1,720,967 research outputs found
William Williams, Anachronism, and the Temporal Logic of Textual Recovery (1776/1815/1969)
No full textThis article takes the distinctive publishing history of William Williams's Robinsonade novel Mr. Penrose as a prompt to challenge conventional assumptions about the temporal logic of textual recovery. Scholars typically make a case for the value of forgotten or neglected texts by emphasizing forms of "creative anachronism"in which an author is said to be ahead of their time in ways only recognizable by posterity. Mr. Penrose, written in America in 1776, published in a heavily redacted version in Britain in 1815, and finally published in full in 1969, offers a means of apprehending the far less familiar dynamics of "pathetic anachronism,"wherein a text repeatedly fails to connect with the successive historical moments of its appearance and remains uncanonized. This stalled trajectory of Williams's novel helps to illuminate the limitations of conventional discourses of textual recovery by tracing them back to tropes of the "found manuscript"and transatlantic shifts in genre popularity in the eighteenth century, as well as Romantic theories of temporal disjunction and the emergence of the historical novel in the nineteenth century and models of textual editing and debates over "the first American novel"in the twentieth century. These three versions of Williams's novel⋯ help us to see how various intellectual, aesthetic, generic, and material factors can mitigate against a text fitting into the mechanisms critics typically deploy to advance the positive qualities of anachronism
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
The Part and the Whole in Early American Literature, Print Culture and Art
No full textThe essays in this pathbreaking collection consider the significance of varied early American fragmentary genres and practices—from diaries and poetry, to almanacs and commonplace books, to sermons and lists, to Indigenous ruins and other material shards and fragments—often overlooked by critics in a scholarly privileging of the “whole.” Contributors from literary studies, book history, and visual culture discuss a host of canonical and non-canonical figures, from Edward Taylor and Washington Irving to Mary Rowlandson and Sarah Kemble Knight, offering insight into the many intellectual, ideological, and material variations of “form” that populated the early American cultural landscape. As these essays reveal, the casting of the fragmentary as aesthetically eccentric or incomplete was a way of reckoning with concerns about the related fragmentation of nation, society, and self. For a contemporary audience, they offer new ways to think about the inevitable gaps and absences in our cultural and historical archive
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
The Periodical Text Network, Serialized Genres, and the Making of “Literature” in the Nineteenth-Century United States
Get PDFThis article intervenes into current debates around genre and textual production in nineteenth-century American periodical culture by expanding our understanding of magazine serialization beyond its typical focus on fiction. Drawing on various theories that media studies scholars have formulated about the practice of serialization in late twentieth-century popular culture, this article outlines how the nineteenth-century magazine can be conceived of as a Luhmannian/Latourian network of interrelated and interacting texts that defined themselves against each other in a process of ongoing self-reflection. Jumping off from a specific issue of the influential ‘quality magazine’ Atlantic Monthly from 1872, I examine how the constellation of a serialized novel, short story, biography, essay, and poem in the pages of this issue can be contextualized in relation to the longer history of the emergence of these genres in serial form and in relation to the intensifying doubts over the aesthetic validity of serialization that peaked at the turn of the twentieth century. Positioning literary criticism as an additional genre that was increasingly attempting to assert its dominance within the periodical text-network, I argue that modern disciplinary conceptions of ‘literature’ evolved from and through the negotiations between different narrative forms being explored in this article
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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