1,318 research outputs found
Interview: Anne-Marie Fortier
No full textThis paper is an edited version of an email interview conducted by Debra Ferreday and Adi Kuntsman with Anne-Marie Fortier, the author of Multicultural Horizons: Diversity and the Limits of the Civil Nation (Routledge, 2008). Fortier’s work has been informative in the development of some of the arguments explored in this special issue; in their conversation Ferreday and Kuntsman asked her to comment on the ideas of haunting, racial imaginaries, nostalgia, national anxieties, political feelings and hopes for the future
Anne-Marie Fortier in conversation with Debra Ferreday and Adi Kuntsman
No full textThis paper is an edited version of an email interview conducted by Debra Ferreday and Adi Kuntsman with Anne-Marie Fortier, the author of Multicultural Horizons: Diversity and the Limits of the Civil Nation (Routledge 2008). Fortier’s work has been informative in the development of some of the arguments explored in this special issue; in their conversation Ferreday and Kuntsman asked her to comment on the ideas of haunting, racial imaginaries, nostalgia, national anxieties, political feelings and hopes for the future
Interview with Anne Marie Macari
No full textAnne Marie Macari is the author of five books of poetry. Most recently published was her book Red Deer, which was released in 2015. She spoke to a Manuscripts staff member, Wesley Sexton, about how to generate new material and what to do when ideas seem blocked. Macari founded and teaches in the Drew MFA Program for Poetry & Poetry Translation
Fortissat Science Alliance: Anne-Marie Weijmans
No full textAnne-Marie Weijmans was a Reader in the School of Physics & Astronomy at the University of St Andrews. She took part in the Fortissat Science Alliance podcast recordings in August 2022.What is the Fortissat Science Alliance?The Fortissat Science Alliance was a Wellcome Trust & Children In Need "Curiosity" project. This scheme provided informal STEM learning opportunities for young people who attended the community centre Getting Better Together Shotts (GBT Shotts) between 2019 and 2023. Due to the COVID-19 pandemic, deliveries had to pivot online so the podcast was founded. These recordings were made via Zoom with warm-up STEM activities sent to every young person in advance, along with a profile page for each researcher, so that they were relaxed and able to ask excellent questions.Link to episode on Spotify.Depending on the broadcast date, podcast deliveries were co-sponsored by Glasgow Science Festival, EXPLORATHON 2021, or EXPLORATHON 2022/23.For the duration of the project, it was supported jointly by Children in Need and the Wellcome Trust. In 2021, EXPLORATHON episodes were supported by the European Commission [grant agreement ID 101036101]. In 2022-23, EXPLORATHON episodes were supported by the Engineering & Physical Sciences Research Council [grant number EP/X020894/1].Author contributions to contentAnne-Marie Weijmans was the guest featured on this episode. Rebecca Hay was the youth worker coordinating the young people who conducted the interviews as well as co-editing and broadcasting the recordings. Iain Hamilton co-edited the episodes. Kirsty Ross was the STEM consultant for the project and uploaded completed episodes to Figshare.</p
A sojourn in Paris 1824-25: sex and sociability in the manuscript writings of Anne Lister (1791-1840)
No full textThis thesis examines the day to day practices that constituted Anne Lister's (1791-1840) sexuality and sociability within the range of her writings, as well as her society. Anne's writings were a detailed account, spanning her lifetime, of her own love and relationships with the 'fairer sex' (Whitbread 1988, 145). Anne's sociality, seen in her correspondence and plain handwritten journal entries, has been explored by Muriel Green in Miss Lister of Shibden Hall and Jill Liddington in Female Fortune and Nature's Domain (Green 1992; Liddington 1998; 2003). As a gentlewoman of adequate means, Anne has garnered some attention from women's historians interested in her agency within an early nineteenth century social and historical context. Anne's sexual identity has been extensively analysed over the past nearly twenty years by lesbian feminists, queer theorists, women's historians and historians of sexuality concerned with the history and development of modern Western female homosexuality and gender. The source for theorising Anne's sexuality has been the edited selections of the crypted journal entries, published by Helena Whitbread in I Know My Own Heart and No Priest but Love (Whitbread 1988; 1992). However, many analyses deal either with the theorisation of Anne's sexuality or her sociality; the theoretical difficulty with reconciling these categories has troubled the analysis of her complex subjectivity. Drawing upon the archival materials, I have used an interdisciplinary feminist approach to analyse the sexual and social processes of Anne's everyday interactions in her writings. Taking the seven month period of the sojourn to Paris in 1824-25, I have focused upon Anne's textual practices within her journal volume and letters during her residence in Paris, her social practices with the other guests at the guesthouse 24 Place Vendome and her sexual practices with her lover, the widow Mrs. Maria Barlow. The journal volumes and correspondence are a valuable historical record of one gentlewoman's engagement with early nineteenth century British culture
Les mots merdeka et revolusi chez Sukarno : étude de vocabulaire politique indonésien
No full text— Anne-Marie Jouflfroy menyampaikan di sini salah satu bab yang terpenting dari tesisnya tentang perbendaharaan kata politik Soekarno. Setelah meneliti dan menghitung dengan seksama kata-kata yang dipakai oleh Soekarno, penulis ber- hasil mengikuti perkembangan dua konsep utama yaitu : kon- sep Merdeka dan Revolusi.— Anne-Marie Jouffroy offers one of the most important chapters of her thesis on the political vocabulary of Sukarno. Starting with very precise counts and analyses of the vast corpus of Sukarno's prose, the author succeeds in tracing the evolution of two key concepts : those of Merdeka and Revolusi.— Anne-Marie Jouffroy publie ici l'un des chapitres les plus importants de sa thèse sur le vocabulaire politique de Soekarno. A partir de dépouillements et de dénombrements très précis, conduits dans le vaste ensemble de la proses soekarnienne, l'auteur parvient à suivre l'évolution de deux concepts-clés : celui de Merdéka et celui de Révolusi.Hussein-Jouffroy Anne-Marie. Les mots merdeka et revolusi chez Sukarno : étude de vocabulaire politique indonésien. In: Archipel, volume 12, 1976. pp. 47-76
Immersion dans la nature, pistage et création littéraire. Entretien avec Anne-Marie Desmeules
No full textDialogue entre l’autrice Anne-Marie Desmeules et la chercheuse doctorale Sara Garneau sur la relation à la nature de l’écrivaine et sur la manière dont elle se manifeste dans son oeuvre poétique Nature morte au couteau et dans des ateliers alliant création littéraire, pistage et survie en forêt.A dialogue between author Anne-Marie Desmeules and doctoral researcher Sara Garneau on the writer’s relationship with nature and how it manifests itself in her poetic work Nature morte au couteau and in workshops combining creative writing, tracking, and wilderness survival
Le Clavecin oculaire du P. Castel
No full textAnne-Marie Chouillet-Roche : Father Castel's ocular harpsichord.
