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Paul Mitchell with his Collection of insulators
No full textPaul Mitchell with his collection of telephone and utility pole insulators
Mr. and Mrs. Paul Mitchell with insulators
No full textMr. and Mrs. Paul Mitchell of 1310 21st Street West, pose with their collection of glass and ceramic insulators, used on telephone and utility poles
Caddo Ceramic Vessels from the Paul Mitchell Site (41BW4) on the Red River, Bowie County, Texas
Full text linkThe Paul Mitchell site (41BW4) is an ancestral Caddo habitation site and cemetery in the larger ancestral and historic occupation of the Upper Nasoni Village on the Red River in Bowie County, in the northeastern corner of the present state of Texas (Figure 1). Extensive excavations were conducted at the site in the 1930s by both professional and avocational archaeologists, and in the 1940s by an avocational archaeologist. The Paul Mitchell site is located in the McKinney Bayou floodplain about 2 miles from the current channel of the Red River to the north. The site is part of a large Upper Nasoni village believed to have extended several miles along the Red River, likely encompassing contemporaneous sites such as Eli Moores (41BW2), Hatchel (41BW3), Hargrove Moores (41BW39), and Horace Cabe (41BW14). The large platform mound at the Hatchel site is about 1.6 km north of the Paul Mitchell site.
This monograph concerns the documentation of the 145 ceramic vessels placed as funerary offerings in Middle (ca. A.D. 1200–1400) and Late Caddo (ca. A.D. 1400–1690) period burials at the site that are now in the collections of the Texas Archeological Research Laboratory at the University of Texas at Austin (TARL). These vessels were recovered in several phases of 1930s excavations in a large cemetery at the Paul Mitchell site
Michael Gallagher, Michael Marsh & Paul Mitchell, eds : How Ireland Voted 2002
No full textGillissen Christophe. Michael Gallagher, Michael Marsh & Paul Mitchell, eds : How Ireland Voted 2002. In: Études irlandaises, n°29 n°1, 2004. pp. 172-173
Paul Mitchell (dir.). -The Impact of Institutions and Professions on Legal Development, 2012
No full textCustos Dominique. Paul Mitchell (dir.). -The Impact of Institutions and Professions on Legal Development, 2012. In: Revue internationale de droit comparé. Vol. 65 N°4,2013. pp. 1017-1021
Blog Post, I am USF St. Petersburg: Paul Mitchell, November 10, 2004
No full textA blog post from the series I am USF St. Petersburg about members of the University of South Florida St. Petersburg (USFSP). It describes Paul Mitchell\u27s work as a police communications officer in the USFSP Department of Public Safety
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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