207 research outputs found
Ben Conradie Collection index
No full textThis index describes the Ben Conradie collection which contains biographical information on the Conradie family, works by and about Barend Jacobus (Ben) Conradie, Afrikaans author, and a journal book of Eendrachts Onderlinge Verbeterings Gezelschap, Stellenbosch. The collection contains journal book ; manuscripts ; family documents ; contracts with publishers ; Maats op ver paaie compiled in 4 pamphlet boxes and 1 bound manuscript
The Conradie Codec : the recoding of meaning in four of my stage adaptations
No full textThesis (MA)--Stellenbosch University, 2015.ENGLISH ABSTRACT: In this thesis I attempted to analyse the four adaptations I created between 2004 and 2010. The first two products (texts and productions) were created in 2004 and 2005, while I was a student at the Stellenbosch University Drama Department. The third adaptation (text only) was created in 2007, while I was a freelance stage manager. In 2010, I collaborated with a choreographer for the first time to adapt a Shakespeare text into a dance theatre production.
The process of adapting a text always starts with an interpretive reading. Extracting information and meaning from a text can also be referred to as ‘decoding’. In the process of creating the adaptation new meaning is written, or ‘encoded’, into the product that must in turn be decoded by the reader or audience member. A term for this decoding and encoding process that is often encountered in the field of video editing (an aspect of my current profession) is a ‘codec’. In video editing a codec is responsible for the decoding of a computer file into a video program that a viewer/audience can engage with, as well as the encoding of a video program into a file.
Since I function as the ‘codec’ in these adaptation scenarios, I thought it appropriate to label my approach to the adaptation process, the ‘Conradie codec’. The aim of this reflexive study is to analyse my four adaptations, the processes as well as the products, in order to determine if such a codec truly exists.
Research done in adaptation studies was presented in an attempt to define adaptation as both process and product – Linda Hutcheon’s A Theory of Adaptation was particularly useful. This created a framework for the study of each of the four adaptations in chronological order, according to the year in which they were created. The study also draws very generally on the principles of semiotics, especially with respect to the notion of coding.
Firstly, the 2004 adaptation of Luigi Pirandello’s Six Characters in Search of an Author into Twintig akteurs op soek na ‘n [beter] Regisseur was analysed.
This was followed by onsindroom (sic), an adaptation of August Strindberg’s A Dream Play. The third adaptation was iForest, which was created in 2007. This was an adaptation of (primarily) Eugene Ionesco’s The Killer. Lastly, the adaptation of Shakespeare’s Troilus and Cressida into When in Love… was studied.
It was concluded that, while the ‘Conradie codec’ does exist and was applied in the creation of the four adaptations, its efficiency was limited – predominantly by time constraints. In all four the cases analysed the rehearsal process started when a complete draft of the adapted text was not yet finished. This put enormous pressure on the rehearsal process. While this is accepted when creating a workshop style production, more time is needed to develop the adaptation in order for it to be cohesive.
By going through the process of analysing these four adaptations, the Conradie codec has been adapted (or updated) to version 2.0.AFRIKAANSE OPSOMMING: In hierdie tesis het ek gepoog om my vier verwerkings tot op hede te analiseer. Die eerste twee produkte (tekste en produksies) was in 2004 en 2005 geskep terwyl ek ‘n student was. Die derde verwerking (slegs die teks) was in 2007 geskep terwyl ek ‘n vryskut verhoogbestuurder was. In 2010, het ek vir die eerste keer saam met ‘n choregraaf gewerk om ‘n Shakespeare teks te verwerk na ‘n dansteaterproduksie.
Die verwerkingsproses van ‘n teks begin altyd met die lees van die teks op ‘n interpreterende wyse. Hierdie proses, om betekenis uit ‘n teks te ontgin, kan ook ‘dekodering’ genoem word. Tydens die verwerkingsproses word nuwe betekenis in die produk ingeskryf, of ‘geënkodeer’. Die leser of gehoorlid moet weer op hul beurt die nuwe produk dekodeer. Hierdie dekodering en enkodering word in videoredigering (‘n aspek van my huidige beroep) ‘n ‘codec’ genoem. In videoredigering is ‘n ‘codec’ verantwoordelik vir die dekodering vanaf ‘n rekenaarlêer na ‘n videoprogram wat deur iemand gekyk kan word, sowel as die enkodering vanaf ‘n videoprogram na ‘n leêr.
