectores implícitos en la narrativa de Díaz Castro
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