10 research outputs found
Multimodal engagement through a transmedia storytelling project for undergraduate students
Feasting on culture and identity: food functions in a multicultural and transcultural Malaysia
21st century skills through film production in tertiary education: a transformative assessment in a literature and media course
Feasting on Culture and Identity: Food Functions in a Multicultural and Transcultural Malaysia
Literature for the Twenty-First Century: Developing Multimodality and Entrepreneurial Skills Through Literature-based Assessments
Since the twentieth century, the teaching and learning of literature have primarily focused on developing language, communication, and to some extent, critical thinking skills. Literary texts are included in education curricula with the primary intention that they help students develop good listening, speaking, reading, and writing skills. As a result, assessments in literary studies have also focused on testing language proficiency such as comprehension, vocabulary, and grammar. This has led to the misconception that in the multimodal, digital twenty-first century environment, the study of literature has little to offer beyond language development. This article aims to demonstrate that in addition to language and communication skills, literary studies can also be used to develop multimodal literacies and entrepreneurial skills such as creativity, leadership, reflective thinking, problem solving, and collaboration which are all highly valued in the twenty-first century. Through detailed explication of an innovative, alternative assessment for a literature course offered at The National University of Malaysia, this study showcases how multimodal literacy and entrepreneurial skills are developed through literary studies. This study presents the wide-ranging potential of literary studies and how, with the use of the creative and innovative teaching and assessment approaches, literature can remain valuable and relevant in the twenty-first century
The Shifting Frontiers of Literary Studies in the Twenty-First Century
Traditionally seen as a discipline that was immersed in published narratives, with poetry, drama, short fiction, and novels as the sole determinant corpus, Literary Studies in the twenty-first century has progressed across the latitudes of narrativity, as the notion of text itself has pushed past established boundaries of words on a published page. The page in the contemporary context can be taken to mean the written text, the visual text, the moving text, and the hypertext, to name just a few. The articles in this Forum Kritika present a glimpse into the shifting frontiers in Literary Studies as it presents varied facets of contemporary literary scholarship by literary scholars. The discussions take us across a number of planes. They integrate both print and multimodal texts, demonstrate eclectic frameworks of reading that cross disciplinary boundaries, reveal the utilization of analytical tools from the hard sciences, and also project the inculcation of innovative and entrepreneurial skills in the literary classroom. Yet, the Forum is also mindful that however far away we trek beyond established frontiers, we must still ensure our contact with the core of our discipline, that of traditional forms of the printed text. For, if we dismiss them from our view, we run the risk of inadvertently devaluing the worth of literary fiction and its attendant academic scholarship. As such, the Forum also incorporates articles that engage with contemporary theater and novels and their inherent validity in reflecting the socio-political concerns of our world, emphasizing that these will never lose their currency however much the arena changes
Literature for the Twenty-first Century: Developing Multimodality and Entrepreneurial Skills through Literature-Based Assessments
Since the twentieth century, the teaching and learning of literature have primarily focused on developing language, communication, and to some extent, critical thinking skills. Literary texts are included in education curricula with the primary intention that they help students develop good listening, speaking, reading, and writing skills. As a result, assessments in literary studies have also focused on testing language proficiency such as comprehension, vocabulary, and grammar. This has led to the misconception that in the multimodal, digital twenty-first century environment, the study of literature has little to offer beyond language development. This article aims to demonstrate that in addition to language and communication skills, literary studies can also be used to develop multimodal literacies and entrepreneurial skills such as creativity, leadership, reflective thinking, problem solving, and collaboration which are all highly valued in the twenty-first century. Through detailed explication of an innovative, alternative assessment for a literature course offered at The National University of Malaysia, this study showcases how multimodal literacy and entrepreneurial skills are developed through literary studies. This study presents the wide-ranging potential of literary studies and how, with the use of the creative and innovative teaching and assessment approaches, literature can remain valuable and relevant in the twenty-first century
A Case Study on Picture Book Application for Children as Semiotic Technology in Representing Asian Identities
Digital book applications have emerged as new formats of picture books, with an integration of digitally mediated resources to construct meaning. These picture book apps are written artefacts that contain cultural messages and values about the world that children live in. Dually, as semiotic artefacts, they consist of meaning potentials through the concept of interactivity along with other technologically created multimodal resources. These resources form the semiotic surfaces of picture book apps and thus the picture book app is classified as Semiotic Technology. Picture book apps as semiotic technology are instrumental in changing the way in which current young readers engage with stories. The multimodal aspect is amplified in this digital text by the concept of interactivity. In recognition of the impact of these semiotic artefacts on users, this case study proposes a model based on a semiotic technology approach (media dimension) and the concept of interactivity, to interpret meaning making in digital picture book apps for children. Through a qualitative approach that has employed purposeful sampling, a digital picture book app, Green Riding Hood, has been selected as a case study for this article to illustrate how Asian identities are represented through interactive features. It is found that, through semiotic meaning-making captured in interactivity defining features, South Asian (Indian) identity markers like ethnicity, religion, age, and gender have been represented as multicultural or diversity awareness conduits to users. Through main values like unity (friendship) and health and fitness (including environmentalism), this digitized children’s literature thus is an ideal mirror, window, and door to society. This approach on digitized picture books is deemed important to be understood and recognized because types of messages from children’s literatures that get across through lenses of children can impact their path of identity realization and understanding in an increasingly digital world
Intercultural dialogue in manga: Building friendships, sharing spaces and values
The role of Japanese manga as a site for intercultural understanding and engagement is worth further investigation, and research in this area is
still growing. This article explores intercultural dialogue through a case study of the Japanese manga Satoko and Nada Volume 1 by Yupechika, which narrates the friendship between Satoko, a young Japanese woman, and Nada, her Saudi Muslim roommate. It adopts a literary approach to the analysis of the manga and employs textual analysis as the methodology. The manga is analysed through the
lens of interculturalism and deep dialogue focusing on the themes of food, fashion and faith. Through the analysis, readers are exposed to the narrative of intercultural engagement as portrayed by the mangaka. Yupechika incorporates pre-existing prejudices in the engagement between the two culturally diverse characters. The narrative arc reveals the importance of empathy, space and value sharing in
forging intercultural understanding
The Shifting Frontiers of Literary Studies in the Twenty-first Century
Traditionally seen as a discipline that was immersed in published narratives, with poetry, drama, short fiction, and novels as the sole determinant corpus, Literary Studies in the twenty-first century has progressed across the latitudes of narrativity, as the notion of text itself has pushed past established boundaries of words on a published page. The page in the contemporary context can be taken to mean the written text, the visual text, the moving text, and the hypertext, to name just a few. The articles in this Forum Kritika present a glimpse into the shifting frontiers in Literary Studies as it presents varied facets of contemporary literary scholarship by literary scholars. The discussions take us across a number of planes. They integrate both print and multimodal texts, demonstrate eclectic frameworks of reading that cross disciplinary boundaries, reveal the utilization of analytical tools from the hard sciences, and also project the inculcation of innovative and entrepreneurial skills in the literary classroom. Yet, the Forum is also mindful that however far away we trek beyond established frontiers, we must still ensure our contact with the core of our discipline, that of traditional forms of the printed text. For, if we dismiss them from our view, we run the risk of inadvertently devaluing the worth of literary fiction and its attendant academic scholarship. As such, the Forum also incorporates articles that engage with contemporary theater and novels and their inherent validity in reflecting the socio-political concerns of our world, emphasizing that these will never lose their currency however much the arena changes
