1,721,115 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
The Jiangnan Discourses of Pre-medieval Rhapsodies: Discussion Based on the Songs of Chu, “Rhapsody on Mountain Dwelling,” and “Lament for Jiangnan”
由於先秦到六朝的「江南」研究,少有貫串時序、提點脈絡的學術論著,本論文擬從《楚辭》、〈山居賦〉、〈哀江南賦〉三個端點,探索前中古的辭賦如何建構「江南」。楚辭》分為屈賦和「擬騷」。屈原筆下的「江南」為政治權力關係下士臣的意識空間,可從中央與東西南北四方、中央與四方上下兩種體系切入。漢代「擬騷」中的「江南」,則是模擬屈賦的紙上空間,並可再細分成〈招隱士〉及其他「擬騷」兩部分:前者將原本屈原筆下吐露士臣哀思的「江南」,改寫為權力中心對於逃離體制的警告;後者則以屈賦與〈招隱士〉各種意象的交錯,體現失志之士只能逃遁或者哀泣的不遇感慨。對於西漢至東晉的大賦,都未呈現長久依存於「江南」的在地體驗,〈山居賦〉中的「山居」,不論是強調「山」而不是「水」,或是雖沿用賦體,但提出遊走於私我與皇權兩種向度的「居」,都豁顯出不同於以往大賦的關注角度。因此除了相應於晉宋時期「東山」經營的風潮,始寧山居如何體現謝氏「祖德」、對抗放逐,以至謝靈運由身體行動開展了什麼樣的「江南」風景,都是研討的重心。而賦文中引用、轉寫楚典的一段,更展現了謝靈運企圖超越屈原的放逐之悲。哀江南賦〉的「江南」論述可從三個層次來談。首先,除了注意到「哀江南」承續屈騷,也不應忽略「江南」一詞包有地理、社會、文化等意涵,「梁」只是其成分之一。其次,經由〈哀江南賦〉與〈歸魂賦〉、〈觀我生賦〉的相互對照,透顯三文中「江南」書寫所包蘊的「家園」與「中原」意涵。第三,從庾信反用典故以解構「江南」,點出「江南」可「哀」之處。此,從《楚辭》談到〈山居賦〉、〈哀江南賦〉,一方面呈現出了一個「江南」起源、開發與崩毀的歷程,並涉及了三賦之間的彼此對話;另一方面,若與《尚書‧禹貢》、《周禮‧地官》、《禮記》等傳統地理論述、乃至具現此論述模式的傳統大賦相參照,會發現一直要到〈哀江南賦〉等作,「江南」才得以擺脫和權力中心相對的邊緣地帶,且以駢賦的書寫範式來寫就此「江南」「中原」。往後庾信〈三月三日華林園馬射賦〉,嘗試讓北方也經由南方的書寫格套來成為權力中央,相較於以往「江南」希冀憑藉傳統賦體晉身「中原」,正可說是此一時,彼一時了。目 錄論…………………………………………………………………………………………………01一章 《楚辭》中的「江南」論述 第一節 前言 …………………………………………………………………………07 第二節 中央與四方、中央與四方上下之權力關係下的意識空間 ──屈賦中的「江南」論述 ………………………………………………09 第三節 漢代「擬騷」中的「江南」論述 …………………………………………17 一、 權力中心對於逃離體制的警告 ──〈招隱士〉的「江南」論述 …………………………………………17 二、 失志之士的紙上慰藉 ──〈惜誓〉、〈七諫〉、〈哀時命〉等漢代「擬騷」中的「江南」 論述 …………………………………………………………………………20 第四節 結語 …………………………………………………………………………25二章 〈山居賦〉中的「江南」論述 第一節 前言 …………………………………………………………………………27 第二節 山川論述與江海描繪 ──西漢至東晉間「大賦」中的「江南」論述 …………………………28三節 山野園宅與經營開發 ──晉宋時期的「東山」論述 ……………………………………………33 第四節 山水流連與功成身退 ──〈山居賦〉中體現「祖德」的「山居」 ……………………………39 第五節 身體行動與居的世界 ──〈山居賦〉中以身體行動開展的「江南」風景 ……………………47 第六節 結語 ……………………………………………………………………………55三章 〈哀江南賦〉中的「江南」論述 第一節 前言……………………………………………………………………………59 第二節 以「梁」詮釋「江南」的效用與侷限 ──〈哀江南賦〉對於〈招魂〉的承襲與轉化……………………………60 第三節 家園與「中原」的「江南」 ──〈哀江南賦〉、〈觀我生賦〉和〈歸魂賦〉中的人情普遍性與文化 正朔……………………………………………………………………………66 第四節 「江南」的建構與解構 ──〈哀江南賦〉用典藝術的探討…………………………………………73 第五節 結語……………………………………………………………………………79語…………………………………………………………………………………………………81要參考書目………………………………………………………………………………………8
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
Author-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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