1,721,911 research outputs found
The Story of MIT-Fablab Norway: Community Embedding of Peer Production
Get PDFMIT-Fablab Norway was one of the first Fab Labs ever established, in northern Norway in 2002. Despite this auspicious beginning to a network that is rapidly growing, surprisingly little has been written about the genesis of the network or the Fab Lab itself. We therefore aim to contribute to this knowledge gap with a narrative account of our independent ethnographic research visits to the Lab. We combine our researcher perspectives, which are informed by, on the one hand, Aesthetics and a phenomenological understanding and, on the other, Science and Technology Studies, with Design Research bridging both. Our account aims to richly describe the Lab’s unique profile in the MIT Fab Lab network as a socially shaped entity and product of a particular time and place. Most salient in this narrative is the role of its charismatic founder, whose stories and metaphors become vehicles by which we come to understand how a Fab Lab forms its own identity, balancing the relationships with local stakeholders against those with the Fab Lab network; how it promotes certain principles and values of peer production; and how it represents itself to both maker insiders and outsiders. While situated and particular to this Lab, our interpretations may have implications for the trajectories of other Fab Labs and makerspaces, as well as our understanding of peer production as a new paradigm.Peer reviewe
Spatial practices, commoning and the peer production of culture:Struggles and aspirations of grassroots groups in Eastern Milan
Get PDFThis paper reports on a case study of the Milan-based collective Macao to examine whether its commoning practices and governance model allow for processes of cultural peer production and their degree of engagement and inclusiveness on various scales. In 2012, Macao occupied iconic spaces in Milan and became rapidly a significant urban movement that gathered a large number of members and supporters. The activists eventually settled in the former Slaughterhouse Exchange Building in the Molise-Calvairate-Ponti neighbourhood, an area characterised by a large number of abandoned and underused sites, inadequate provision of affordable housing and issues around the social integration of immigrants and ethnic minorities (Milan City Council, 2010; Caffa, 2016, 2017). Drawing on foundational studies on urban movements and the role of the creative sector in urban struggles, the paper first contextualises Macao within the broader framework of grass-roots initiatives in Italy since the 1970s before investigating the controversial relationship between the collective and the local community. The gaps we note between them provide a better understanding of the complexity of the actual social, economic and political struggles in Milan, and how ‘right-to-the-city’ aspirations are differently interpreted. By analysing Macao’s experience through the lens of the commons, the paper provides insights into whether its key features and governance aim at activating inclusive practices of cultural peer production. During two field work periods in February 2016 and April 2017, data were collected through mixed methods that included visual mapping, semi-structured interviews with representatives of Macao and local stakeholders and a multi-activity participatory session with a group of Molise-Calvairate-Ponti social housing tenants
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No full textTo investigate how participants in peer production systems allocate their time, we examine editing activity on Wikipedia, the well-known online encyclopedia. To analyze the huge edit histories of the site’s administrators we introduce a visualization technique, the chromogram, that can display very long textual sequences through a simple color coding scheme. Using chromograms we describe a set of characteristic editing patterns. In addition to confirming known patterns, such reacting to vandalism events, we identify a distinct class of organized systematic activities. We discuss how both reactive and systematic strategies shed light on self-allocation of effort in Wikipedia, and how they may pertain to other peerproduction systems
Postcolonial Peer Production
No full textThis chapter focuses on India to give an overview of postcolonial peer production (PCPP) and shows how the bazaar model provides an alternative perspective to peer production. It also focuses on the important strands that make a historical study and contemporary analysis of PCPP possible. The chapter presents bazaar-level innovation and organizational structure as a unique bottom-up model of peer production. It provides a brief political history of the Indian context to show why a particular type of PCPP emerged. The chapter develops the traditions of popular wisdom and embodied knowledge as open repositories for non-elites to learn and tinker with technological products. It analyzes the bazaars side by side with traditional bases of popular knowledge, as a way to carve out historical roots and bring out their essence. The chapter moves into a more specific discussion on peer communities, particularly through a focus on money, creativity, and modes of organization
The Story of MIT-Fablab Norway : Community Embedding of Peer Production
No full textMIT-Fablab Norway was one of the first Fab Labs ever established, in northern Norway in 2002. Despite this auspicious beginning to a network that is rapidly growing, surprisingly little has been written about the genesis of the network or the Fab Lab itself. We therefore aim to contribute to this knowledge gap with a narrative account of our independent ethnographic research visits to the Lab. We combine our researcher perspectives, which are informed by, on the one hand, Aesthetics and a phenomenological understanding and, on the other, Science and Technology Studies, with Design Research bridging both. Our account aims to richly describe the Lab’s unique profile in the MIT Fab Lab network as a socially shaped entity and product of a particular time and place. Most salient in this narrative is the role of its charismatic founder, whose stories and metaphors become vehicles by which we come to understand how a Fab Lab forms its own identity, balancing the relationships with local stakeholders against those with the Fab Lab network; how it promotes certain principles and values of peer production; and how it represents itself to both maker insiders and outsiders. While situated and particular to this Lab, our interpretations may have implications for the trajectories of other Fab Labs and makerspaces, as well as our understanding of peer production as a new paradigm.</p
The Tyranny of openness: what happened to peer production?
