1,721,002 research outputs found
'A good time to be a woman'?: women artists, feminism and Tate Modern
No full textUnlike many of its comparator institutions, for example the Museum of Modern Art in New York and the Centre Pompidou in Paris, Tate Modern in London has not hosted an explicitly feminist exhibition or collections programme. This essay asks whether feminism has influenced Tate Modern at all. The essay identifies and evaluates different methodologies for interpreting the gender politics of a museum collection, and extends its evalution to temporary exhibitions, matters of display and other mechanisms of interpretation. The essay applies the results of the methodological discussion to the specific example of Tate Modern since its opening in 2000, considering the actual collection but focussing chiefly on temporary exhibitions (including the high-profile Turbine Hall Commissions), displays of the permanent collection, wall texts and other interpretive material that are examined through evidence acquired during site visits and consultation of archival material. The final part of the essay develops a theme raised in the book's introduction, the influence of neo-liberalism in the museum sector and the evolution of a fundamentally commercial relationship between museum and audience, to reflect on the gender-political implications of Tate Modern's popularizing the museum through the explicit use of the 'high street' as a model
How to be seen: an introduction to feminist politics, exhibition cultures and curatorial transgressions
No full textThis is an introduction to an edited book, and develops insights that arise from the new research collected in the book as well as a critical reading of feminist literature on contemporary art practice and museum studies. One of the defining features of this introduction (and the whole book) is that it eschews the categorization of feminist criticism/practice into questions of 'generation' or 'geography' which has dominated accounts of feminism and art since the 1990s, and instead identifies a series of problems that have structured engagements between feminism and art exhibition across time and space. The text suggests that we should analyse exhibitions as instances of encounters between feminists and institutions; and/or as an aspect of feminist practice that has tried to realize a particular and distinctive form of exhibition; and/or as a dynamic of 'othering' that calls the one (and the other) into existence through the curatorial process. A defining and original feature of the introduction is its insistence on exploring all of these questions in the context of economic history of this period (rather than the more established frameworks for feminist enquiry of cultural history or psychoanalysis) as a principal feature of this are of study which concerns art, life and labour
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Facing femininities : women in the National Portrait Gallery, 1856-1899.
Full text linkSIGLEAvailable from British Library Document Supply Centre-DSC:DXN029234 / BLDSC - British Library Document Supply CentreGBUnited Kingdo
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