3,727 research outputs found
Providence College Faculty Author Series 2012-2013: Dr. Adrian Weimer
Dr. Adrian Weimer (History, Providence College) discusses her new book Martyrs\u27 Mirror: Persecution and Holiness in Early New England and the cultural importance of martyrdom within Colonial America
Providence College Faculty Author Series 2012-2013: Dr. Adrian Weimer
Dr. Adrian Weimer (History, Providence College) discusses her new book Martyrs\u27 Mirror: Persecution and Holiness in Early New England and the cultural importance of martyrdom within Colonial America
Adrian Matejka, 34th Annual ODU Literary Festival
Adrian Matejka is the author of The Devil’s Garden and Mixology, which was a winner of the 2008 National Poetry Series. He is the recipient of two Illinois Arts Council Literary Awards and fellowships from Cave Canem and the Lannan Foundation. His work has been featured in American Poetry Review, The Best American Poetry 2010, and Ploughshares, among other journals and anthologies. He teaches at Southern Illinois University Edwardsville
Constructing other worlds: an intertextual analysis of Cow Eye Press, Adrian Jones Pearson and the works of A.J. Perry
Cow Eye Press, A.J. Perry, and the pseudonymous Adrian Jones Pearson have largely been ignored by academics. Between 2001 and 2021, Perry composed a collection of texts which this study calls the Cow Eye Project. The project received brief attention when critics and journalists began comparing Pearson to Thomas Pynchon. However, the online spectacle overshadowed engagement with the texts themselves. This thesis exists to document the project and foreground Perry’s works on their own merits to examine their value and position within contemporary American literature. Previous scholars have treated the texts individually. This thesis argues that the central texts of the project, Twelve Stories of Russia, Cow Country, and The Old People, should be interpreted collectively—as a sequence of texts, or literary triptych—with which Perry challenges biography, authorship, structure, and form by blurring subject/object, fiction/nonfiction, and modernity/postmodernity through metatextual, intertextual and parafictional practices
Performing the archive: following in the footsteps
Using documentation of Mike Pearson's performance 'Bubbling Tom', Deirdre Heddon attempts to step into his shoes and re-perform it
Electrochemical-control of abrasive polishing and machining rates, U.S. Patent 6,171,467
An apparatus and method is disclosed; both of which use electrochemistry to selectively grow and remove hard oxide coatings on metals, and capacitive double layers on non-metals and semiconductors in order to predict and control the rate of surface abrasion during planarization of the surface of such materials
ADRIAN POP - IN SEARCH OF A LONG LOST SMILE
An anniversary, especially in the case of a generation colleague, the renowned composer Adrian Pop, generates the remembrance of a long series of musical events that have become notorious, with works included in the national and international concert repertoire. The avoidance of nostalgic memories made that a stage miniature be chosen for the present paper, an incursion of the author into the naive world of childhood reading. The result was a modern, glamorous musical transposition of a sequence with Max and Moritz, the playful heroes created by the famous humorist and cartoonist Wilhelm Busch in the middle of the 19th century. The musical act Onkel Fritz by Adrian Pop was first performed in Cluj in 2016, on October 22, on the occasion of his previous anniversary, within the Cluj Musical Autumn Festival. The graceful performers of the act, presented under the title “Anniversaries at the Festival, Adrian Pop compositional portrait”, were soprano Mihaela Maxim, in the role of Max and pianist Eva Butean, in the role of Moritz. How did composer Adrian Pop manage to musically enliven a 150 years old humorous story? The author of the following text will try to answer this question.
Rezumat. ADRIAN POP - ÎN CĂUTAREA SURÂSULUI PIERDUT. O aniversare, mai ales în cazul unui coleg de generație, reputatul compozitor Adrian Pop, generează rememorarea unui lung șir de evenimente muzicale devenite notorii, cu lucrări intrate în repertoriul intern și internațional de concerte. Evitarea unor memorii nostalgice au făcut ca sorții acestei comunicări să cadă asupra unei miniaturi scenice, o incursiune a autorului în lumea ingenuă a lecturilor din copilărie. A rezultat o transpunere muzicală modernă, plină de farmec, a unei secvențe cu Max și Moritz, eroii poznași creați de celebrul umorist și caricaturist Wilhelm Busch la mijlocul secolului XIX. Prima audiție clujeană a scenetei muzicale Onkel Fritz de Adrian Pop a avut loc în 2016, la 22 octombrie, cu ocazia precedentei sale aniversări, în cadrul Toamnei Muzicale Clujene. Interpreții plini de har ai scenetei prezentate sub genericul „Aniversări în Festival, portret componistic Adrian Pop” au fost soprana Mihaela Maxim, în rolul lui Max și pianista Eva Butean, în rolul lui Moritz. Oare cum a reușit compozitorul Adrian Pop să însuflețească muzical o poveste umoristică de 150 de ani? La această întrebare va încerca să răspundă autoarea acestor rânduri.
Cuvinte cheie: Adrian Pop, Wilhelm Busch, Max și Moritz, Unchiul Fritz, act muzica
DNA Barcodes Reveal High Genetic Diversity in Philippine Fruit Bats
Luczon, Adrian U., Ampo, Sofia Anne Marie M., Roño, John Gregor A., Duya, Mariano Roy M., Ong, Perry S., Fontanilla, Ian Kendrich C. (2019): DNA Barcodes Reveal High Genetic Diversity in Philippine Fruit Bats. Philippine Journal of Science 148: 133-140, DOI: http://doi.org/10.5281/zenodo.375716
Book design: Adrian Bradshaw – The Door Opened: 1980s China
Adrian Bradshaw: Book author
Phil Cleaver: Book design, branding, exhibition design and poster design
Art editor on content and sequencing of photography.
Designed in two languages Chinese and English in a way which combines them both together. Design reflects Chinese culture in a modern way with a western whist.
Embossed slip case with metal badge on cover of book
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