4,980 research outputs found
Dr Hannah Graham on Australian leadership: Integrity, relational leadership and tenacious courage of conviction
Hannah Graham talks to Victor Perton about Australian Leadership. Criminologist, author and university lecturer Dr Hannah Graham was born in Tasmania and studied and worked at the University of Tasmania, before moving to Scotland to work in the Scottish Centre for Crime and Justice Research at the University of Stirling. Hannah has worked on justice and health-related projects with the EU, the Scottish Government, the Australian Government and Tasmanian Government, and she does ongoing research and writing on innovation and justice. Connect to Hannah on Twitter: @DrHannahGraham and @Innovative_Jus
Graham Fagen
On the occasion of the exhibition by Graham Fagen for Scotland and Venice 2015 at the 56th International Art Exhibition, the Venice Biennale, this publication documents a new body of work, showing extensive photographs of past works, and provides a range of insights/perspectives on the development of GrahamFagen’s practice. It features new texts by: Katrina Brown; Penelope Curtis; and Louise Welsh with an introduction by Lucy Byatt, Director of Hospitalfield.
The book has been designed by Richy Lamb
Annual budget (Graham County, Ariz.)
The Board of Supervisors make an estimate of the different amounts required to meet the public expenditures/expenses for the ensuing year, also an estimate of revenues from sources other than direct taxation, and the amount to be raised by taxation upon real and personal property of Graham County.Electronic version includes only selected pages and lacks a title page
Stephen Graham Jones - Sowell Conference 2017
Stephen Graham Jones, University of Colorado-Boulder, author of "Mongrels" and "Growing Up Dead in Texas
Ride! Ride!: Enthusiasm (lyric by Alan Thornhill)
Stephen Varcoe & Bruce Graham, baritone ; Maureen Keetch, mezzo-soprano ; Instrumental Ensemble/ Penelope Thwaites, piano.SOMM Recordings SOMMCD017ABC Classic FMOff-air broadcast recording. Copied under Part VA of the Copyright Ac
Graham Fagen, The Slave’s Lament, Scotland + Venice 2015
Alongside Graham Fagen’s exhibition Hospitalfield and Scotland + Venice have published a book with extensive photographs chosen by Fagen to represent his past projects and to document the new body of work made for Venice.The publication also features new texts by Katrina Brown and Penelope Curtis; an interview between Graham Fagen and Louise Welsh; and an introduction by Lucy Byatt, Director of Hospitalfield.The book has been designed by Richy Lamb.Excerpts from the introduction: The title of Curtis’s essay, Palazzo Fontana / Fountain Palace: Hospitalfield / Campo Ospedale, reminds us immediately of how important site is for Fagen and how many of his works draw from, or are formed by their situation… Formers and Forms, Casts and Casting, the title of the essay authored by Katrina Brown references a very early yet influential work, Former and Form (1993).… In their conversation Welsh compares her working process, ‘Writers are often thinking about what to leave out, in order to enable the reader to invest imaginatively in the experience. Are you doing something similar…?’ She is specifically referring to Fagen’s use of theatre scripts but it is an important question to ask more generally. Fagen replies ‘The artwork is neither the form nor the text … the artwork gets made in the mind of the person who has viewed and read the form and the text’.The publication has been supported by Duncan of Jordanstone College of Art & Design, University of Dundee, where Graham Fagen is a Senior Lecturer.ISBN 978-0-9932275-0-
Graham Greene An Approach to the Novels
This study reveals Greene in a dual role as author, one who projects literary experience into his view of life and subsequently projects both his experience and its "literary" interpretation into his fiction; and it defines two phases of Greenes novels through the changing relationship between writer and protagonists. The first phase progresses from acutely sensitive, self-divided young men somewhat like the young Greene to embittered, alienated characters ostensibly at great distance from their creator. The second phase (1939) includes a series of "portraits of the artist" through which Greene confronts more directly the tensions and conflicts of his private life.Book Cover -- Half-Title -- Title -- Copyright -- Dedication -- Contents -- Introduction -- Acknowledgements -- GRAHAM GREENE -- CHAPTER ONE Protagonists of the First Phase -- YOUTH -- DIVIDED SELVES -- WOMEN AND REDEMPTION -- MARRIAGE IN THE FIRST PHASE -- THE LITERARY FRAME -- THE FIRST-PHASE PROTAGONIST AND THE AUTHOR -- CHAPTER TWO Letters and Diaries -- LETTERS TO VIVIEN -- DIARIES -- CHAPTER THREE A Gun for Sale -- A GUN FOR SALE AND BROWNING'S "CHILDE ROLAND" -- A GUN FOR SALE AND TENNYSON'S MAUD -- CHAPTER FOUR Brighton Rock -- PINKIE AS NAPOLEONIC STRATEGIST -- CHARACTERS AND NAMES -- BRIGHTON ROCK AS A FAUSTIAN NOVEL -- CHAPTER FIVE Protagonists of the Second Phase -- AGE -- CHILDREN AND CHILDHOOD -- SELF-DIVISION -- MARRIAGE IN THE SECOND PHASE -- CHAPTER SIX The Strategy of Allusion in the Second Phase -- TOWARD THE WRITER AS PROTAGONIST -- CHAPTER SEVEN Portraits of the Artist -- CHAPTER EIGHT Travels with My Aunt -- CHAPTER NINE The Honorary Consul -- CHAPTER TEN The Human Factor -- CHAPTER ELEVEN Dr. Fischer of Geneva -- CHAPTER TWELVE Monsignor Quixote -- POSTSCRIPT: "YOUR DREAM HAS BEEN YOUR LIFE. -- CHAPTER THIRTEEN The Captain and the Enemy -- FINIS -- Selected Bibliography -- (A) WORKS BY GRAHAM GREENE -- (B) CRITICAL AND BIOGRAPHICAL WORKS -- Index -- Permissions Acknowledgements -- PENGUIN PUTNAM INC. -- SIMON & -- SCHUSTERThis study reveals Greene in a dual role as author, one who projects literary experience into his view of life and subsequently projects both his experience and its "literary" interpretation into his fiction; and it defines two phases of Greenes novels through the changing relationship between writer and protagonists. The first phase progresses from acutely sensitive, self-divided young men somewhat like the young Greene to embittered, alienated characters ostensibly at great distance from their creator. The second phase (1939) includes a series of "portraits of the artist" through which Greene confronts more directly the tensions and conflicts of his private life.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
The Massett-Graham Island Coal Company: the Nearest Coal Fields to Prince Rupert:
This little booklet is compiled to show the possibilities of the property controlled by this company in The Graham Island Coal Fields, near Prince Rupert, British Columbia Canada.--P. [1
Author Geraldine Brooks, Sydney, 1997 [picture] /
Title from acquisitions documentation see file, NLA11/672.; Part of the collection: Portraits of significant Australians, 1980-2003.; Acquired in digital format; access copy available online.; Mode of access: Online.; Purchased from the photographer 2012
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