Aangesien ek tydens die verwerkingsproses as die ‘codec’ funksioneer, het ek dit goed gedink om met die term die ‘Conradie codec’ vorendag te kom. Die doel van hierdie refleksiewe studie was om my vier verwerkings, die prosesse sowel as die produkte, te analiseer en sodoende te bepaal of so ‘n ‘codec’ wel bestaan.
Navorsing op die gebied van verwerkings was voorgelê in ‘n poging om die konsep van verwerking as beide proses en produk te definieer – Linda Hutcheon se A Theory of Adaptation was ‘n nuttige bron gewees. Dit het gehelp om ‘n raamwerk vir die bestudering van elk van die vier verwerkings te skep – wat dan uitgevoer was in chronologiese volgorde. Die studie maak ook gebruik van die beginsels van semiotiek, in ‘n baie algemene wyse, veral ten opsigte van die begrip van kodering.
Eerstens was die 2004 verwerking van Luigi Pirandello se Six Characters in search of an Author na Twintig akteurs op soek na ‘n [beter] Regisseur ontleed. Dit was gevolg deur onsindroom, ‘n verwerking van A Dream Play deur August
Strindberg. iForest wat in 2007 geskep is, was ‘n verwerking van (hoofsaaklik) The Killer deur Eugene Ionesco. Laastens was die verwerking van Shakespeare se Troilus and Cressida na When in love… bestudeer.
Die gevolgtrekking was dat daar iets soos die ‘Conradie codec’ bestaan en dat dit wel toegepas was in die skepping van die vier verwerkings. Die effektiwiteit daarvan was wel beperk – hoofsaaklik as gevolg van tydsbeperkings. In al vier die gevalle het die repetisieproses reeds begin voordat ‘n volledige weergawe van die teks voltooi was, wat enorme druk op die repetisieproses geplaas het. Terwyl dit aanvaarbaar is in die konteks van ‘n werkswinkelproduksie word meer tyd benodig vir die verwerking van ‘n teks om samehangend te wees.
Deur die vier verwerkings te bestudeer, was die Conradie ‘codec’ self in die proses verwerk (of bygewerk) tot weergawe 2.0.Master
The Diorama project: development of a tangible medium to foster STEAM education using storytelling and electronics
No full textWhy do people turn down the heat? Applying behavioural theories to assess reductions in space heating and energy consumption in Europe
No full textReducing heating-related energy consumption is vital in Europe, where it accounts for a significant portion of domestic energy usage. We studied the factors that influence reduced heating-related consumption by using three theoretical frameworks: the Theory of Planned Behaviour, the Value Belief Norm theory, and the Prototype Willingness Model. Our sample consisted of 3098 people from 29 European countries. We conducted a confirmatory factor analysis to verify whether our observed variables measure our latent factors, followed by a structural equation model that incorporated these three behavioural models. We find that perceived behavioural control, subjective norms and attitudes (as part of the Theory of Planned Behaviour) are significant predictors of intent to reduce consumption. However, perceived behavioural control was not statistically significantly associated with behaviour. Environmental concern had a more significant influence on attitudes towards energy reduction than bill consciousness. Attitude was additionally significantly associated with fear of losing comfort and energy knowledge. Moreover, personal moral norms (as part of Value Belief Norm Theory) and willingness (as part of the Prototype Willingness Model) contributed to explaining the intent to reduce consumption, while willingness was also associated with behaviour
Digital issue movements : political repertoires and drivers of participation among Belgian youth in the context of ‘school strike for climate’
No full textIt often remains unclear how young citizens are combining various forms of political participation, as well as why they choose some over others, especially within a single-issue movement. Moreover, little is known about how social networking sites (SNS) fit into the political repertoires of citizens. Therefore, this study explores youths’ political participation patterns in the context of the 2019 youth-led climate strikes. We rely on data from a paper and pencil survey among 498 high school students in Belgium. To identify different types of activists, the study used latent class analysis (LCA). In addition, a multinomial logistic regression was conducted to assess how identified participation types differ from each other. Four different participation repertoires regarding the climate issue were identified, each distinctive in the way they rely on different forms of political participation. In addition, membership to each of the different classes is associated with a unique set of characteristics (in terms of political efficacies, climate issue involvement, and online expression motives). The article shows how SNS make up a crucial part of youths’ issue-specific participation patterns and sheds light on the mechanisms underlying their participation choices within the climate movement
