1,364 research outputs found

    Alan Walter Perry

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    https://egrove.olemiss.edu/hall-of-fame/1003/thumbnail.jp

    Post-war British working-class fiction with special reference to the novels of John Braine, Alan Sillitoe, Stan Barstow, David Storey and Barry Hines

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    This study is about British working-class fiction in the post-war period. It covers various authors such as Robert Tressell, George Orwell, Walter Greenwood, Lewis Grassic Gibbon and DH Lawrence from the early twentieth century; writers traditionally classified as 'Angry Young Men' like John Osborne, Arnold Wesker, Shelagh Delaney, John Wain and Kingsley Amis; and working-class novelists like John Braine, Stan Barstow, David Storey, Alan Sillitoe and Barry Hines from the 1950s and 1960s. Some of the main issues dealt with in the course of this study are language, form, community, self/identity/autobiography, sexuality and relationship with bourgeois art. The major argument centres on two questions: representation of working-class life, and the relationship between working-class literary tradition and dominant ideologies. We will be arguing that while working-class fiction succeeded in challenging and rupturing bourgeois literary tradition, on the level of language and linguistic medium of expression for example, it utterly failed to break away from dominant, bourgeois modes of literary production in relation to form, for instance. Our argument is situated within Marxist approaches to literature, a political and aesthetic position from which we attempt an analysis and an evaluation of this working-class literary tradition. These critical approaches provide us also with the theoretical tool to define the political perspective of this tradition, and to judge whether it was confined to a descriptive mode of representation or located in a radical, political outlook

    Graduate recital, conducting the University Chorale. Koukios, Ann Marie, 1979

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    Recorded during a live performance at Kanley Chapel, Western Michigan University, Kalamazoo, Michigan, April 12, 1979, the 265th concert of the Department of Music’s 1978-1979 season.University Chorale, Ann Marie Koukios, conductor ; Kathryn Loew, organ ; Carol Perry, piano (6th work) ; various vocal soloists.In partial fulfillment of the requirements of the Master of Music degree in choral conducting, Western Michigan University, 1979.7th work sung in English.Information from performance program.Potirion Sotitiou ; Agapisose / Byzantine chants (15th century) – (2:48) Agios o Theos / Anna Gallos (Bradley Creswell, baritone soloist) -- (9:11) Cantata, BWV 4 ""Christ lag in Todesbanden"" / Johann Sebastian Bach (Alan Sell, bass soloist ; Sara Colness, Marie Bailey, Stephanie Walter, Carolyn Williams, sopranos ; Peter Van Allen, Sam Germany, tenors) -- (32:20) Kyrie eleison from ""The imperial Mass"" / Joseph Haydn (Marie Bailey, soprano soloist) -- (35:30) Festival Te Deum, op. 32 / Benjamin Britten (Carolyn Williams, soprano soloist)

    Hall of Fame 1969, Composite Photo

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    Alan Walter Perry, Carson McClain Hughes, John Robert Nunnery, Jr., Lou Anne Williams, Mary Carolyn Bruno, Michael David Robbins, Steve Hamilton Hindmanhttps://egrove.olemiss.edu/halloffame/1039/thumbnail.jp

    Broiler Farms' Organization, Management, and Performance

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    This study provides a comprehensive view of the organization, management, and financial performance of U.S. broiler farms. Using data from USDA's Agricultural Resource Management Study (ARMS, formerly known as the Farm Costs and Returns Survey), we examine farm size, financial structure, household income, management practices, and spousal participation in decision-making. We compare broiler operations with other farming enterprises and their earnings with that of the average U.S. household. Because most of the 7 billion broilers produced in the United States in 1995 were raised under contract, we also explore the use of contracts and the effects of contracting on the broiler sector.contracting, broilers, poultry, farm characteristics, farm income, farm operator characteristics, risk management strategies, Livestock Production/Industries,

    Agresión y actitud deportiva en futbolistas de los clubes de la Liga Distrital de Fútbol de Comas, 2020

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    La presente investigación tuvo como objetivo, determinar la correlación entre las variables de agresión y actitud deportiva, en futbolistas de los clubes de la Liga Distrital de fútbol de Comas, 2020. Desarrollado en base al diseño no experimental-transversal, con un nivel básico de estudio científico. La muestra estuvo conformada por 143 jugadores de fútbol, del ámbito competitivo, para ello, se utilizó el Cuestionario de agresión de Buss y Perry, validada por los autores Sierra y Gutiérrez, a su vez, para la variable actitud deportiva se utilizó la Escala de actitudes hacia la actividad física y el deporte, por Joaquín Dosil. Se tuvo como resultados, una correlación de tipo inversa y significativa por el Rho de Spearman de Rho=-.238 siendo una correlación negativa media, en cuanto al nivel de agresión de los futbolistas, fue de 67.8%, concluyendo que el nivel de la variable actitud deportiva se representó de manera desfavorable

