1,721,025 research outputs found

    Serum ferritin and serum iron changes after cross-country and roller ski endurance races.

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    We have studied the variations induced in iron status parameters by four endurance races of different lengths. A comprehensive group of 48 healthy, non-iron deficient, endurance athletes were evaluated before and after four different cross-country and roller ski races: I = Skirollonga, roller ski race for individuals (n = 10), mean duration (MD) = I h 48 min; II = Marcialonga, cross-country ski race for individuals (n = 9) MD = 3 h 10 min; III = 12-h of Caldonazzo (Trento-Italy) roller ski relay race (n = 13) MD = 12 h; IV = 24-h of Pinzolo (Trento-Italy) cross-country ski relay race (n = 16) MD = 24 h. In the relays the MD includes both exercise and recovery times. Blood samples were taken before and after every race for the determination of the following haematological parameters: red blood count, haemoglobin, and packed cell volume, serum iron concentration [SI], serum ferritin concentration [FERR] and total iron binding capacity (TIBC). The results showed a constant significant increase of [FERR] after the races (+ 44.9% in I, + 50.5% in II, + 51.2% in III and + 36.5% in IV, P<0.01) while [SI] increased only in the first two races (+ 28.2% in I and + 19.7% in II, P < 0.01) and showed a remarkable decrease in the longer races (-46.1% in III and -39% in IV, P< 0.01). The TIBC increased in all the races (except II) to the same extent (range 10%-12%). These data suggest that prolonged exercise may accelerate iron metabolism and produce large variations in iron status parameters. The increase in [FERR], observed in the four races, may be attributed to a new synthesis in the reticulo-endothelial cells as well as to a release from the iron stores. © 1990 Springer-Verlag

    Improving Radiance simulation workflow with process of anti-aliasing and tone-mapping to enhance users’ experience in VR environments

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    Recently, the use of VR is developing and spreading to be used for different applications: among them the evaluation of luminous environments and their characteristics by potential occupants for visual comfort assessment. Here, an improved simulation workflow based on Radiance use is presented to enhance the visualization quality in lower resolution VR HMDs devices and consequently users’ immersion experience. The method is based on the use of equirectangular projection, digital signal anti-aliasing processing and tone-mapping trough ‘normtiff’ Radiance command. Results demonstrate that the method increases the photorealism of the model, improving users’ experience

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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