1,721,226 research outputs found
Perrot J.-Cl. — L'âge d'or de la statistique régionale française (an IV-1804)
No full textB J-N. Perrot J.-Cl. — L'âge d'or de la statistique régionale française (an IV-1804). In: Population, 38ᵉ année, n°1, 1983. p. 190
Brian S. Merrilees, éd. — « La vie des set dormanz » by Chardri 1977 (" Anglo-Norman Texts ", 35)
No full textPerrot J.-P. Brian S. Merrilees, éd. — « La vie des set dormanz » by Chardri 1977 (" Anglo-Norman Texts ", 35). In: Cahiers de civilisation médiévale, 26e année (n°102), Avril-juin 1983. p. 194
R. Perrot, J. Corrocher, G. Lhermet, R. Rertrand et R. Plaza, Sépultures en sarcophages de Creuzier-le-Vieux (Allier)
No full textR. Perrot, J. Corrocher, G. Lhermet, R. Rertrand et R. Plaza, Sépultures en sarcophages de Creuzier-le-Vieux (Allier). In: Revue archéologique du Centre de la France, tome 18, fascicule 3-4, 1979. p. 184
R. Perrot, J. Corrocher, G. Lhermet, R. Rertrand et R. Plaza, Sépultures en sarcophages de Creuzier-le-Vieux (Allier)
No full textR. Perrot, J. Corrocher, G. Lhermet, R. Rertrand et R. Plaza, Sépultures en sarcophages de Creuzier-le-Vieux (Allier). In: Revue archéologique du Centre de la France, tome 18, fascicule 3-4, 1979. p. 184
Un événement de l'histoire normande et urbaine : la thèse de J.-C. Perrot: J.-C. Perrot, Genèse d'une ville moderne, Caen au XVIIIe siècle
No full textNeveux Hugues. Un événement de l'histoire normande et urbaine : la thèse de J.-C. Perrot: J.-C. Perrot, Genèse d'une ville moderne, Caen au XVIIIe siècle. In: Annales de Normandie, 26ᵉ année, n°1, 1976. pp. 91-94
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Eyelid and Conjunctival Tumors In Vivo Confocal Microscopy
No full textThis Atlas gives the complete expert opinion on the diagnostic features of eyelid and conjunctival tumors (benign and malignant): a state-of-the-art guide with numerous images, useful for both dermatologists and ophthalmologists. This invaluable resource, illustrating clinical, histological and re fectance confocal microscopy features, first addresses the normal conditions of the ocular surface, then reviews lesions due to epidermal, melanocytic and adnexal tumors. A final part is devoted to conjunctiva conditions, from normal to malignant conjunctival tumors. The high number of illustrations and their description of many ocular surface lesions with in vivo confocal microscopy make this atlas an essential guide for the practitioners of both specialities
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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