1,722,142 research outputs found
Portrait of Peter Weiss, 1993 [picture] /
No full textTitle from acquisitions documentation.; Part of the collection: Peter Weiss collection of portraits of notable Australians.; Also available online http://nla.gov.au/nla.pic-an11656113; P977/101
Peter Weiss, Spain: Peter Weiss, Painting
Full text linkPeter Weiss, España: Peter Weiss, Pintura, vincula dos aspectos poco tratados en torno a la figura del pintor y dramaturgo alemán Peter Weiss (1916-1982). En primer lugar, redescubre la relación que el autor mantiene con España a raíz del análisis de documentos relevantes. Por otro lado, llama la atención sobre la producción gráfica y la obra pictórica de un dramaturgo que ve el mundo como un pintor contemporáneo, como un sujeto moderno.Peter Weiss, Spain: Peter Weiss, Painting, links two aspects little treated concerning the figure of the painter and German playwright Peter Weiss (1916-1982). First, it re-discovers the relation that the author supports with Spain following the analysis of relevant documents. On the other hand, it calls the attention on the graphical production and the pictorial work of a playwright who sees the world as a contemporary painter, as a modern subject
Dei molti inferni : La shoah, Dante e Peter Weiss
No full textIl saggio propone una contestualizzazione del dramma "Inferno" di Peter Weiss all'interno del riuso dantesco nella letteratura della Shoah e un'interpretazione specifica del testo quale snodo centrale nella produzione del drammaturgo ebreo tedesco e quale esempio di trasformazione intertestuale basata su precise strategie formali e basata su evidenti intenti politici e morali
Films by Peter Weiss
No full textThis doctoral thesis deals with Peter Weiss’ (1916-1982) films and some of his never finished attempts. The focus is in general on Weiss’ film work activities in the 1950’s, when film held the very central place in his works of art. The intention has been to interrogate what short films Peter Weiss made and to find out the meaning and the role of film in the life of the artist Peter Weiss. The conclusion is that Peter Weiss fought with personal difficulties in expressing himself in a language — a language of words and a language of signs — because it is assumed that Peter Weiss carried a very strong will to become an author. In order to “conquer the words” Weiss exercised himself in describing all kinds of worlds — an interior one as well as an exterior one. That explains why he dealt with surrealist psychological subjects and documentary forms while making films
Einleitung: Peter Weiss Jahrbuch
No full textDas sechsundzwanzigste Peter Weiss Jahrbuch präsentiert den ersten Teil der Beiträge zu der Tagung Der Schwarzkünstler Peter Weiss, die im Oktober 2016 an der Universität Zürich aus Anlass von Peter Weiss' 100. Geburtstag stattfand
Peter Weiss and The Independent Film Group
No full textPeter Weiss och Arbetsgruppen för Film beskrivs som en immigrantfilmsrelaterad kontext. Huvaddelen av presentationen upptar Peter Weiss' film "Studie 1" (1952) som analyseras som uttryck för minor cinema
Peter Weiss och Arbetsgruppen för Film
No full textPeter Weiss och Arbetsgruppen för Film beskrivs som en immigrantfilmsrelaterad kontext. Huvaddelen av presentationen upptar Peter Weiss' film "Studie 1" (1952) som analyseras som uttryck för minor cinema
Peter Weiss och minnesmaskinen: Motståndets estetik
No full textAnalysis of the novel Die Ästhetik des Widerstands by Swedish/German author Peter Weiss. The aim of the analysis is to trace the views of film art that the author presents in this novel. The conclusion is that Weiss expresses explicit views on film art and cinematography, but also that there are implicit patterns in the structure of the narrative that can be explained as a cinematic imagination
Peter Weiss: Underground and Resistance
No full textAn introduction to the avantgarde films of Swedish-German writer and filmmaker Peter Weiss (1916 - 1982
Der Schwarzkünstler Peter Weiss. Akten des Zürcher Symposions aus Anlass von Peter Weiss’ 100. Geburtstag (Teil 2)
No full textDas siebenundzwanzigste Peter Weiss Jahrbuch präsentiert den zweiten Teil der Beiträge zu der Tagung "Der Schwarzkünstler Peter Weiss", die im Oktober 2016 an der Universität Zürich aus Anlass von Peter Weiss’ 100. Geburtstag stattfand. Regula Bigler stellt medientheoretische Beobachtungen zum "Kutscher"-Roman an; Klaus Müller-Wille liest Weiss im Kontext der schwedischen Nachkriegsavantgarde; Klaus Birnstiel untersucht verschiedene Medienwechsel im Werk von Weiss; Alexander Honold widmet sich dem Dante-Bezug bei Weiss und Jenny Willner den Nachwirkungen des Surrealismus; Roman Hunziker greift schrifttheoretische Fragen hinsichtlich der "Ästhetik des Widerstands" auf. Ergänzt werden die Tagungsakten durch den Erstdruck eines Entwurfsfragments zu "Der Schatten des Körpers des Kutschers" aus dem Nachlass von Peter Weiss
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