4,412 research outputs found
Recommended from our members
"Peacock Dream" jacket
No full text"Peacock Dream" jacket of dyed green denim with multiple bands of trim in jean jacket style. Main back panel collage appliqué of multicolored fabrics with two goddess figures and a blue peacock. Designer's label at center back neckline: "Amy Zerner
Recommended from our members
Peacock Priestess
No full text"Peacock Priestess" caftan dress of turquoise blue net over turquoise blue and green satin with appliqué and real peacock feathers. Back with appliqué medallions
A Library for Everyone: Building a Model for Library Digital Accessibility
Full text linkWant to know more about the ways libraries can support digital accessibility? Learn from the expertise of Boise State University librarians Rebeca Peacock and Amy Vecchione using their digital accessibility research to show how you can apply the lessons learned in your library. In this presentation, you\u27ll learn what digital accessibility is and how meeting digital accessibility needs supports everyone! In addition, they will share easy to implement techniques and tools to improve the library experience for everyone
FIT Authors Talks: "The Miracles" with Amy Lemmon
No full textProfessor and Chair of English and Communication Studies Amy Lemmon reads from and talks about her book The Miracles.With lyricism and grace, Amy Lemmon gives us a worldview to live by. The all-too-familiar “wear of sorrow’s rub” is presented alongside the world’s miracles, including the author’s two children. Fearlessly bridging the gap between tradition and artistic innovation, the author moves us forward with her into the unknown, to entertain new relationships with herself, her children, and the world
American Women Writers: Amy M. Clark
No full textA 2011 conversation with the author Amy M. Clark about her life and the inspiration for her work
Dr. Amy Howard – Faculty Author Interview
No full textAmy Howard, executive director of the Bonner Center for Civic Engagement and associated faculty in American studies, discusses her new book, More Than Shelter: Activism and Community in San Francisco Public Housing, published recently by the University of Minnesota Press. Her research and book looks closely at three public housing projects in San Francisco and brings to light the dramatic measures tenants have taken to create communities that mattered to them
Payton, Amy Louise. "Looking Back" radio show on Paytons book on Georgina Stirling.
No full textCBC freelance broadcaster Cathy Porter talking to author Amy Louise Payton about the life of Georgina Stirling, Soprano Premadonna from Twillingate. Payton talks about her interest in the singer and her book on Stirling; Hiram Silk interviews Amy Louise Payton on the program Looking Back about her book Nightingale of the North about Georgina Stirling. Payton talks about Stirling and the history of the Twillingate area
Recommended from our members
"Peacock Passion" dress
No full textCaftan style dress of black silk with multicolored printed silk and cotton appliqué on front and back. Main back panel inset with flora and fauna with blue, green and purple peacock
Sparrows can't sing : East End kith and kinship in the 1960s
Full text linkSparrows Can’t Sing (1963) was the only feature film directed by
the late and much lamented Joan Littlewood. Set and filmed in
the East End, where she worked for many years, the film deserves
more attention than it has hitherto received. Littlewood’s career
spanned documentary (radio recordings made with Ewan MacColl
in the North of England in the 1930s) to directing for the stage
and the running of the Theatre Royal in London’s Stratford East,
often selecting material which aroused memories in local audiences
(Leach 2006: 142). Many of the actors trained in her Theatre
Workshop subsequently became better known for their appearances
on film and television. Littlewood herself directed hardly any material
for the screen: Sparrows Can’t Sing and a 1964 series of television
commercials for the British Egg Marketing Board, starring Theatre
Workshop’s Avis Bunnage, were rare excursions into an area of practice
which she found constraining and unamenable (Gable 1980: 32).
The hybridity and singularity of Littlewood’s feature may answer,
in some degree, for its subsequent neglect. However, Sparrows Can’t
Sing makes a significant contribution to a group of films made in
Britain in the 1960s which comment generally on changes in the
urban and social fabric. It is especially worthy of consideration,
I shall argue, for the use which Littlewood made of a particular
community’s attitudes – sentimental and critical – to such changes and
for its amalgamation of an attachment to documentary techniques
(recording an aural landscape on location) with a preference for nonnaturalistic
delivery in performance
- …