    1947 Markota BJC: Page 61

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    Photographs of the U-Name-It staff (BJC student newspaper staff)U-Name-It Staff Front: Connie Cordner, S.ociety Editor; K. William Simons, Editor; Gretchen Handtmann, Reporter.-Back: Wayne Lunn, Sports Editor; Kenneth Wing, Reporter; Mike McCabe, Reporter; Harold Perry, Freshman Class Re-porter; Kenneth Lunn, Associate Editor; and Walter Renden, Sports Editor. Front: Kathryn Helling, Reporter; Dorothy Larsen, Society Editor; Jack Drew, Desk Editor; Alan Paulson, Desk Editor. - Back: Lester Collis, Photographer; James McDonald and James Pierce, Men's Column; Eddie Olson, Business Manager; Frank Eernisse, Reporter. - Not pictured: Don Vendsel, Benny Boatright, Norman Jensen, Jean Hedahl, Loretta Rothschiller, Duncan Perry, Arthur Bauer, and Robert Watson. BISMARCK Junior College for the first time in its history has a school paper. The first issue under the title "U Name It" proved to be so successful that several other editions were published during the year. Publication advisor is Mr. Sidney J. Lee, B.J.C. faculty member .. • 61

    The pogression of mock-documentary film through digital media

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    This study is presented as a critical analysis to discuss how mock-documentary film is changing and understood through digital media. The author believes that digital technology has altered the way these films are made and how audiences view them. The author illustrates this by looking at the development and theories surrounding the style as well as its employment of the DVD format with satirical comedies and new media with horror films. The analysis points out that DVDS and the internet allow for the creation of a variety of secondary text which may or may not preserve the artifice of the mock-documentary. Through the style along with secondary text, digital media has allowed these movies to further the narrative, discuss the style’s construction as well as shape the promotion of these films.Thesis (M.A.)Department of TelecommunicationsMock-documentary and DVDs -- Mock-documentary and the Internet -- Mock-documentary and digital media conclusion

    Privatization of natural monopoly public enterprises : the regulation issue

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    Many developing countries are considering the privatization of public enterprise natural monopolies. Such as monopolies in charge of electricity, natural gas, waterand sewer, and telephone service. The author tries to answer two questions: (i) how great would the efficiency losses be, if any, if a public natural monopoly were privatized and allowed to function as an unregulated entity? and (ii) how much could performance be expected to improve if the privatized natural monopoly operated as a regular firm? The author argues that the deadweight losses from monopoly pricing by unregulated privatized natural monopolies are likely to be modest and may well be outweighed by improvements in technical efficiency. He also argues that regulation is not costless and may well foster static and dynamic efficiency losses greater than the deadweight monopoly losses it is intended to prevent. Also, the reduction of allocative inefficiency is only one of several objectives of regulation. If the case for regulation on efficiency is weak, then much greater attention must be paid to how these other objectives can best be achieved. Historically, achieving distributional equity has been an important objective of regulation. We have very little systematic knowledge about the actual distributional consequences of privatization and deregulation, so more research is needed.Administrative&Regulatory Law,Economic Theory&Research,Environmental Economics&Policies,Access to Markets,Markets and Market Access

    Writing and the rights of reality: usurpation and potentiality in Derrida, Plato, Nietzsche, and Beckett

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    The thesis critically evaluates Jacques Derrida's conferral of the rights of reality on writing, focussing on his theory of an arche-text in light of the speculative nature of this theory. The theory is initially considered in the context of Derrida's elucidation of the usurpatory status of writing within the Platonic and Nietzschean texts. This consideration reveals an admission of writing's usurpatory status by both writers while at the same time demonstrating their awareness of the intrinsically speculative nature of this view, the significance of writing lying in its ability to exteriorise the radically indeterminate status of consciousness m relation to reality rather than its ability to displace consciousness or reality The analyses, therefore, not only bring the Derridean hypothesis of a repressive or phonocentric metaphysical episteme into question but also exhibit the historical and philosophical role of potentiality in relation to writing, writing's ultimate significance lying in its capacity to exteriorise our existence as a mode of potentiality. Accordingly, in the second half of the thesis the Derridean theory of writing is countered with a specifically Aristotelian theory of the text as it is exhibited in the prose of Samuel Beckett, an author whose significance lies in his close alignment with Derridean theory within contemporary criticism. It is demonstrated that this identification has obviated an awareness of the significance of potentiality within the Beckettian text, his work consequently being appraised in the previously neglected context of Aristotelian metaphysics
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