1,720,969 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
The Figures of Crisis: The Reflections of the 2008 Financial Crisis as Ideological Discourse of Capitalism
Get PDFIn this dissertation, the reflections on the 2008 financial crisis by Henry Paulson, Timothy Geithner and Ben Bernanke are read as literary texts with formal features that perform an ideological function. Their memoirs of the financial crisis contain a set of figures and formal elements that create the narrative of crisis which acts as an apology for the current financial system and capitalist economy in general. The analysis shows how the crisis discourse deflects criticism directed at the three principal decision-makers by deploying the strategies of exceptional individualization of their characters, and by naturalization of historical processes and relations of capitalist production. In order to frame the reflections as ideological narratives, the analysis draws from Fredric Jameson’s understanding of literature and cultural texts as socially symbolic acts that can be deciphered in terms of their ideological position in the conflict between different class interests. The representations of crisis and the financial structure are read as an attempt to project a map of the unconscious of the capitalist system - of the unrepresentable global economy. That the totality of social relations cannot be individually experienced as an empirical object or process has been theorized as one of the conspicuous phenomena of modernity. The examination of crisis reflections locates and describes their formal moments that further obscure the global reality of financial relations and produce illusions of its natural permanence and regeneration. Figures like the firefighter, the lender of the last resort, the outsider, the expert, and others, form a discourse of crisis that evacuates genuine critical reflection on the system that constantly produces crises. To politicize and historicize this mythic discourse is to try to attend to its logic of representation and point out its aesthetic attraction and conceptual incoherence
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
The Dialectics of Middleness: Towards a Political Ontology of Centrism
Get PDF This dissertation explores the recent history and politics of the formation of the center or middle as the sovereign horizon of contemporary political practice and history. The political center has typically been imagined as the space between the two poles of Left and Right. Rather than beginning with an assumption of the political center's absolute relativity-a history absorbed by infinitely contingent contexts-this thesis understands centrism as itself a political position: a plural, yet relatively stable complex of meanings in urgent need of problematization. Guided methodologically by the work of Michel Foucault and Frederic Jameson, the thesis grounds this analysis in a reading of The Economist magazine between the years 1950-2007. A self-identified advocate of the "extreme center", the magazine functions as a primary archive through which to document shifts in the constitution of an historically-specific centrism, a political position with significant global traces and consequences. In the Introduction the basic theoretical coordinates of the center as a metaphor, concept and political fantasy are unpacked against the backdrop of a broader diagnostics of the present. Chapter 1 addresses itself to the Keynesian centrism prevalent in the years immediately following the war in Britain, one characterized primarily by ideas about balance, consensus, and moderation. Chapter 2 follows the content of this discourse across the break-down of post-war growth and its subsequent identification with "radical" Thatcherism. In Chapter 3, the contradictions accumulated in this shift from a thematics of caution to one emphasizing a radical break with consensus, are examined through the figure of the heretical manager, the pragmatist who presides over the inherently revolutionary fabric of capitalist space and innovation. Finally, the conclusion thinks through the ways in which the radical center functions within a broader cultural sensation of middleness very much a basic part of life in postmodern societies.ThesisDoctor of Philosophy (PhD
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