Technological affordances of video streaming platforms : why people prefer video streaming platforms over television
No full textThis article investigates to what extent technological affordances are associated with people's preference for video streaming platforms over traditional television services. Such affordances refer to properties of these platforms (including personalized recommendations and easy-to-navigate interfaces) that provoke certain uses of the technology and satisfy social and psychological needs. Based on a quantitative study of 25–50-year-olds in Belgium ( N = 596) and a hierarchical regression analysis, the study builds further on the conceptualization of technological affordances as presented in the MAIN model, which suggests that four affordances (Modality, Agency, Interactivity and Navigability) are central to digital media technology. As such, the study presents an affordance-based measure of video streaming platforms, and helps to understand how video streaming technology shapes new patterns of audiovisual consumption and enhances the viewing experience beyond that of traditional television. Whereas most research attention has focused on user-oriented gratifications of video streaming platforms, this study addresses a gap in the literature by dealing with platform-oriented gratifications of video streaming platforms
User consultation during the fuzzy front end: evaluating student’s design outcomes
No full textIn this paper we evaluate the involvement of a partially blind user as lead user in the early stages of a product redesign during an undergraduate product design-engineering course. Throughout the early stages of product design, or fuzzy front end, there is a high level of uncertainty. End users, with their increased contextual knowledge can play an important role in this process, improving decision-making. Yet limited research has thus far been done on user types for involvement and concept generation efficiency. To study whether end user involvement will impact results, a group of students were given consults from a partially blind end user. Using a panel of four judges, we evaluate the results. We find no significant differences in the feasibility, user value or originality of the concepts created by students who received a user consult. We discuss these findings within the context of user involvement in design engineering education
Employee acceptability of wearable mental workload monitoring in industry 4.0 : a pilot study on motivational and contextual framing
No full textSelf-consumption rises due to energy crises? An evaluation of prosumers' consumption behavior in 2022
No full textThis work was supported by the European Union's Horizon 2020 research and innovation program project NUDGE under grant agreement no. 927012. The authors gratefully acknowledge the contributions of Werner Neumeier and Dorina Rauth from the energy solution supplier beegy and Johanna Isenhuth from the utility MVV Energie AG for carrying out the field experiment, as well as the anonymous participants
Employee acceptability of wearable mental workload monitoring : exploring effects of framing the goal and context in corporate communication
No full textDevelopment of wearable mental workload (MWL) measures thrives, especially as leveraged by Industry 4.0. When employees object to wearing such gauges; however, research efforts might end up redundant. Based on self-determination and communication theories, this study assumed that employees’ acceptability of wearable MWL-monitoring is shaped by
framing characteristics in corporate communication. Specifically, we hypothesized that acceptability depends on how (1)
the technology’s goals and (2) context of implementation is framed. A pilot study (N = 150) revealed that framing wearable
MWL-monitoring in terms of serving intrinsic goals (e.g., improving health) in an autonomy-supportive context (e.g.,
allowing discussion) induced a higher employee acceptability, compared to framing the technology in terms of serving
extrinsic goals (e.g., increasing productivity) in a controlling context (e.g., mandating use). A subsequent pre-registered
study (N = 350) could, however, not replicate this result. Instead, higher acceptability was associated with higher technology readiness, lower education levels, and being a woman (for the trust component of acceptability). Independent of conditions, mean acceptability, interestingly, panned out neutral. The current work is thereby the first exploring the complexities of employee acceptability of wearable MWL-monitoring and, based on open-ended questions, finally suggests that privacy management might be the most pivotal explanatory variable
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