425 research outputs found
Osservazioni sopra un articolo inserito nella Biblioteca italiana nel quale si parla di due lettere del pre. ab. Gio. Battista Baizini sul musaico di Pompei.
No full textMode of access: Internet.Sloan candidateLibrary's c.2 bound in old green decorated boards; presentation inscription from the author on front pastedown.Library's c.1 bound with: Due lettere sopra il musaico di Pompei / del pre. ab. Gio. Battista Baizini (90-B31630 c.1
Giovanni Battista Pergolesi i jego theatrum doloris
No full textStabat Mater is one of the last compositions by Giovanni Battista Pergolesi and today it is probably the most well-known and valued arrangement of those ancient sequences. The composer translated the incredibly moving medieval poem into the sounds with a great mastery. He managed to create a musical fresco placing us in the centre of the suffering true mystery. The power of his music is so real and stimulating that it is not possible to remain indifferent.The following essay presents the phenomenon of Pergolesi’s artistic genius on the background of that time cultural changes and it focuses on his posthumous fame. The author analyses the composer’s achievement of galant style and discusses Pergolesi’s Stabat Mater in relation to the language of emotions related to sentimental literature. Moreover, he suggests to comprehend that music through the prism of the Italian Marian devotion phenomenon. Scientists are still intrigued by the figure of Giovanni Battista Pergolesi. They try to reconstruct his life story and to deal with the confusion concerning his legacy. The success story of Pergolesi’s Stabat Mater is particularly interesting. Thus, successive generations of musicologists ask a question what the fame origin of this work and its creator could be. The author of this essay presents a few clues that might help us to get closer to the answer to this question.Stabat Mater is one of the last compositions by Giovanni Battista Pergolesi and today it is probably the most well-known and valued arrangement of those ancient sequences. The composer translated the incredibly moving medieval poem into the sounds with a great mastery. He managed to create a musical fresco placing us in the centre of the suffering true mystery. The power of his music is so real and stimulating that it is not possible to remain indifferent.The following essay presents the phenomenon of Pergolesi’s artistic genius on the background of that time cultural changes and it focuses on his posthumous fame. The author analyses the composer’s achievement of galant style and discusses Pergolesi’s Stabat Mater in relation to the language of emotions related to sentimental literature. Moreover, he suggests to comprehend that music through the prism of the Italian Marian devotion phenomenon. Scientists are still intrigued by the figure of Giovanni Battista Pergolesi. They try to reconstruct his life story and to deal with the confusion concerning his legacy. The success story of Pergolesi’s Stabat Mater is particularly interesting. Thus, successive generations of musicologists ask a question what the fame origin of this work and its creator could be. The author of this essay presents a few clues that might help us to get closer to the answer to this question
Giovanni Battista Pergolesi i jego theatrum doloris
No full textStabat Mater is one of the last compositions by Giovanni Battista Pergolesi and today it is probably the most well-known and valued arrangement of those ancient sequences. The composer translated the incredibly moving medieval poem into the sounds with a great mastery. He managed to create a musical fresco placing us in the centre of the suffering true mystery. The power of his music is so real and stimulating that it is not possible to remain indifferent.The following essay presents the phenomenon of Pergolesi’s artistic genius on the background of that time cultural changes and it focuses on his posthumous fame. The author analyses the composer’s achievement of galant style and discusses Pergolesi’s Stabat Mater in relation to the language of emotions related to sentimental literature. Moreover, he suggests to comprehend that music through the prism of the Italian Marian devotion phenomenon. Scientists are still intrigued by the figure of Giovanni Battista Pergolesi. They try to reconstruct his life story and to deal with the confusion concerning his legacy. The success story of Pergolesi’s Stabat Mater is particularly interesting. Thus, successive generations of musicologists ask a question what the fame origin of this work and its creator could be. The author of this essay presents a few clues that might help us to get closer to the answer to this question.Stabat Mater is one of the last compositions by Giovanni Battista Pergolesi and today it is probably the most well-known and valued arrangement of those ancient sequences. The composer translated the incredibly moving medieval poem into the sounds with a great mastery. He managed to create a musical fresco placing us in the centre of the suffering true mystery. The power of his music is so real and stimulating that it is not possible to remain indifferent.The following essay presents the phenomenon of Pergolesi’s artistic genius on the background of that time cultural changes and it focuses on his posthumous fame. The author analyses the composer’s achievement of galant style and discusses Pergolesi’s Stabat Mater in relation to the language of emotions related to sentimental literature. Moreover, he suggests to comprehend that music through the prism of the Italian Marian devotion phenomenon. Scientists are still intrigued by the figure of Giovanni Battista Pergolesi. They try to reconstruct his life story and to deal with the confusion concerning his legacy. The success story of Pergolesi’s Stabat Mater is particularly interesting. Thus, successive generations of musicologists ask a question what the fame origin of this work and its creator could be. The author of this essay presents a few clues that might help us to get closer to the answer to this question
