1,721,139 research outputs found
Fritz Peter Knapp, Das lateinische Tierepos
No full textKnecht Daniel. Fritz Peter Knapp, Das lateinische Tierepos. In: L'antiquité classique, Tome 51, 1982. pp. 482-483
Extraits d’une interview de Peter Knapp
No full textDenoyelle Françoise. Extraits d’une interview de Peter Knapp. In: Bulletin de l'Institut d'Histoire du Temps Présent, n°76, novembre 2000. pp. 59-63
Fritz Peter Knapp. — Chevalier errant und fin' amor. Das Ritterideal des 13. Jahrhunderts in Nordfrankreich und im deutschsprachigen Südosten, 1986
No full textGicquel Bernard. Fritz Peter Knapp. — Chevalier errant und fin' amor. Das Ritterideal des 13. Jahrhunderts in Nordfrankreich und im deutschsprachigen Südosten, 1986. In: Cahiers de civilisation médiévale, 32e année (n°127), Juillet-septembre 1989. pp. 278-279
Fritz Peter Knapp. — «Similitudo» : Stil- und Erzählfunktion von Vergleich und Exempel in der lateinischen, französischen und deutschen Grossepik des Hochmittelalters, I, 1975
No full textZumthor Paul. Fritz Peter Knapp. — «Similitudo» : Stil- und Erzählfunktion von Vergleich und Exempel in der lateinischen, französischen und deutschen Grossepik des Hochmittelalters, I, 1975. In: Cahiers de civilisation médiévale, 20e année (n°77), Janvier-mars 1977. pp. 61-62
Fritz Peter Knapp, Die Literatur des Früh- und Hochmittelalters in den Bistümern Passau, Salzburg, Brixen und Trient von den Anfängen bis zum Jahre 1273
No full textFritz Peter Knapp, Die Literatur des Früh- und Hochmittelalters in den Bistümern Passau, Salzburg, Brixen und Trient von den Anfängen bis zum Jahre 1273. In: Revue des études byzantines, tome 56, 1998. pp. 345-346
Fritz Peter Knapp, Die Literatur des Früh- und Hochmittelalters in den Bistümern Passau, Salzburg, Brixen und Trient von den Anfängen bis zum Jahre 1273
No full textFritz Peter Knapp, Die Literatur des Früh- und Hochmittelalters in den Bistümern Passau, Salzburg, Brixen und Trient von den Anfängen bis zum Jahre 1273. In: Revue des études byzantines, tome 56, 1998. pp. 345-346
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
sj-pdf-1-chc-10.1177_13674935221109684 – Supplemental Material for Engaging children, young people, parents and health professionals in interviews: Using an interactive ranking exercise within the co-design of multimedia websites
No full textSupplemental Material, sj-pdf-1-chc-10.1177_13674935221109684 for Engaging children, young people, parents and health professionals in interviews: Using an interactive ranking exercise within the co-design of multimedia websites by Jacqueline Martin-Kerry, Steven Higgins, Peter Knapp, Kristin Liabo and Bridget Young in Journal of Child Health Care</p
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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