10,712 research outputs found
Keynote Speeches by Grayson Perry and Patrick Casement Edited by Dr Robin Tipple
No full textGrayson Perry Dr Jill Westwood introduced the delegates to Grayson Perry. She drew attention to the work that Grayson had produced, and his observations, all of which she felt had “extraordinary reach”. In his making of pots, pictures, books, dresses, tapestries, motorbikes and now houses, Grayson draws on autobiography, works with the emotional and with the experience of psychotherapy. Grayson was also the winner of two BAFTA awards for his TV programmes presenting social and art-driven observations on class, taste, culture gender and identity. Addressing Grayson Jill said “You are in a unique position….and we are very happy for you, who is mischievous at the centre, to connect to us who is mildly maverick on the margins”.Grayson shared his creative journey through slides, talk and discussion with the conference delegates. He explored identity and the development of a sense of self. He emphasised the way in which the material culture provided support for self explorations and expression. He gave an account of journeys he had made and the inspiration that he gained from exchanges with others. Learning from others, Grayson suggested, was central to his understanding of creativity, a creativity which he felt was also central to the therapeutic endeavour. Patrick CasementDr Robin Tipple introduced the delegates to the psychoanalyst Patrick Casement, author of Learning from the Patient (1985), Further learning from the patient (1990), and Learning from mistakes (2002), the later receiving a Gradiva award for its contribution to psychoanalysis. Robin felt that all these books together represented psychoanalysis at its best, a psychotherapy that was not dogmatic, but open and honest in relation to communication with the patient. He said that the books were formative in developing his own therapeutic practices, and he was delighted when Patrick agreed to speak at the conference. Robin ended his introduction by observing how Patrick, in his youth, developed an extraordinary ability in diving, in plumbing the depths and holding his breath.
Carving Hiking Sticks (Summer 2023)
Get PDFPatrick L. Perry is the Learning Specialist for the Center for Student Success and First Year Experience.https://egrove.olemiss.edu/staff_res/1024/thumbnail.jp
Art, Biography, Sexuality: Patrick Procktor and Keith Vaughan
No full textThis critical review forms a reflection on the research published within the following publications:
Patrick Procktor: Art and Life (Unicorn Press, 2010)
Keith Vaughan: The Mature Oils 1946-1977, (Sansom & Co., 2012)
The research is on two artists, Patrick Procktor (1936-2003), and Keith Vaughan (1912-1977). The monograph on Procktor – previously one of the least documented of the generation of artists who came to prominence in London in the Sixties – positions him in a history of art from which he had been notably absent. The research on Vaughan asserts a new reading of his work, one that is both deeper and more nuanced in its analysis of the ways in which personal experience and sexuality are encoded autobiographically within his work. Crucially, in both artists biography and work are symbiotically linked; the research therefore examines the links between life and art.
Revisionary in intent, the work examines trajectories of experience of gay British (or rather, English) artists in the twentieth century, artists who sought to express themselves and forge careers within the constraints of a heteronormative society, albeit one in which attitudes to sexuality were undergoing change. As gay men, both were constrained by the social mores of their times, and each used painting as a means to affirm personal and sexual identities. A key research interest is in the ways in which sexuality and persona are reflected in critical responses to the artist’s work: in Vaughan, Procktor and other gay male artists of the period. The writing on both Procktor and Vaughan examines the relationship between their personal and professional/artistic lives, framed within a broader socio-political and art historical context. It asserts the place of biography as a means to understand and form new readings of the work. The work adds substantially to the literature and wider discourse on post-war British painting and social history
Focus group transcripts for Western Regional Copyright Education Project
No full textCombined, anonymized focus group transcripts from eight different focus groups conducted in March 2021 in support of the Western Regional Copyright Education Project.