Stiff left atrial syndrome after low-dose radiotherapy for right breast cancer: The need for invasive hemodynamics at exercise
No full textraw data of the publication Stiff left atrial syndrome after low-dose radiotherapy for right breast cancer: The need for invasive hemodynamics at exercis
Recensione del volume a cura di A. PEREGO, La Chiesa cattolica e la questione della sovranità
No full textA colloquio con Luciano di Samosata: Leon Battista Alberti, Giovanni Pontano ed Erasmo da Rotterdam
No full textIl volume studia le modalita' con le quali tre grandi scrittori, appartenenti a momenti diversi nella storia dell’Umanesimo, hanno assimilato il corpus lucianeo e se ne sono serviti nelle loro opere. A differenza delle monografie sull’influsso di Luciano in occidente di Christopher Robinson, Enrico Mattioli, Christiane Lauvergnat-Gagnière e David Marsh, strutturate a partire dai temi e basate su una veloce ricognizione su un numero elevato di testi, il volume si concentra su un numero limitato di autori, le opere dei quali sono caratterizzate da una forte carica sperimentale e da una raffinata contaminazione tra diversi modelli. Il volume, dopo una preliminare ricognizione sulle caratteristiche del corpus lucianeo e una breve trattazione sulla ricezione di Luciano presso gli umanisti, si articola in tre capitoli dedicati a Leon Battista Alberti, Giovanni Pontano ed Erasmo da Rotterdam. L’analisi della presenza di Luciano viene condotta attraverso una ricostruzione del contesto nel quale avviene la ripresa tematica o l’allusione, con l’intento di delineare le diverse modalita' attraverso le quali ciascun autore interpreta, risematizza, “smembra” e riscrive Luciano. Ogni capitolo si apre con una ricognizione nelle pagine che ciascun autore ha dedicato a Luciano, quindi, prima di passare a discutere i singoli fenomeni intertestuali, ripercorre la storia e la struttura delle opere di volta in volta prese in esame (le “Intercenales”, il “Momus”, il “Charon”, i “Colloquia” e il “Morae encomium”). Dall’analisi di opere tanto diverse emergono alcune costanti che rappresentano le caratteristiche del lucianesimo quattrocentesco: in tutti e tre gli scrittori, infatti, l’incontro con Luciano è l’occasione per innovare i generi di volta in volta affrontati, attraverso l'adozione del registro serio-comico. Tanto per Alberti quanto per Pontano ed Erasmo, Luciano non e' un modello unico, imitato pedissequamente, ma catalizza piuttosto un’aemulatio che avviene su più livelli, contaminando più autori. Il corpus lucianeo, dunque, in virtù della sua straordinaria varietà, rappresenta, oltre ad un tesoro di suggestioni, personaggi e notizie erudite, anche uno stimolo per sperimentare una prassi imitativa che vada oltre un canone troppo rigidamente classico ed aureo.The book studies how three great writers, belonging to different moments in the history of humanism, have assimilated the works of Lucian and used them in their works. The book, after a preliminary survey on the characteristics of the corpus lucianeo and a brief discussion on the receipt of Luciano among the humanists, is divided into three chapters devoted to Leon Battista Alberti, Giovanni Pontano and Erasmus of Rotterdam. The analysis of the presence of Lucian is conducted through a reconstruction of the context in which lucianic theme or allusion occurs, with the intent to outline the different waw in which each author rewrites Luciano
Iscrizioni greche e latine del Museo Nani in un inedito manoscritto di Giovanni Battista Passeri
No full textThis paper examines an unpublished manuscript by Giovanni Battista Passeri, kept in the Oliveriana Library in Pesaro, in which the author drew and commented Greek and Latin inscriptions from the Venetian collection of the Nani di San Trovaso, now dispersed. Along with the publication of new instrumentum domesticum inscriptions, this article highlights the significance of the manuscript and places the work of Giovanni Battista Passeri in the context of the antiquarian tradition of the time
Le Memorie, archivio aperto
No full textIl contributo delinea il percorso di ricerca seguito dall'autore relativo all'edizione digitale del lavoro a stampa: Memorie su le antiche case di Udine di Giovanni Battista della Porta, a cura di Vittoria Masutti (1984-1987) | The paper describes the research work carried out by the author, concerning the digital edition of the volume Memorie su le antiche case di Udine di Giovanni Battista della Porta, edited by Vittoria Masutti (1984-1987
Il ruolo del medico competente nella valutazione del rischio chimico.
No full textThe Author describes the process of chemical risk assessment to be implemented in the workplace, which must lead to the characterization of risk, and thus to estimate the probability of adverse health effects can occur. It is a multi-step and multi-disciplinary activity carried out in close collaboration between the Head of Prevention and Protection Service (which is able to use the accountability of managers and supervisors and the involvement of representatives of workers' safety) and occupational physician who, through its crosstraining, can and should be the connective tissue of the entire operation: in fact he is the only professional figure able to link together health and safety in the workplace. The Author recalls the importance of using biological monitoring procedure, which must always be used especially when the evaluation is to use simplified measures such as algorithms
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