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De l’expérimental dans l’art de Peter Markus : We Make Mud
Full text linkThis paper looks into the experimental writing of Peter Markus in We Make Mud, in particular its use of radical repetition, tautology and variations based on a lexicon characterised by its simplicity and generic indetermination. It also explores the effects of echoing sentences inside or between the texts, and the ways their syntax is stretched to their limits within minimal and violent plots. Soundplays abound and these incredibly malleable sentences make for an inventive, playful “lalangue”—to take on Jacques Lacan’s neologism—bringing forth a rough, eerie world in which two young boys seem pitted against authority or the constraints of “reality.
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Falschmünzerei in römischeer Zeit: Ein Blick in die römische Unterwelt, Frankfurt, Geldmuseum der Deutschen Bundesbank, 23.11.2011
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