Report submitted to IMLS with data analysis is available at ASU Library's KEEP Repository. People involved with focus group facilitation, transcription, and preparation for submission are: Rachel Bridgewater, Karen Grondin, Jordan Jedry, Patrick Newell, Christopher Mullins, Anali Maughan Perry, and Max Robinson
Patrick Coulton
No full textPatrick Coulton retires after 31 years of service. (l-r) President Perry, Patrick Coulton, Provost Lordhttps://thekeep.eiu.edu/retirements_2014/1021/thumbnail.jp
Patrick Chamoiseau Recovering Memory
No full textThis timely new book skillfully examines the work of the award-winning writer Patrick Chamoiseau. Considered by many as one of the most innovative writers to hit the French literary scene in over 40 years, Chamoiseau made his name with his book Texaco (published in 1992 and winner of the highest literary prize in France, the Prix Goncourt). His books have gone on to sell millions and his work has been translated by a number of academic presses. McCusker sets the author in context, providing a valuable contribution to 'memory studies' by looking at literary representation of memory in Martinique, a society founded on slavery but now politically assimilated to the metropolitan centre, France.Title Page -- Contents -- Introduction -- 1: Beginnings: The Enigma of Origin -- 2: 'Une tracée de survie': Autobiographical Memory -- 3: Memory Re-collected: Witnesses and Words -- 4: Memory Materialized: Traces of the Past -- 5: Flesh Made Word: Traumatic Memory in Biblique des derniers gestes -- Afterword -- Notes -- Bibliography -- IndexThis timely new book skillfully examines the work of the award-winning writer Patrick Chamoiseau. Considered by many as one of the most innovative writers to hit the French literary scene in over 40 years, Chamoiseau made his name with his book Texaco (published in 1992 and winner of the highest literary prize in France, the Prix Goncourt). His books have gone on to sell millions and his work has been translated by a number of academic presses. McCusker sets the author in context, providing a valuable contribution to 'memory studies' by looking at literary representation of memory in Martinique, a society founded on slavery but now politically assimilated to the metropolitan centre, France.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
Interview with Carmen Perry, 1988
No full textPersonal recollections of Carmen Perry, whose family fled from Mexico in 1913 to escape from the Mexican Revolution to San Antonio, where her family's money was embargoed at the start of WWI because her father was German-born. Fluent in Spanish, she served as translator during WWII, then as a librarian, she was instrumental in organizing and acquiring documents for public and academic libraries, including the De La Peña diary which was in the rare books collection at UTSA
Replication Data for: Endogenous Price Commitment, Sticky and Leadership Pricing: Evidence from the Italian Petrol Market
No full textThe do-file contains the code to replicate "Endogenous Price Commitment, Sticky and Leadership Pricing: Evidence from the Italian Petrol Market", published in the International Journal of Industrial Organization, vol. 40(C), pages 32-48, by Patrick Andreoli-Versbach and Jens-Uwe Franck.
Contact author is Patrick Andreoli-Versbach. E-Mail: [email protected]
Replication Data for: Endogenous Price Commitment, Sticky and Leadership Pricing: Evidence from the Italian Petrol Market
No full textThe do-file contains the code to replicate "Endogenous Price Commitment, Sticky and Leadership Pricing: Evidence from the Italian Petrol Market", published in the International Journal of Industrial Organization, vol. 40(C), pages 32-48, by Patrick Andreoli-Versbach and Jens-Uwe Franck.
Contact author is Patrick Andreoli-Versbach. E-Mail: [email protected]
The investigation in "Dora Bruder" of Patrick Modiano
No full textreservedIl presente lavoro si propone di affrontare il tema dell’indagine, dell’inchiesta investigativa nel romanzo “Dora Bruder” dello scrittore francese Patrick Modiano, pubblicato nel 1997. Si tratta del più noto successo editoriale dell’autore, il quale, in una narrazione al contempo biografica ed autobiografica, si mette sulle tracce di Dora Bruder, una giovane ragazza ebrea scomparsa nel 1941, di cui si sono perse definitivamente le tracce. La presente tesi si compone di tre capitoli. Nel primo, si analizzeranno i motivi che spingono l’autore ad occuparsi della vicenda della giovane ragazza scomparsa proprio durante la seconda guerra mondiale. Successivamente, nel secondo capitolo, si passerà ad affrontare come l’autore compie la propria indagine per comprendere che cosa le sia accaduto, diventando una sorta di investigatore su un vecchio caso di scomparsa. Ed infine, nell’ultimo capitolo, si analizzerà quale sarà l’esito della sua indagine.This work proposes to deal with the subject of investigation in the novel "Dora Bruder" by French writer Patrick Modiano, published in 1997. It’s the most known publishing success of the author, which, in a narrative in the meantime biographical and autobiographical, goes on the trail of Dora Bruder, a young Jewish girl disappeared in 1941, of whom all traces have been definitively lost. This thesis is composed by three chapters. In the first, we will analyse the reasons why the author deal with the story of the young girl vanished during the Second World War. Then, in the second chapter, we will approach how the author does his own investigation to understand what happened to her, becoming sort of a detective on an old case of disappearence. Finally, in the last chapter, we focus on which it’ll be the outcome of his investigation
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