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MISAME
No full textBased on 5 poems of Afanasij Afanasevic Fet, russian romantic poet
(1820-1892)
recorded at St.Petersburg Radio and Television Studio.
The St. Petersburg Conservatoire Choir, conductor: Nikolaj Kornev, vocal:
Boris Karandasov, electronics: Dmitri Pavlov, sound engineer: Vladimir
Lukitchev
1990 "My Native Land" composition for electronics
recorded at St.Petersburg Radio and Television Studio
electronics: Dmitri Pavlov, sound engineer: Vladimir Lukitche
Letter from unknown author to Michel-Dmitri Calvocoressi, undated
No full textAn undated letter from an unknown author to French critic and musicologist Michel-Dmitri Calvocoressi
Letter from unknown author to Michel-Dmitri Calvocoressi, undated
No full textAn undated letter from an unknown author to French critic and musicologist Michel-Dmitri Calvocoressi
Letter from unknown author to Michel-Dmitri Calvocoressi, undated
No full textAn undated letter from an unknown author to French critic and musicologist Michel-Dmitri Calvocoressi
Homotopy theory of symmetric powers
No full textWe introduce the symmetricity notions of symmetric hmonoidality, symmetroidality, and symmetric flatness. As shown in our paper [PS14a], these properties lie at the heart of the homotopy theory of colored symmetric operads and their algebras. In particular, the former property can be seen as the analog of Schwede and Shipley's monoid axiom for algebras over symmetric operads and allows one to equip categories of such algebras with model structures, whereas the latter ensures that weak equivalences of operads induce Quillen equivalences of categories of algebras. We discuss these properties for elementary model categories such as simplicial sets, simplicial presheaves, and chain complexes. Moreover, we provide powerful tools to promote these properties from such basic model categories to more involved ones, such as the stable model structure on symmetric spectra. This paper is also available at ar Xiv:1510.04969v3
SYMMETRIC OPERADS IN ABSTRACT SYMMETRIC SPECTRA
No full textThis paper sets up the foundations for derived algebraic geometry, Goerss–Hopkins obstruction theory, and the construction of commutative ring spectra in the abstract setting of operadic algebras in symmetric spectra in an (essentially) arbitrary model category. We show that one can do derived algebraic geometry a la Toën–Vezzosi in an abstract category of spectra. We also answer in the affirmative a question of Goerss and Hopkins by showing that the obstruction theory for operadic algebras in spectra can be done in the generality of spectra in an (essentially) arbitrary model category. We construct strictly commutative simplicial ring spectra representing a given cohomology theory and illustrate this with a strictly commutative motivic ring spectrum representing higher order products on Deligne cohomology. These results are obtained by first establishing Smith’s stable positive model structure for abstract spectra and then showing that this category of spectra possesses excellent model-theoretic properties: we show that all colored symmetric operads in symmetric spectra valued in a symmetric monoidal model category are admissible, i.e., algebras over such operads carry a model structure. This generalizes the known model structures on commutative ring spectra and-ring spectra in simplicial sets or motivic spaces. We also show that any weak equivalence of operads in spectra gives rise to a Quillen equivalence of their categories of algebras. For example, this extends the familiar strictification of-rings to commutative rings in a broad class of spectra, including motivic spectra. We finally show that operadic algebras in Quillen equivalent categories of spectra are again Quillen equivalent. This paper is also available atarXiv:1410.5699v2.</jats:p
Admissibility and rectification of colored symmetric operads
No full textWe establish a highly flexible condition that guarantees that all colored symmetric operads in a symmetric monoidal model category are admissible, that is, the category of algebras over any operad admits a model structure transferred from the original model category. We also give a necessary and sufficient criterion that ensures that a given weak equivalence of admissible operads admits rectification, that is, the corresponding Quillen adjunction between the categories of algebras is a Quillen equivalence. In addition, we show that Quillen equivalences of underlying symmetric monoidal model categories yield Quillen equivalences of model categories of algebras over operads. Applications of these results include enriched categories, colored operads, prefactorization algebras, and commutative symmetric ring spectra
Retelling Dmitri Karamazov’s Story in an Interactive Graphic Novel
No full textThis thesis discusses the subject and media of Dmitri Karamazov an interactive graphic novel with Augmented Reality component. Dmitri Karamazov is adapted from Dostoevsky’s novel the Brothers Karamazov. The author uses a fannish, feminine reading strategy to interpret Dostoevsky's character Mitya, transforms the original narrative and retells the story with the assistance of AR technology. The use of AR in Dmitri Karamazov highlights the fanfiction nature of this interactive graphic novel. It shows how a reader can actively participate in literary interpretation, criticism, writing, rewriting, adapting and creating in a new layer of reality. In terms of literature appreciation and consumption, AR encourages people to break away from their traditional passive-reader roles, and provides a virtual space for people to assume authorship of the materials they encounter.</p
Eksperimentasi Permasalahan Teknik-teknik pada Cello Concerto No.1 Bagian Pertama “Allegretto” Karya Dmitri Shostakovich
No full textABSTRAK Penguasaan teknik bagi seorang resitalis merupakan suatu keharusan, sesuai dengan tingkat kesulitan teknis yang ingin dicapai. Penulis mengacu pada penandaan teknis oleh pemain cello Mstislav Rostropovich untuk fingering dan bowing dalam repertoar pertama Cello Concerto No. 1 karya Dmitri Shostakovich yang kemudian ditemukan ketidakcocokan dalam preferensi pertimbangan teknis dan membuat penulis ingin mencoba bereksperimen untuk memecahkan masalah kesulitan teknis dalam repertoar tersebut. Technical Problems Experimentation in The Cello Concerto No.1, First Movement "Allegretto" by Dmitri Shostakovich ABSTRACT A recitalist's mastery of technique is a must, according to the level of desired achievements of technical difficulties. The author refers to the technical markings by cellist Mstislav Rostropovich for fingerings and bowings in the first cello concerto No.1 by Dmitri Shostakovich, which later was found discrepancies in the preferences of technical considerations, thus have made the author want to try to solve technical problems in the repertoire in a more personal way.
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