9,406 research outputs found
A Seminar/Lecture with Per Anders Nilsson
No full textAs part of The Corwin Chair Series at University of California, St Barbara Per Anders Nilsson presented concepts and ideas from his current activities as an experimental musician and artistic researcher
Merje Kägu – P-A Nilsson duo at Brötz
No full textMerje Kägu, electric guitar, and Per Anders Nilsson electronics and saxophone recorded live at Brötz in Gothenburg in April 2021. The duo experimented with a systemic modular improvisation concept, which uses pre-composed modules that can be combined in different ways during the course of a performance
Introduction
No full textThis introductory chapter provides an overview of the history of Satanism. As an open identity, Satanism only became possible in a time when Christianity’s hold on legal systems and social norms weakened. In that sense, Satanism is a direct product of secularization. As a religious practice or coherent system of thought, Satanism did not exist any earlier than around the year 1900, when pioneers like Stanislaw Przybyszewski and Ben Kadosh appeared. However, strands of Satanic thought can be found in a series of instances prior to this, and some of these early ideas remain influential today. The chapter also looks at the establishment of groups like the Church of Satan, the Process Church of the Final Judgement, the Temple of Set, and the Order of the Nine Angles. While never a numerically significant religion, Satanism’s controversial and confrontational character makes it an excellent case study for discussing broader methodological and theoretical issues
He Loved Him Madly
No full textMusicians:
Merje Kägu, guitar, Jacob Holte, guitar; Per Brenner, drums; Katrien Hermans, double bass; Harald Svensson, keyboard; Anders Hagberg, flute; Per Anders Nilsson, electronics, Neil Leonard, saxophone and electronics
Per LB Nilsson, Chicago Ireland [Elektronisk resurs]
No full textThe book is a monograph with photograph by Per LB Nilsson
Dynamic Triads
No full textUpphovsman, programmering: Palle Dahlstedt.
Forskning/konstnärlig ledning: Palle Dahlstedt, Per Anders Nilsson.
Medverkande musiker KALV-festivalen: Anna Lindal, violin, Christian Jormin, slagverk, Linda Olah, röst, David Stackenäs, gitarr.
Medverkande musiker Artisten 9 februari 2012: Alfred Lorinius, bas, Erik Fastén, trummor , Linda Olah, röst, Hanna Tolf, röst
Medverkande musiker Artisten 27 september 2012: Hannah Tolf, röst, Isabel Sörling, röst, Palle Dahlstedt, pian
Systemic Improvisation: Confusing Distribution of Roles in Free Improvisation
No full textThis presentation is part of the research project “Systemic Improvisation”, supported by the Swedish Research Council. The project is owned by Palle Dahlstedt, and co-owned by Per Anders Nilsson, and also includes collaborators Tim Perkis, and Gino Robair, both active as improvisors in the Bay Area in California, USA
Peloton 2
No full textMusik: Per Anders Nilsson; Video: Erik Jeppsson; slagverk Jonas Larsson och Einar Nielsen. Alla tre delarna innehåller elektroakustisk musik, uteslutande med cyklar som ljudkälla. Del ett är uteslutande elektroakustisk medan del två och tre är komponerad för elektronik och med slagverk om möjligt
- …