No full textThis paper examines a “culture war” underway among software peer-production communities through relevant blog posts, legal documents, forum discussions, and other sources. Software licensing has been a defining strategy for peer producers, and much of the conflict at hand revolves around whether licensing should more fully incorporate ethics and economics, respectively. Feminist analysis can aid in tracing the contours of discontent through its emphasis on social processes that enable and infuse productive activity—processes that peer producers have trained themselves to ignore. The emerging critiques, and the experiments they have inspired, gesture toward fuller understandings of what “free” and “open” might mean
MAKERS AS A NEW WORK CONDITION BETWEEN SELF-EMPLOYMENT AND COMMUNITY PEER-PRODUCTION. INSIGHTS FROM A SURVEY ON MAKERS IN ITALY.
Get PDFPeer production has emerged as a new and relevant way of organising the work of distributed and autonomous individuals in the production and distribution of digital content. Increasingly, the adoption of peer production is taking place not only in the development of digital and immaterial content, but also in the design, manufacturing and distribution of physical goods. Furthermore, Open Design and Open Hardware projects are developed, discussed, manufactured and distributed thanks to digital fabrication technologies, digital communication technologies, advanced funding initiatives (like crowdfunding platforms and hardware incubators) and globally integrated supply chains. This new systemic dimension of work is possible, among other factors, thanks to local facilities like Fab Labs, Makerspaces and Hackerspaces (that can be generally called Maker laboratories), where individuals can gather and form communities with other people, designing and manufacturing together. Generally, these people are referred to as Makers and, while their existence is still an emergent phenomenon, it is widely acknowledged that they could exemplify a new modality of work. We investigated the knowledge, values and working dimensions of Makers in Italy with the Makers' Inquiry, a survey that focused on Makers, Indie Designers and managers of Maker laboratories. This research generated a first overview of the phenomenon in Italy, improving the knowledge of the profiles of Makers; an important step because Makers are usually defined in a very broad way. Furthermore, we investigated their profiles regarding their values and motivations, in order to understand how much Makers engage in peer production or in traditional businesses and whether their working condition is sustainable or not. Finally, we compared these profiles with data regarding traditional designers and businesses and the national context. Given the recent nature of the Maker movement, the focus of this article is on providing a first overview of the phenomenon in Italy with an exploratory analysis and with comparison with existing related literature or national data, rather than contextualising the Maker movement in sociological and political contributions. Far from happening in a void, Italian Makers have a strong relationship with their localities and established industry. Therefore, this is a recent evolution, where Makers work with a broader palette of projects and strategies: With both non-commercial and commercial activities, both peer production and traditional approaches. The activity of making is still a secondary working activity that partially covers the Makers’ income, who are mostly self-employed working at home, in a craft workshop or in a Fab Lab in self-funded or non-commercial initiatives, where technology is not the only critical issue. As a conclusion, we identified current patterns in the working condition of Italian Makers. The data gathered shows some interesting information that, however, could be applicable only to an Italian context. Nevertheless, the survey could be a starting point to compare the same phenomenon in different countries. Therefore, we released the survey files, software and data as open source in order to facilitate the adoption, modification, verification and replication of the survey
Towards a (De)centralisation-Based Typology of Peer Production
No full textInternational audienceOnline peer-production platforms facilitate the coordination of creative work and services. Generally considered as empowering participatory tools and a source of common good, they can also be, however, alienating instruments of digital labour. This paper proposes a typology of peer-production platforms, based on the centralisation/decentralisation levels of several of their design features. Between commons-based peer-production and crowdsourced, user-generated content " enclosed " by corporations, a wide range of models combine different social, political, technical and economic arrangements. This combined analysis of the level of (de)centralisation of platform features provides information on emancipation capabilities in a more granular way than a market-based qualification of platforms, based on the nature of ownership or business models only. The five selected features of the proposed typology are: ownership of means of production, technical architecture/design, social organization/governance of work patterns, ownership of the peer-produced resource, and value of the output
Alt. vs. Ctrl.: Editorial notes for the JoPP issue on Alternative Internets
No full textSpecialnummer av Journal of Peer Production om alternativa digitala nätverk
Journal of Peer Production
No full textJournal of Peer Production Sujet : The very first issue of the Journal of Peer Production was published under the title Critical Studies in Peer Production. The Journal of Peer Production (JoPP) seeks high-quality contributions from researchers and practitioners of peer production. We understand peer production as a mode of commons-based and oriented production in which participation is voluntary and predicated on the self-selection of tasks. Notable examples are the collaborative devel..
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