Father Castel (1688-1757) was most famous as the inventor of a mathematical machine, the ocular harpsichord, and as an opponent of Newtonianism. He believed that there were 3 prime colours and no fundamental difference between sound and light, and he attempted to find the bijection between colours and notes of the chromatic scale and to calculate the number of degrees of shading. The author studies his machine through texts by Castel and his contemporaries, and gives a bibliography of his main works as well as of the chief studies of his harpsichord.Chouillet Anne-Marie. Le Clavecin oculaire du P. Castel. In: Dix-huitième Siècle, n°8, 1976. Les Jésuites. pp. 141-166
As pinturas rupestres da área arqueológica Vale do Catimbau Buíque, Pernambuco: estudo das fronteiras gráficas de passagem
No full textA presente dissertação tem como objetivo confirmar a presença das fronteiras gráficas
de passagem no Vale do Catimbau, unidade de conservação do Parque Nacional do
Catimbau, Buíque PE., bem como vincular as pinturas rupestres contidas na face oeste
da Serra do Coqueiro aos grupos migrantes, originários da Serra da Capivara.O Vale do
Catimbau situa-se a meio caminho de duas importantes áreas arqueológicas: distante
576 km, a vôo de pássaro, do Parque Nacional Serra da Capivara PI, pólo da dispersão
da Tradição Nordeste; e a 210 km do Seridó RN / PB. O presente estudo pode
contribuir para esclarecer de que forma os grupos migrantes, pertencentes à Tradição
Nordeste de pintura rupestre, se deslocaram para a região do Seridó, utilizando o vale do
Moxotó, tributário esquerdo do Rio São Francisco, como via de acesso.A área
pesquisada situa-se numa zona de brejo que apresenta condições geoambientais mais
favoráveis à sobrevivência humana que as do entorno semi-árido. Provavelmente, o
micro clima serrano favoreceu a convergência étnica pré-histórica para a região,
redundando na diversidade gráfica local. Nesse contexto, o trabalho consistiu em
segregar as diferentes identidades gráficas num universo pictural muito heterogêneo.
Essas pinturas apresentam-se como um produto final fragmentário, realizadas ao longo
de um período não determinado; por esta razão, os resultados são apresentados sem
qualquer referência cronológica, ou seja, de forma atemporal.Como recurso
metodológico para demonstrar a existência das fronteiras gráficas de passagem bem
como dimensionar as áreas gráficas dos respectivos grupos optou-se pelo estudo da
distribuição espacial dos sítios arqueológicos com pinturas pertencentes às Tradições
Nordeste e Agreste. Num segundo momento, para estabelecer a correlação cultural
pretendida, foram feitas analogias entre os acervos gráficos da Serra da Capivara e da
porção oeste da Serra do Coqueiro, particularmente das representações humanas em
suas dimensões: material, temática e apresentação gráfica. A área nuclear da pesquisa
compreende as duas faces da Serra do Coqueiro, os estudos realizados nessas áreas
confirmaram a hipótese: a porção leste da serra corresponde à área gráfica da Tradição
Agreste; a face oeste corresponde à área gráfica da Tradição Nordeste. Os estudos
também indicaram as áreas ampliadas de atuação gráfica (hipotética área gráfica) dos
respectivos grupos autores.A verificação da ocorrência de sítios que compartilham o
mesmo horizonte gráfico em zonas muito mais amplas que a área nuclear do estudo
levou a incluir essas zonas como hipotéticas áreas gráficas. A hipotética área gráfica dos
grupos da Tradição Agreste se estende da face leste da Serra do Coqueiro até o Vale do
Ipanema. Na direção norte, esses grupos alcançaram a porção nordeste da Serra dos
Cariris Velhos, ocupando parte da região Agreste do atual Estado da Paraíba. Da porção
oeste da Serra do Coqueiro até o Vale do Moxotó, compreende a hipotética área gráfica
dos grupos da Tradição Nordeste. No sentido norte, esses grupos alcançaram a porção
noroeste da Serra dos Cariris Velhos, ocupando um páleo vale retrabalhado pelas águas
dos rios Piancó e Açu-Piranhas. No alto curso do Açu-Piranhas, do qual o rio Seridó é
tributário, foram identificadas pinturas típicas dessa tradiçãoConselho Nacional de Desenvolvimento Científico e Tecnológic
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